Fringe Interior

Tide Duvet Cover

auping > Accessories

A cotton satin duvet cover with a hypnotic wave pattern like a calmly rippling lake. One side of the duvet cover is bright blue in colour with an irregular pattern of soft white lines, while the other side is a warm white with fresh blue lines. This duvet cover gives you two designs to choose from, ... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.

COSMO 1510 - Rectangular fabric pouf _ Et al.

Et al. > Pouf

COSMO 1510 Pouf: Versatile Elegance for Modern Interiors The COSMO 1510 pouf, designed by Philippe Tabet for Et al., embodies a minimalist aesthetic that seamlessly integrates into various interior settings. Its sleek design and functional features make it an ideal choice for residential spaces, hotels, offices, and commercial environments. Design and Dimensions The COSMO 1510 is a versatile pouf that complements the COSMO sofa system. Its compact dimensions are thoughtfully designed to provide comfort and functionality: Width: 88 cm Depth: 65 cm Height: 44 cm These proportions make it suitable for both spacious and limited areas, offering additional seating or serving as a footrest without overwhelming the space. Materials and Finishes Crafted with precision, the COSMO 1510 features: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse range of high-quality fabrics, including options like Melva, Fortis, Inca, Medley Gabriel, Chili Gabriel, Mirage, Convert, Fenice, Mood Gabriel, Valencia, Fabthirthy Rubelli, Ocean Mastrotto, and Remix 3 Kvadrat, each offering multiple color choices to suit various design aesthetics. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Functional Accessories To enhance its functionality, the COSMO 1510 can be equipped with optional accessories: USB Socket: Convenient for charging electronic devices, making it suitable for modern living and working environments. Schuko Socket: Offers an additional power outlet for various needs. These accessories make the pouf a practical choice for both relaxation and productivity. Applications and Versatility The COSMO 1510's adaptable design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and optional functional accessories. Retail Spaces: Complements boutique stores or showrooms, providing a comfortable seating option for customers. Complementary Products The COSMO collection includes various seating solutions that can be paired with the 1510 pouf to create cohesive interior designs. Options include the COSMO 1505 armchair, the COSMO 1502 three-seater sofa, and modular systems like the COSMO 1520, allowing for flexible configurations to suit different spaces and requirements. Key Features Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements. Optional Accessories: Functional add-ons like USB and Schuko sockets enhance usability. Compact Dimensions: Suitable for both large and small spaces without compromising on comfort. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal.

Tesori Lino bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Tesori Broccato bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Eames Plastic Armchair LAR

vitra > Chair

The Plastic Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. With the debut of their Plastic Chairs, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base). The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades – both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around. Thanks to its compact dimensions, the Plastic Chair LAR can also be used in smaller interiors, and the wide choice of colours for the shell, upholstery fabric, and base can be coordinated with diverse styles and settings. The steel wire base, which achieves maximum stability with minimum materials, acquired a charming nickname within just a short time on the market as a result of its unusual form: 'Cat's Cradle' – in reference to the children's string game. Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. Especially in the version with full upholstery, the LAR offers long-lasting comfort, making this modestly sized armchair an excellent seating option for any living space.

Tesori Lino grigio

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Charcoal Duvet Cover

auping > Accessories

A timeless duvet cover with a (luxurious) mix of linen and cotton, giving it a deliciously soft feel. It is woven from black and white yarns which combine to create a refreshing shade of grey. The rear side of the duvet is made of cotton satin in a beautiful shade of anthracite. The linen mix is 55%... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.

COSMO 1502 - 3 Seater: Contemporary Design with Ultimate Comfort

Et al. > Sofa

COSMO 1502 - 3 Seater: Contemporary Design with Ultimate Comfort The COSMO 1502 - 3 Seater sofa is a stylish and functional piece designed to elevate any interior. With its modern aesthetic and exceptional comfort, this sofa is perfect for a wide range of environments, including residential living rooms, hotel lounges, office waiting areas, and hospitality projects. Its clean lines, curved edges, and sleek metal base create a minimalist yet inviting appeal. Dimensions and Design The COSMO 1502 is designed with precision and practicality, featuring the following dimensions: Length: 237 cm Width: 88 cm Height: 80 cm Seat Height: 44 cm These dimensions make it spacious enough to seat three comfortably while maintaining a compact footprint that suits both large and smaller spaces. Its slightly inclined backrest and plush seating cushions offer the perfect balance of support and relaxation, making it an excellent choice for extended use. The tubular metal base, which raises the sofa slightly off the ground, adds an industrial touch to its modern aesthetic and creates a "floating" effect that enhances its lightweight look. Materials and Finishes The COSMO 1502 is crafted using premium materials that guarantee durability and style: Frame: Sturdy tubular metal, ensuring long-lasting stability while maintaining a sleek, contemporary profile. Upholstery: Choose from a variety of high-quality fabrics, including soft velvets, luxurious leathers, durable synthetic blends, and wools. These materials offer both tactile appeal and robust performance. Colour Options: Neutral tones like grey, cream, and taupe are ideal for minimalist and Scandinavian interiors. For bolder statements, vibrant colours like teal, mustard, or terracotta are available. The sofa's upholstery is expertly tailored, with removable covers that ensure easy maintenance and adaptability over time. Style and Versatility The COSMO 1502 seamlessly fits into various interior styles, such as contemporary, Scandinavian, and Japandi. Its rounded armrests, clean lines, and balanced proportions exude a refined elegance suitable for both casual and formal settings. The design is versatile enough to be the focal point of a living room or to complement other furniture in a larger lounge or lobby setup. Its lightweight yet durable construction also makes it an excellent choice for commercial spaces where heavy use is expected. The raised base allows for easy cleaning underneath, making it ideal for high-traffic areas. Applications and Uses The COSMO 1502 excels in a variety of environments: Residential Settings: Ideal for living rooms or family spaces, offering comfort and a contemporary design focus. Hospitality Projects: A standout piece for hotel lobbies, suites, and lounge areas. Office Spaces: Enhances reception areas and break-out zones with a sophisticated yet approachable aesthetic. Public Spaces: Durable enough for high-traffic areas such as libraries, art galleries, and healthcare facilities. Alternatives and Complements For smaller spaces, the COSMO collection includes a 2-seater option that retains the same elegant design but with more compact dimensions. Matching armchairs and ottomans from the COSMO range can also be added to create a cohesive and versatile seating arrangement. Key Features and Benefits A modern, minimalist design that integrates seamlessly into various interior styles. Customisation options in upholstery materials and colours to match specific design requirements. Tubular metal frame for a sleek, industrial look and lasting durability. 2D and 3D files are available for designers, making it easy to incorporate into design projects. Removable upholstery covers for hassle-free maintenance.

COSMO 1505 Armchair: A Modern Seating Solution

Et al. > Armchair

COSMO 1505 Armchair: A Modern Seating Solution The COSMO 1505 armchair, designed by Philippe Tabet for Et al., combines sleek modern design with functional versatility. Its clean lines and understated elegance make it an excellent choice for residential, hospitality, and office spaces. Dimensions and Design The updated dimensions of the COSMO 1505 are: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm This armchair features a compact footprint while still providing exceptional comfort. The absence of armrests enhances its minimalist aesthetic and makes it easy to incorporate into diverse interiors. The slightly curved backrest and plush seat ensure optimal support and relaxation. Materials and Finishes The COSMO 1505 offers a wide range of customisation options to suit any interior design scheme: Frame Material: Durable steel tubing that ensures stability while maintaining a lightweight look. Upholstery Options: Available in premium fabrics such as wool, velvet, and leather, alongside a variety of synthetic and natural blends. Each upholstery option comes in a broad spectrum of colours, from neutral tones like grey and beige to bold hues like teal and mustard. Frame Finishes: Choose from a palette of classic and contemporary finishes, including matt black, white, and metallic shades, as well as brighter colour options to make a statement. Accessories For added functionality and comfort, the COSMO 1505 can be accessorised with: A lumbar cushion for additional support. Integrated USB and Schuko sockets, making it suitable for modern office or hospitality settings. A reading lamp for cosy corners and personal reading spaces. Applications and Versatility The COSMO 1505’s adaptability makes it ideal for a variety of spaces: Residential: A stylish and comfortable choice for living rooms, bedrooms, or reading corners. Hospitality: Perfect for hotel rooms, lounges, or lobby areas, offering a sleek yet welcoming vibe. Office Spaces: Enhances reception areas or breakout zones, blending aesthetics with practical features. Public and Commercial Areas: Its robust construction and elegant design make it a reliable and attractive choice for waiting areas, retail spaces, and more. Complementary Options To create a cohesive seating arrangement, pair the COSMO 1505 armchair with other pieces from the COSMO collection, such as the COSMO 1502 sofa or COSMO 1500 armchair with armrests. These options share the same design language and ensure a seamless look throughout your space. Key Features Compact yet spacious dimensions, perfect for various settings. Customisable upholstery and frame finishes to suit different styles. Accessory options for added functionality. Designed for comfort with a plush seat and ergonomic backrest. Durable steel frame for long-lasting use. 2D and 3D files are available for designers to incorporate into their projects. The COSMO 1505 armchair is a perfect balance of simplicity, elegance, and functionality. Whether you're looking to furnish a residential space or a commercial environment, this armchair delivers timeless style and adaptability. You said: last time you were more complete ChatGPT said: ChatGPT Thank you for pointing that out! Let me refine and expand the description to make it as complete and detailed as possible. COSMO 1505 Armchair: A Contemporary Icon of Design and Comfort The COSMO 1505 armchair, designed by Philippe Tabet for Et al., is a masterpiece of modern minimalism and versatility. Its sleek and understated design is perfectly suited for residential living rooms, hotel lounges, office receptions, and hospitality spaces. Combining elegant curves with robust functionality, this armchair is as practical as it is visually appealing. Dimensions and Design Details The COSMO 1505 has carefully considered dimensions to offer a balance of comfort and adaptability: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These dimensions make it compact enough for smaller spaces yet spacious enough to provide exceptional seating comfort. The armchair’s distinctive feature is its armless design, which enhances its minimalist aesthetic while allowing for a freer range of motion. The gently curved backrest and plush seat ensure maximum comfort, while the raised tubular metal frame adds a touch of lightness to its overall profile. Materials and Finishes The COSMO 1505 is crafted with meticulous attention to quality and detail. It is available with several customisation options to suit any interior style: Frame Material: Made from high-strength tubular steel, the base is both durable and lightweight, ensuring longevity and ease of placement. Upholstery: Choose from a wide selection of high-quality fabrics, including: Velvet: For a luxurious, soft texture that exudes sophistication. Wool Blends: Durable and warm, perfect for creating cosy spaces. Synthetic Fabrics: High-performance, easy to clean, and ideal for high-traffic areas. Premium Leather: Adds timeless elegance and a touch of luxury. Colours: A rich palette is available, from understated neutrals such as beige, grey, and taupe to bold, vibrant hues like teal, mustard, and terracotta. Frame Finishes: The tubular metal frame can be customised in a variety of finishes, including matte black, white, metallic bronze, and even bright pops of colour like coral red and curry yellow, making the COSMO 1505 adaptable to modern or playful interior styles. Functional Accessories The COSMO 1505 is designed not just for aesthetics but also for enhanced functionality. Optional accessories include: Lumbar Cushion: For extra support and comfort, particularly in lounges and waiting areas. Integrated USB Socket: A modern convenience, perfect for offices, hospitality, or waiting rooms where charging devices is a priority. Reading Lamp: A sleek, built-in light for focused tasks or to add ambient lighting to the space. Schuko Socket: An additional power source, ideal for hospitality or office applications. Style and Versatility The COSMO 1505’s sleek silhouette and refined proportions make it a versatile addition to a variety of interiors. Its clean lines and minimalist design make it a perfect fit for contemporary, Scandinavian, and Japandi interiors, while its subtle industrial flair allows it to integrate seamlessly into urban loft-style spaces. The curved metal base not only enhances its modern aesthetic but also adds a sense of visual lightness to the armchair, making it ideal for both large and compact rooms. Applications and Ideal Settings The COSMO 1505’s versatility and durability make it suitable for a wide range of uses: Residential Spaces: Perfect for living rooms, bedrooms, or reading nooks, offering a stylish yet comfortable seating option. Hospitality Projects: A sophisticated choice for hotel lounges, lobbies, and guest rooms, creating a welcoming atmosphere for guests. Commercial and Public Spaces: Durable enough for high-traffic areas such as offices, galleries, and retail stores. Office Settings: Ideal for reception areas, breakout spaces, and private offices, blending comfort and functionality. Complementary Products The COSMO collection by Philippe Tabet offers a range of matching furniture pieces to create a cohesive design scheme. Pair the COSMO 1505 armchair with: COSMO 1502 Sofa: A three-seater option that shares the same sleek design language. COSMO 1500 Armchair with Armrests: For spaces that require varied seating options while maintaining a cohesive look. COSMO 1520 Modular Seating System: Ideal for creating larger, flexible configurations in public or commercial spaces. Key Features and Benefits Elegant Aesthetic: Minimalist design with modern and industrial influences. Customisation Options: Wide range of upholstery fabrics, colours, and frame finishes to suit any interior style. Functional Enhancements: Optional USB sockets, reading lamps, and power outlets add practicality. Compact and Comfortable: Dimensions ensure it fits seamlessly into both large and small spaces. 2D and 3D Files Available: Designers can easily download the files for seamless integration into their projects. Why Choose the COSMO 1505? The COSMO 1505 is more than just an armchair—it’s a statement of modern design. Its sleek lines, customisation options, and practical features make it a top choice for architects and designers seeking a balance of style and functionality. Whether it’s enhancing the comfort of a hotel lobby, adding a touch of luxury to a living room, or elevating the look of an office reception area, the COSMO 1505 delivers unparalleled quality and versatility.

Compatta Argilla

florim > Wall tile-stone-brick

A passion for earth as a natural material and for rammed earth, an ancient construction technique. The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti. These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size. The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces. The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique. The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC. In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.

COFLEX CAJP edging expansion joints in pvc

profilitec > Accessories

COFLEX CAJP edging expansion joints in pvc CAJP is a Perimeter "invisible" expansion joint for floors. The perimeter joint has only one sheared flap (the part that is installed under the tiles) and therefore can be installed close to the wall in the junction with the floor. It offers the advantage given the very small size of the upper part (5 mm) of being not very evident and of being almost confused with the joint. It is extremely elastic and compressible and it is recommended for most ceramic floors. Made of co-extruded synthetic material, with a soft exposed part and stiffer fixing flange. Designed for splitting large tiled areas into smaller areas. Plastic is sufficiently resistant to most of the chemical agents present at the time of installation, wear, time and UV rays. They always maintain good flexibility and resistance to attack by fungi and bacteria. Suitable for indoor and outdoor use: they offer limited protection at the edge of the coating. Suggested modules: 16 m² (see UNI 11499: 2013 standard) in case of stable surfaces. Typical application situation: shops, recreational areas such as hotels, sports centers and schools. Dilatation joints COFLEX CAJP installation INSTALLATION: • Choose a joint with a height exactly equal to the thickness of the tile. The joint must in no case protrude from the surface of the coating but must be less than 0.5 ÷ 1 mm. • Apply the adhesive normally with the trowel. • Position the joint at the level of the existing screed cut (if it does not exist, cut the screed for at least 2/3 of its thickness). • Proceed with the laying of the tiles along the flanges of the joint, bringing them to the level of the profile, taking care that the latter are solidly anchored and sunk into the adhesive. • Fill the gap between the tile and the profile with the appropriate mortar.

SPACE+ 1405 - Corner fabric armchair _ Et al.

Et al. > Armchair

Space Plus 1405 Modular Corner Unit: The Perfect Corner Solution for Modern Spaces The Space Plus 1405 Modular Corner Unit, part of Et al.'s versatile Space Plus collection, is designed to enhance modular seating arrangements with elegant functionality. This corner module is ideal for creating L-shaped or U-shaped seating configurations, making it an excellent choice for hospitality, office, and public environments. Design and Dimensions The Space Plus 1405 module is carefully crafted to provide a seamless corner connection for modular setups. Its compact yet functional design allows for efficient use of space while maintaining a comfortable seating experience. Dimensions include: Height: 100 cm Width: 70 cm Depth: 70 cm Seat Height: 47 cm Seat Depth: 61.5 cm The square profile ensures that it fits perfectly within modular layouts, serving as a connecting or standalone piece. Materials and Finishes The Space Plus 1405 is customisable to suit a variety of design preferences and environments: Frame: Durable metal structure for long-term use and stability. Upholstery: Available in a wide range of high-performance fabrics, including easy-to-clean and stain-resistant materials. Choose from neutral tones for a timeless look or vibrant colours for a bold statement. Base Finish: Offered in finishes like matte black, metallic tones, or white, allowing seamless integration with your chosen aesthetic. Features Corner Design: Specifically created to connect other modules in the Space Plus collection for cohesive seating arrangements. Comfortable Seating: Ergonomic padding ensures user comfort, even for extended periods. Compact and Functional: Efficient dimensions make it suitable for tight or open spaces alike. Applications The Space Plus 1405 is versatile and ideal for the following settings: Hospitality: Perfect for hotel lounges, lobbies, or VIP areas. Corporate Spaces: Enhances office reception areas or breakout zones. Retail and Public Areas: Suitable for waiting areas in malls, airports, and hospitals. Dining Settings: Adds a functional corner solution for restaurant booth seating. Customisation Options To enhance its versatility, the Space Plus collection offers additional customisation options for the 1405 corner unit: Privacy Panels: Create secluded spaces within open environments. Integrated USB Charging Ports: Ideal for tech-savvy users in modern settings. Add-On Tables: Practical and convenient for workspace or dining applications. Sustainability and Durability Et al. ensures the Space Plus 1405 module is manufactured using eco-friendly processes and materials. Sustainable and recycled fabric options are available to meet environmental standards. Complementary Products The Space Plus 1405 corner unit integrates seamlessly with other modules in the collection, including: Space Plus 1401 and 1402 Linear Modules: For straight or multi-directional layouts. Space Plus Ottomans: Add extra seating flexibility to your arrangement. Matching Coffee Tables: To complement the setup with additional functionality. Key Features Modular corner design for versatile layouts. Durable materials for high-traffic environments. Customisable finishes and upholstery to match specific design needs. Compact dimensions maximise usable space.

Storie Cascina

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Bright bliss Duvet Cover

auping > Accessories

The playful stripes in bright colours give a tropical touch to this cover made from 100% satin cotton. The yellow brings to mind the beach, while the blue is inspired by the sea. Bright bliss brings the summer straight into your bedroom! The back of the cover and the pillowcases are solid blue.Combines... Handy: tuck-in strip, hotel closure and button down systemAll Auping duvet covers have an extra long tuck-in strip. This makes it easy to tuck the duvet cover in under your mattress. Cold feet are a thing of the past. You can recognise the extra long tuck-in strip by the length: 200/220The Auping pillowcases of the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat.Auping duvet covers and duvets feature the button down system. These are handy buttons and loops that you use to fasten the duvet and cover together, preventing it from shifting. The term button down comes from fashion. It literally means 'buttoned down' and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons to prevent the duvet from sliding around in the cover. These buttons and loops also make it easier to make your bed neatly. Sizes of our duvet coversThe sizes of our duvet covers are coordinated with the Auping duvet and pillow range to ensure a perfect match. In addition, the duvet covers and pillowcases are also suitable for most common other duvets and pillows.The Auping duvet covers are available in both single and double sizes:- 140 x 200/220 cm incl. 1 60 x 70 cm pillowcase.- 200 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 240 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 260 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.Sustainability At Auping, we dream of a rested world. Of sleeping under wonderful bedding made in an environmentally friendly way and under good working conditions. That's why all our duvet covers in the basic collection have the internationally recognised GOTS certificate. This is the very highest international standard for organic textiles. It not only guarantees top quality but also gives us the assurance that the entire chain complies with strict social and environmental requirements. The covers in the seasonal collection carry the BCI label, which also guarantees sustainably and socially responsible bed textile production.Quality labelsNot only sustainability but also the quality of our products is very important to us. We pay a lot of attention to this and work with the following quality marks and institutes to guarantee our quality. All Auping duvet covers are checked annually by TÜV Rheinland Netherlands for size, shrinkage, colour fastness and strength properties.All Auping duvet covers have the Oeko-Tex Standard 100 certificate. This quality mark is issued by the Oeko-Tex institute which guarantees that the tested and certified textiles are free of harmful substances in relation to human health and environmental impact. It is thus a safety seal for textiles.

SPACE+ 1412 - Fabric linear module _ Et al.

Et al. > Sofa

Space Plus 1412 Modular Seating Unit: Elevated Seating for Two with Modern Appeal The Space Plus 1412 Modular Seating Unit, part of Et al.'s Space Plus collection, is a spacious two-seater seating solution designed for modern interiors. Its raised design and clean lines combine ergonomic comfort with contemporary style, making it ideal for hospitality, corporate, and public settings. Design and Dimensions This unit provides ample seating for two while maintaining a compact footprint suitable for versatile applications. The slightly elevated design adds a modern touch while ensuring functionality. The dimensions are: Height: 128 cm Width: 120 cm Depth: 61.5 cm Seat Height: 75 cm Seat Depth: 46 cm Its proportions are thoughtfully designed to offer comfort without compromising space efficiency. Materials and Finishes Crafted with premium materials, the Space Plus 1412 seating module offers a variety of customisation options to match diverse design needs: Frame: Built with a robust metal structure for durability and stability. Upholstery: Available in a wide range of high-performance fabrics, including stain-resistant and easy-to-clean options. Choose from neutral tones or bold colours to suit any aesthetic. Base Finish: The metal base is offered in finishes such as matte black, metallic tones, or white to complement your design scheme. Features Elevated Design: The raised structure adds a contemporary flair, enhancing modern interiors. Two-Seater Capacity: Perfect for creating compact yet comfortable seating arrangements. Modular Compatibility: Seamlessly integrates with other Space Plus modules for flexible layouts. Ergonomic Comfort: Well-padded seat and backrest ensure a comfortable seating experience for extended periods. Applications The Space Plus 1412 is versatile and suited for a variety of environments: Hospitality: Elevates hotel lobbies, lounges, or VIP waiting areas with its modern design. Corporate Offices: A stylish addition to reception areas or breakout zones. Public Spaces: Ideal for shopping malls, airports, or healthcare waiting areas. Dining Settings: Serves as booth seating for restaurants and cafés. Customisation Options Et al. offers several enhancements for the Space Plus 1412 seating unit to adapt to specific project requirements: Integrated USB or Charging Ports: Adds functionality for tech-friendly environments. Privacy Panels: Create secluded zones within open layouts for added comfort and privacy. Attachable Tables: Practical for dining or work purposes. Sustainability and Durability The Space Plus 1412 is manufactured using environmentally friendly processes and materials. Upholstery options include sustainable and recycled fabrics, making it an eco-conscious choice for modern interiors. Complementary Products This two-seater module pairs seamlessly with other elements from the Space Plus collection to create cohesive seating arrangements: Corner Units: For L-shaped or U-shaped configurations. Ottomans and Poufs: Add flexibility to the seating layout. Matching Tables: Provide added functionality and cohesion to the setup. Key Features Spacious two-seater capacity with an elevated design. Durable construction for high-traffic environments. Modular adaptability for endless configuration possibilities. Customisable finishes and fabrics to suit diverse design schemes.

SPACE+ 1401A - Fabric linear module with high backrest _ Et al.

Et al. > Armchair

Space Plus 1400A High-Back Seating Module: Privacy Meets Modern Design The Space Plus 1400A High-Back Seating Module, part of the Space Plus collection by Et al., is a thoughtfully designed piece that balances aesthetic appeal with functionality. Its tall backrest provides added privacy and acoustic insulation, making it an excellent choice for creating secluded seating in public, corporate, or hospitality settings. Design and Dimensions This seating module features a clean, minimalist design with a focus on comfort and space efficiency. Its high backrest is particularly suited for settings requiring a sense of privacy. The dimensions are: Height: 140 cm Width: 75 cm Depth: 61.5 cm Seat Height: 47 cm Seat Depth: 46 cm Its proportions make it versatile for standalone use or as part of a larger modular seating arrangement. Materials and Finishes The Space Plus 1400A offers a range of premium materials and finishes for customisation: Frame: Crafted from durable metal for enhanced stability and longevity. Upholstery: Available in a wide selection of fabrics, including stain-resistant and easy-to-maintain options. Colour choices range from neutral tones like grey and beige to vibrant hues like teal and mustard, allowing for seamless integration into any design scheme. Base Finish: The metal base is available in various finishes, including matte black, metallic tones, and crisp white, to complement diverse interiors. Features High Backrest: Provides additional privacy and acoustic benefits, ideal for open-plan environments. Compact Design: Maximises seating efficiency while maintaining comfort. Modular Compatibility: Can be paired with other Space Plus modules for cohesive seating configurations. Applications The Space Plus 1400A is well-suited for a variety of environments: Hospitality: Enhances hotel lobbies, VIP lounges, or intimate waiting areas with a touch of sophistication. Corporate Offices: Ideal for creating private breakout zones or stylish reception seating. Public Areas: Suitable for malls, airports, and healthcare facilities, offering privacy in busy spaces. Restaurants and Cafés: Functions as booth seating, providing both comfort and privacy. Customisation Options Et al. offers several enhancements to tailor the Space Plus 1400A to specific needs: Integrated USB or Power Outlets: Adds functionality for tech-friendly environments. Attachable Tables: Provides added utility for workspace or dining purposes. Privacy Extensions: Additional panels can be added to further enhance privacy. Sustainability and Durability The Space Plus 1400A is manufactured using eco-friendly materials and processes. Many upholstery options include recycled or sustainable fabrics, ensuring it is both stylish and environmentally conscious. Complementary Products To build cohesive and functional seating arrangements, the Space Plus 1400A pairs seamlessly with other modules from the collection: Space Plus Linear and Corner Modules: For flexible configurations like L-shaped or U-shaped layouts. Ottomans and Poufs: To provide additional seating options. Matching Tables: Complements the setup with functional surfaces. Key Features High backrest for privacy and acoustic insulation. Durable and eco-friendly construction for heavy use. Modular design for endless configuration possibilities. Customisable finishes and fabrics to suit any project.

Lagoon Duvet Cover

auping > Accessories

This duvet cover features an irregular pattern of beautiful blue and green bursts that peacefully flow apart and together atop a light background. Seen from above, you'd swear you were looking down upon an idyllic sandy bay. The rear side of the duvet cover and the pillows are a deep-sea green, so you... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.

Dazzling dreams Duvet Cover

auping > Accessories

Dazzling dreams is a cover made from sustainable cotton satin that is perfect for dreaming away the night in comfort. Graphic shapes in delicate purple and shades of taupe make this cover utterly contemporary. The print continues on the back of the cover and pillowcases. This cover looks fabulous on... Handy: tuck-in strip, hotel closure and button down systemAll Auping duvet covers have an extra long tuck-in strip. This makes it easy to tuck the duvet cover in under your mattress. Cold feet are a thing of the past. You can recognise the extra long tuck-in strip by the length: 200/220The Auping pillowcases of the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat.Auping duvet covers and duvets feature the button down system. These are handy buttons and loops that you use to fasten the duvet and cover together, preventing it from shifting. The term button down comes from fashion. It literally means 'buttoned down' and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons to prevent the duvet from sliding around in the cover. These buttons and loops also make it easier to make your bed neatly. Sizes of our duvet coversThe sizes of our duvet covers are coordinated with the Auping duvet and pillow range to ensure a perfect match. In addition, the duvet covers and pillowcases are also suitable for most common other duvets and pillows.The Auping duvet covers are available in both single and double sizes:- 140 x 200/220 cm incl. 1 60 x 70 cm pillowcase.- 200 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 240 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 260 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.Sustainability At Auping, we dream of a rested world. Of sleeping under wonderful bedding made in an environmentally friendly way and under good working conditions. That's why all our duvet covers in the basic collection have the internationally recognised GOTS certificate. This is the very highest international standard for organic textiles. It not only guarantees top quality but also gives us the assurance that the entire chain complies with strict social and environmental requirements. The covers in the seasonal collection carry the BCI label, which also guarantees sustainably and socially responsible bed textile production. Quality labelsNot only sustainability but also the quality of our products is very important to us. We pay a lot of attention to this and work with the following quality marks and institutes to guarantee our quality. All Auping duvet covers are checked annually by TÜV Rheinland Netherlands for size, shrinkage, colour fastness and strength properties.All Auping duvet covers have the Oeko-Tex Standard 100 certificate. This quality mark is issued by the Oeko-Tex institute which guarantees that the tested and certified textiles are free of harmful substances in relation to human health and environmental impact. It is thus a safety seal for textiles.

Melt Burst Chandelier Gold LED

tomdixon > Ceiling lamp

Melt is a beautifully distorted pendant in a modern Gold finish and matching ceiling rose. Featuring our intergrated LED module, this ceiling light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb. More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed. Melt also comes as a chandelier, table, floor and surface light. Available in a contemporary Chrome Dimensions & Specifications Information SKU MEC03GO-CEUM4 Warranty 3 years Family Melt Cable Finish Black Braided Product Label New Depth 136.5 cm Width 153 cm Height 164 cm Box Depth 0 Box Width 0 Box Height 0 Delivery & Returns If you are unhappy with your purchase, under Distant Selling Regulations you can return the items to us within 14 days of receipt of your goods for a full refund (excluding postal charges). Items should be unused, returned in their original packaging and in a fully resalable condition. If the item is damaged please send an email to [email protected] stating your order reference number and including photographs as evidence of the damage. The Melt Family Obsessed with the idea of creating an imperfect, organic and naturalistic lighting object, Melt was created in collaboration with FRONT – a Swedish design collective. Melt is evocative of molten glass, the interior of a melting glacier, or images of deep space. Melt is available in a series of Pendants, Chandeliers, Surface, Floor and Table lights. Gallery We also recommend product https://www.tomdixon.net/eu/melt-burst-chandelier-gold-led.html 8882 Melt Burst Chandelier Gold LED https://cdn.tomdixon.net/media/catalog/product/m/e/mec03go-cusm4_melt_burst-chandelier_gold_led_fronton_on_noshadow.jpg 18432 18432 EUR InStock /Shop/Lighting/Ceiling Lights/Chandeliers /Shop/Families/Melt /Shop/Our Products <div class="product attribute overview"> <div class="value"> Melt is a beautifully distorted pendant in a modern Gold finish and matching ceiling rose. Featuring our intergrated LED module, this ceiling light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb. </div> </div> <div class="product-addto-links" data-role="add-to-links"> </div> 0 0 https://cdn.tomdixon.net/media/catalog/product/m/e/mec03go-cusm4_melt_burst-chandelier_gold_led_fronton_off_noshadow.jpg add-to-cart 3 years Melt N/A N/A N/A N/A Black Braided 136.5 153 164 0 0 0

Horizonte Bed

minotti > Bed frame

Horizonte Bed is the natural evolution for the night area of the Horizonte modular seating system. Designed by Marcio Kogan / studio mk27, it is characterised by the rigorous and light horizontal line that inspires the design of the entire system. In the design for the bed, the horizon line becomes the base raised from the ground on which the mattress and headboard sit. The base is made from a clever combination of materials: entirely in leather or fabric, or in an original mix of both to create an even more refined, tailored look. The seaming technique used on the all-leather base is inspired by the world of haute couture and involves sewing strips of leather together and folding back the edges. In the all-fabric version, on the other hand, the two strips feature a distinctive central profile that highlights their seam. In the mixed version, the two strips are coupled with a zip, presented as an aesthetic motif that allows for the practical and quick removal of the covering. The hallmarks of Horizonte Bed also lie in its aerial architecture, achieved by means of recessed feet in polished Brandy varnished metal, as well as in the prominent rear panel that becomes the supporting element for the nightstand, available in different types of wood and either flush or cantilevered. The skilful combination of materials and exquisite tailoring gives rise to a wide range of versions: all-fabric, all-leather or countless variants featuring an interesting mix of the two materials applied to the base and the rear panel. Horizonte Bed expresses itself as a true system, tailor-made for the beauty and comfort of the night area and designed with a high level of adaptability to meet a variety of requirements.

Storie Palazzo

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

Compatta Pisé Limo

florim > Wall tile-stone-brick

A passion for earth as a natural material and for rammed earth, an ancient construction technique. The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti. These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size. The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces. The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique. The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC. In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.

REGINA

fontanaarte > Floor lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

COSMO 1525 - Fabric garden armchair _ Et al.

Et al. > Armchair

COSMO 1525 Armchair: Sleek Minimalism for Modern Interiors The COSMO 1525 armchair, designed by Philippe Tabet for Et al., embodies minimalist elegance and versatility. This one-seater armless chair is crafted to seamlessly integrate into various environments, including residential living rooms, hotel lounges, office waiting areas, and outdoor settings. Design and Dimensions The COSMO 1525 features a streamlined design with upholstered seat and backrest, supported by a durable steel frame. Its dimensions are thoughtfully crafted to provide comfort while maintaining a compact footprint: Width: 65 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These proportions make it an ideal choice for both spacious and limited areas, offering comfortable seating without overwhelming the space. Materials and Finishes Crafted with precision, the COSMO 1525 offers a range of customization options to suit various design aesthetics: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse selection of high-quality fabrics, including options like Panarea, Reviva Hero, Reviva Iris, Reviva Amelia, and Fabthirty, each offering multiple color choices to complement different interior styles. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Functional Accessories To enhance its functionality, the COSMO 1525 can be equipped with optional accessories: Kidney Cushion: Provides additional lumbar support for increased comfort. These accessories make the armchair a practical choice for both relaxation and productivity. Applications and Versatility The COSMO 1525's adaptable design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and optional functional accessories. Outdoor Settings: Designed to withstand outdoor conditions, making it suitable for patios, terraces, and garden areas. Complementary Products The COSMO collection includes various seating solutions that can be paired with the 1525 armchair to create cohesive interior designs. Options include the COSMO 1505 armchair, the COSMO 1502 three-seater sofa, and modular systems like the COSMO 1520, allowing for flexible configurations to suit different spaces and requirements. Key Features Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements. Optional Accessories: Functional add-ons like kidney cushions enhance usability. Compact Dimensions: Suitable for both large and small spaces without compromising on comfort. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal.

ARI 1310 - Linear module _ Et al.

Et al. > Armchair

Ari 1310 Armchair: Modular Elegance for Versatile Spaces The Ari 1310 armchair, designed by Philippe Nigro for Et al., is a testament to minimalist design and modular functionality. As a linear module within the Ari collection, it offers flexibility and style, making it suitable for various environments, including residential living rooms, hotel lounges, office waiting areas, and outdoor settings. Design and Dimensions The Ari 1310 features a sleek silhouette with upholstered seat and backrest, supported by a durable steel frame. Its modular nature allows it to be used independently or combined with other modules to create customized seating arrangements. While specific dimensions are not provided in the available information, the design emphasizes comfort and adaptability, fitting seamlessly into diverse spatial configurations. Materials and Finishes Crafted with precision, the Ari 1310 offers a range of customization options to suit various design aesthetics: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse selection of high-quality fabrics, including options like Melva, Fortis, Inca, Amsterdam, Medley Gabriel, Chili Gabriel, Mirage, Convert, Fenice, Mood Gabriel, Valencia, Fabthirty Rubelli, Ocean Mastrotto, and Remix 3 Kvadrat, each offering multiple color choices to complement different interior styles. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Applications and Versatility The Ari 1310's modular design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and modular flexibility. Outdoor Settings: Designed to withstand outdoor conditions, making it suitable for patios, terraces, and garden areas. Complementary Products The Ari collection includes various modules that can be paired with the 1310 armchair to create cohesive seating arrangements. Options include the Ari 1300 modular system, the Ari 1311 corner module, and the Ari 1313 pouf, allowing for flexible configurations to suit different spaces and requirements. Key Features Modular Design: Allows for customizable seating arrangements to fit various spaces. Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements.

RE

fontanaarte > Floor lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ARI 1311 - Corner armchair _ Et al.

Et al. > Armchair

Ari 1301 Modular Seating System: Versatile Elegance for Diverse Environments The Ari 1301 modular seating system, designed by Philippe Nigro for Et al., epitomizes flexibility and contemporary design. As a terminal corner module within the Ari collection, it seamlessly integrates into various settings, including residential living rooms, hotel lounges, office waiting areas, and outdoor spaces. Design and Dimensions The Ari 1301 features a sleek steel frame supporting upholstered seats, backrests, and armrests, offering both comfort and durability. Its modular nature allows it to function independently or as part of a larger seating arrangement. The specific dimensions are: Weight: 18.3 kg Packaging Volume: 0.57 m³ Pieces per Box: 1 These specifications ensure ease of placement and adaptability in various spatial configurations. Materials and Finishes Crafted with precision, the Ari 1301 offers a range of customization options to suit diverse design aesthetics: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a selection of high-quality outdoor fabrics, including Panarea, 3D Cover, Reviva Hero, Reviva Iris, Reviva Amelia, and Fabthirty, each offering multiple color choices to complement different styles. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior or exterior color scheme. Applications and Versatility The Ari 1301's modular design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or patios, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and modular flexibility. Outdoor Settings: Designed to withstand outdoor conditions, making it suitable for terraces and garden areas. Complementary Products The Ari collection includes various modules that can be paired with the 1301 corner module to create cohesive seating arrangements. Options include the Ari 1300 linear module, the Ari 1311 corner module, and the Ari 1313 pouf, allowing for flexible configurations to suit different spaces and requirements. Key Features Modular Design: Allows for customizable seating arrangements to fit various spaces. Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal.

Storie Masseria

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

ARI 1313 - Square pouf _ Et al.

Et al. > Pouf

Ari 1313 Pouf: Versatile Elegance for Modern Interiors The Ari 1313 pouf, designed by Philippe Nigro for Et al., embodies minimalist design and modular functionality. As a key component of the Ari modular seating system, it seamlessly integrates into various environments, including residential living rooms, hotel lounges, office waiting areas, and outdoor settings. Design and Dimensions The Ari 1313 features a sleek silhouette with an upholstered seat supported by a durable steel frame. Its modular nature allows it to be used independently as a standalone piece or combined with other modules to create customized seating arrangements. While specific dimensions are not provided in the available information, the design emphasizes comfort and adaptability, fitting seamlessly into diverse spatial configurations. Materials and Finishes Crafted with precision, the Ari 1313 offers a range of customization options to suit various design aesthetics: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse selection of high-quality fabrics, including options like Melva, Fortis, Inca, Amsterdam, Medley Gabriel, Chili Gabriel, Mirage, Convert, Fenice, Mood Gabriel, Valencia, Fabthirty Rubelli, Ocean Mastrotto, and Remix 3 Kvadrat, each offering multiple color choices to complement different interior styles. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Applications and Versatility The Ari 1313's modular design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and modular flexibility. Outdoor Settings: Designed to withstand outdoor conditions, making it suitable for patios, terraces, and garden areas. Complementary Products The Ari collection includes various modules that can be paired with the 1313 pouf to create cohesive seating arrangements. Options include the Ari 1300 linear module, the Ari 1311 corner module, and the Ari 1312 armchair, allowing for flexible configurations to suit different spaces and requirements. Key Features Modular Design: Allows for customizable seating arrangements to fit various spaces. Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements.

SPACE+ 1402 - Fabric linear module _ Et al.

Et al. > Sofa

Space Plus 1402 Modular Seating: Versatile and Sleek Design for Public Spaces The Space Plus 1402 Modular Seating, part of Et al.'s Space Plus collection, is a two-seater modular solution offering functional elegance and flexibility. Designed for high-traffic environments, it combines modern aesthetics with durability, making it a perfect choice for hospitality, office, and commercial spaces. Design and Dimensions The Space Plus 1402 module is thoughtfully crafted to accommodate two people comfortably while maintaining a streamlined and compact profile. Its dimensions are as follows: Height: 100 cm Width: 120 cm Depth: 61.5 cm Seat Height: 47 cm Seat Depth: 46 cm This modular unit is ideal for maximizing seating arrangements without compromising on comfort or space efficiency. Materials and Finishes The Space Plus 1402 is customizable with high-quality materials and finishes, ensuring seamless integration into any design concept: Frame: Built with a sturdy metal structure that guarantees long-lasting performance. Upholstery: Offered in a wide range of fabric options, including stain-resistant and easy-to-clean materials, in both neutral and vibrant colour palettes. Base Finish: Metal bases are available in finishes such as matte black, metallic tones, and white, catering to diverse aesthetic preferences. Features Modular Flexibility: Easily combines with other modules in the Space Plus collection to create versatile seating layouts. Durability: Engineered for heavy use in commercial and public settings. Compact Profile: Provides ample seating capacity while conserving space. Comfortable Seating: Cushioned seat and backrest offer ergonomic support for prolonged use. Applications The Space Plus 1402 modular seating unit is suitable for various settings: Hospitality: Enhances the ambience of hotel lobbies, lounges, and bars. Corporate Spaces: A sleek addition to office reception areas and collaborative zones. Retail and Public Areas: Perfect for waiting lounges in shopping malls, airports, and hospitals. Dining Areas: Functions as a booth seat for restaurants and cafés. Customization Options Et al. offers several enhancements to personalize the Space Plus 1402 modular seating system: Add-On Tables: Integrated side tables to enhance functionality. Privacy Panels: Creates partitions for privacy in open-plan spaces. Integrated USB or Charging Ports: Adds convenience for tech-friendly environments. Sustainability and Longevity The Space Plus 1402 is crafted using eco-friendly processes and materials. Many upholstery options include recycled or sustainable textiles, ensuring minimal environmental impact. Complementary Products To build a cohesive seating arrangement, the Space Plus 1402 pairs perfectly with other elements from the Space Plus collection, such as: Corner Modules: Ideal for L-shaped or U-shaped layouts. Ottomans and Poufs: Additional seating options for versatile setups. Matching Tables: Complements seating areas with practical surfaces. Key Features Modular design enables endless configuration possibilities. Premium materials ensure durability and easy maintenance. Compact and elegant design for maximum versatility. Available in a variety of finishes to suit specific project requirements.

Storie Villa

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Tesori Anelli grigio

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Tesori Anelli bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Melt Burst Chandelier Smoke LED

tomdixon > Ceiling lamp

Melt is a beautifully distorted pendant in a modern Silver finish and matching ceiling rose. Featuring our intergrated LED module, this ceiling light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb. More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed. Melt also comes as a chandelier, table, floor and surface light. Available in a contemporary Chrome Dimensions & Specifications Information SKU MEC03SM-CEUM4 Family Melt Cable Finish Black Braided Product Label New Depth 136.5 cm Width 153 cm Height 164 cm Box Depth 0 Box Width 0 Box Height 0 Delivery & Returns If you are unhappy with your purchase, under Distant Selling Regulations you can return the items to us within 14 days of receipt of your goods for a full refund (excluding postal charges). Items should be unused, returned in their original packaging and in a fully resalable condition. If the item is damaged please send an email to [email protected] stating your order reference number and including photographs as evidence of the damage.

COSMO 1507 - 3 seater fabric sofa _ Et al.

Et al. > Sofa

COSMO 1507 Sofa: A Contemporary Three-Seater Masterpiece The COSMO 1507 sofa, designed by Philippe Tabet for Et al., epitomizes modern elegance and versatility. This armless three-seater sofa seamlessly integrates into various interior settings, including residential living rooms, hotel lounges, office waiting areas, and upscale retail spaces. Design and Dimensions The COSMO 1507 boasts a sleek and minimalist design, characterized by its armless structure and plush upholstery. Its dimensions are thoughtfully crafted to provide comfort while maintaining a compact footprint: Width: 237 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These proportions make it an ideal choice for both spacious and limited areas, offering ample seating without overwhelming the space. Materials and Finishes Crafted with precision, the COSMO 1507 features: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse range of high-quality fabrics, including options like Melva, Fortis, Inca, Medley Gabriel, Chili Gabriel, Mirage, Convert, Fenice, Mood Gabriel, Valencia, Fabthirthy Rubelli, Ocean Mastrotto, and Remix 3 Kvadrat, each offering multiple color choices to suit various design aesthetics. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Functional Accessories To enhance its functionality, the COSMO 1507 can be equipped with optional accessories: Kidney Cushion: Provides additional lumbar support for increased comfort. Reading Lamp: An integrated light source suitable for reading or creating ambient lighting. USB Socket: Convenient for charging electronic devices, making it suitable for modern living and working environments. Schuko Socket: Offers an additional power outlet for various needs. These accessories make the sofa a practical choice for both relaxation and productivity. Applications and Versatility The COSMO 1507's adaptable design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and optional functional accessories. Retail Spaces: Complements boutique stores or showrooms, providing a comfortable seating option for customers. Complementary Products The COSMO collection includes various seating solutions that can be paired with the 1507 sofa to create cohesive interior designs. Options include the COSMO 1505 armchair, the COSMO 1502 three-seater sofa, and modular systems like the COSMO 1520, allowing for flexible configurations to suit different spaces and requirements. Key Features Modern Aesthetic: Clean lines and armless design contribute to a minimalist and contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements. Optional Accessories: Functional add-ons like reading lamps and USB sockets enhance usability. Compact Dimensions: Suitable for both large and small spaces without compromising on comfort. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal.

SPACE+ 1402A - Fabric linear module with high backrest _ Et al.

Et al. > Sofa

Space Plus 1400A High-Back Seating Module: Privacy Meets Modern Design The Space Plus 1400A High-Back Seating Module, part of the Space Plus collection by Et al., is a thoughtfully designed piece that balances aesthetic appeal with functionality. Its tall backrest provides added privacy and acoustic insulation, making it an excellent choice for creating secluded seating in public, corporate, or hospitality settings. Design and Dimensions This seating module features a clean, minimalist design with a focus on comfort and space efficiency. Its high backrest is particularly suited for settings requiring a sense of privacy. The dimensions are: Height: 140 cm Width: 75 cm Depth: 61.5 cm Seat Height: 47 cm Seat Depth: 46 cm Its proportions make it versatile for standalone use or as part of a larger modular seating arrangement. Materials and Finishes The Space Plus 1400A offers a range of premium materials and finishes for customisation: Frame: Crafted from durable metal for enhanced stability and longevity. Upholstery: Available in a wide selection of fabrics, including stain-resistant and easy-to-maintain options. Colour choices range from neutral tones like grey and beige to vibrant hues like teal and mustard, allowing for seamless integration into any design scheme. Base Finish: The metal base is available in various finishes, including matte black, metallic tones, and crisp white, to complement diverse interiors. Features High Backrest: Provides additional privacy and acoustic benefits, ideal for open-plan environments. Compact Design: Maximises seating efficiency while maintaining comfort. Modular Compatibility: Can be paired with other Space Plus modules for cohesive seating configurations. Applications The Space Plus 1400A is well-suited for a variety of environments: Hospitality: Enhances hotel lobbies, VIP lounges, or intimate waiting areas with a touch of sophistication. Corporate Offices: Ideal for creating private breakout zones or stylish reception seating. Public Areas: Suitable for malls, airports, and healthcare facilities, offering privacy in busy spaces. Restaurants and Cafés: Functions as booth seating, providing both comfort and privacy. Customisation Options Et al. offers several enhancements to tailor the Space Plus 1400A to specific needs: Integrated USB or Power Outlets: Adds functionality for tech-friendly environments. Attachable Tables: Provides added utility for workspace or dining purposes. Privacy Extensions: Additional panels can be added to further enhance privacy. Sustainability and Durability The Space Plus 1400A is manufactured using eco-friendly materials and processes. Many upholstery options include recycled or sustainable fabrics, ensuring it is both stylish and environmentally conscious. Complementary Products To build cohesive and functional seating arrangements, the Space Plus 1400A pairs seamlessly with other modules from the collection: Space Plus Linear and Corner Modules: For flexible configurations like L-shaped or U-shaped layouts. Ottomans and Poufs: To provide additional seating options. Matching Tables: Complements the setup with functional surfaces. Key Features High backrest for privacy and acoustic insulation. Durable and eco-friendly construction for heavy use. Modular design for endless configuration possibilities. Customisable finishes and fabrics to suit any project.

COSMO 1526 - 2 seater fabric garden sofa _ Et al.

Et al. > Sofa

COSMO 1526 Sofa: Contemporary Elegance for Versatile Spaces The COSMO 1526 sofa, designed by Philippe Tabet for Et al., epitomizes modern design and adaptability. This two-seater sofa, without armrests, is crafted to seamlessly integrate into various environments, including residential living rooms, hotel lounges, office waiting areas, and outdoor settings. Design and Dimensions The COSMO 1526 features a sleek and minimalist design, characterized by its upholstered seat and backrest, all supported by a durable steel frame. Its dimensions are thoughtfully crafted to provide comfort while maintaining a compact footprint: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These proportions make it an ideal choice for both spacious and limited areas, offering ample seating without overwhelming the space. Materials and Finishes Crafted with precision, the COSMO 1526 offers a range of customization options to suit various design aesthetics: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Upholstery: Available in a diverse selection of high-quality fabrics, including options like Panarea, Reviva Hero, Reviva Iris, Reviva Amelia, and Fabthirty, each offering multiple color choices to complement different interior styles. Frame Finishes: The steel frame can be customized in various finishes, such as White Aluminium (NCS S4000-N VR), Jet Black (NCS S9000-N VR), Coral Red (NCS S3060-Y80R), Matt Jet Black (NCS S9000-N VR), Rough Metallic Bronze (VR), Curry (NCS S3060-Y), Olive Green (NCS S7020-G50Y), Water Blue (NCS S4050-B40G), Capri Blue (NCS S6030-B), Brown (NCS S8005-Y20R), Traffic White (NCS S0502-B VR), Marsala (NCS S4040-R), Pewter (VR), Pure White (NCS S0500-N VR), and Anthracite Grey (NCS S7502-B VR), allowing for seamless integration into any interior color scheme. Functional Accessories To enhance its functionality, the COSMO 1526 can be equipped with optional accessories: Kidney Cushion: Provides additional lumbar support for increased comfort. These accessories make the sofa a practical choice for both relaxation and productivity. Applications and Versatility The COSMO 1526's adaptable design makes it suitable for a variety of settings: Residential Spaces: Ideal for living rooms or bedrooms, adding a touch of modern elegance. Hospitality Environments: Perfect for hotel lobbies, guest rooms, or lounge areas, offering comfort and style to guests. Office and Waiting Areas: Enhances reception spaces or private offices with its sleek design and optional functional accessories. Outdoor Settings: Designed to withstand outdoor conditions, making it suitable for patios, terraces, and garden areas. Complementary Products The COSMO collection includes various seating solutions that can be paired with the 1526 sofa to create cohesive interior designs. Options include the COSMO 1505 armchair, the COSMO 1502 three-seater sofa, and modular systems like the COSMO 1520, allowing for flexible configurations to suit different spaces and requirements. Key Features Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of upholstery fabrics and frame finishes to match specific design requirements. Optional Accessories: Functional add-ons like kidney cushions enhance usability. Compact Dimensions: Suitable for both large and small spaces without compromising on comfort. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal. Conclusion

Compatta Ghiaia

florim > Wall tile-stone-brick

A passion for earth as a natural material and for rammed earth, an ancient construction technique. The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti. These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size. The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces. The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique. The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC. In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.

Archeologie Archeologie Grigio

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface. All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory. Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.

Daiki

minotti > Armchair

Designed by Marcio Kogan / studio mk27, Daiki is a family of seats inspired by the Brazilian architect's passion for Japan and its culture. The range includes comfortable bergères, fixed and swivel armchairs, with or without armrests, and a fixed footstool. Available with a matt polyester lacquered Palisander Santos shell, in the same Dark Brown stained wood or in Licorice lacquered flamed ash, the seat is made using an exclusive woodworking technique and consists of two elements joined at 45° to obtain a backrest inclination that guarantees maximum comfort. The fixed armchairs feature metal legs in a black-nickel finish, while the swivel seats are supported by a metal base with spokes, swivelling 360° with return, on which a comfortable cushion seats, contained in the curved wooden body. The base of the latter is also available in two different finishes: varnished polished Bronze to match the Palisander Santos frame with matt polyester lacquered finish or Dark Brown stain, or varnished Black Coffee finish for the ash frame. In the version with leather upholstery, the cushions are quilted with visible stitching, while the fabric version only features stitching. Daiki proposes a design that refers to the moods of Mid-Century America in its bold, simple lines, fine materials and balanced proportions.

SPACE+ 1400 - Fabric linear module _ Et al.

Et al. > Armchair

Space Plus Modular Seating System: Customisable Elegance for Public and Commercial Spaces The Space Plus Modular Seating System, part of Et al.'s extensive collection, is designed to offer unparalleled flexibility and modern aesthetics. Ideal for various public and commercial environments, it combines functionality, style, and durability, making it perfect for creating bespoke seating solutions. Design and Dimensions The Space Plus Modular System features clean lines and a robust construction, making it suitable for high-traffic areas. This particular module has the following dimensions: Height: 100 cm Width: 75 cm Depth: 61.5 cm Seat Height: 47 cm Seat Width: 46 cm These compact yet spacious proportions make it an excellent choice for lobbies, waiting rooms, and collaborative spaces. Materials and Finishes Crafted with precision, the Space Plus collection ensures durability and customisation: Frame: Made from sturdy metal, guaranteeing stability and long-lasting use. Upholstery: Available in a wide range of high-performance fabrics, including stain-resistant and easy-to-clean options. Designers can choose from a palette of neutral tones like grey and beige or opt for bold, vibrant colours like teal or mustard to match specific branding or design schemes. Base Finish: The metal base is finished in various shades, including metallic tones, matte black, and white, to ensure compatibility with diverse interiors. Features Modular Design: The modular nature of the Space Plus system allows designers to configure seating arrangements that suit the unique requirements of a space. Straight, corner, and connecting modules are available to create cohesive designs. Comfortable Seating: The well-padded seat and backrest ensure maximum comfort, even for extended periods. Space Efficiency: Its compact design maximises seating capacity while maintaining user comfort. Applications The Space Plus system is highly versatile and suitable for numerous environments: Hospitality: Ideal for hotel lobbies, bars, and lounges, offering both style and durability. Corporate Spaces: Perfect for office receptions and collaborative meeting zones. Retail and Public Spaces: Well-suited for waiting areas in malls, airports, or hospitals. Restaurants and Cafés: A chic choice for booth seating or dining areas. Customisation Options To further personalise the Space Plus seating system, Et al. offers additional accessories and customisation: Add-On Tables: Small, integrated side tables for added convenience. USB Charging Ports: For functionality in modern workspaces or waiting areas. Divider Panels: Create privacy for users in open-plan settings. Sustainability and Durability The Space Plus collection is crafted with environmentally friendly materials and processes, ensuring sustainability without compromising quality. The upholstery options include recycled and eco-friendly fabrics. Complementary Products The Space Plus system pairs well with other pieces from Et al.'s collections, such as: Space Plus Bench Modules: Ideal for larger seating configurations. Coffee Tables: To complement the seating arrangement with functionality and style. Key Features Customisable modular system for bespoke designs. Compact, elegant dimensions suitable for diverse applications. Durable materials for high-traffic environments. Extensive range of upholstery and finish options.

Storie Castello

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Connery

minotti > Sofa

Contemporary, with a strong architectural appeal and pure lines reminiscent of the Mid-Century American spirit, the Connery seating system sports an exquisite aesthetic and design that instantly catch the eye. The clever combination of fine materials and sophisticated details adds a hint of couture to its design. An extremely versatile seating system, in terms of both composition and combination of materials, Connery has a distinctive personality also expressed in the pairing of original square and round chaise-longues. With its geometric rigour, the base creates an original contrast with the softness of the seat, conceived as a single cushion punctuated by light stitching defining the width of the seat - 83 or 68 cm - and with the structure of the backrest and armrest, covered in channelled goose down padding. The backrest and armrest form a single volume, with a 45° split in the corner. As well as the fabric covering, the padded structural base can also feature a covering with strips of leather, crafted with the same technique used in fine leather luggage-crafting. References to the concept of high-end leather goods are also found in the headrests and the elegant “C”-shaped Flap surfaces, which seamlessly blend into the seating elements, animating the compositions with a vibrant rhythm. The structural base is raised from the ground on thin blades in extruded aluminium in a Brandy polished varnished finish, positioned at the front, giving the sofa an appealing and airy look, and recalling the metal parts of trunks and suitcases. The Flap shelves reiterate the strip design of the structural base and make the system functional, offering stylish, surfaces on which to place objects. Covered in leather or Moka ash veneer, they dialogue harmoniously with the textures of the covering. The leather bands of the structural base, sewn together with straps and marked out by stitching that add rhythm to the design, are made with the same technique used in fine leather luggage-crafting. The same concept of high-end leather goods also inspires the freely adjustable headrests. The well-structured, customisable range, offering many different compositional options, in addition to longer square chaise-longues, also includes circular elements, which can be positioned near the sofa as atolls.

Brace

mitab > Chair

CHAIRS BRACE EXTENSIVE COMFORT As Peter Opsvik, the father of ergonomic furniture design, said “the best posture is the next posture”. Brace’s generously sized, curved back rest provides comfort in a variety of seating positions, for users of all shapes and sizes, and remains comfortable as you change positions throughout the day. HONEST CRAFTMANSHIP Brace’s frame is made from the most recycled material in the world – mild steel – and contains over 30% recycled content. The seat and back rest is made of plywood allowing them to be gently curved and are veneered with real Ash timber, providing a high quality and durable finish even suitable for high traffic environments. RENEW AND REPAIR Why buy new when you can re-new? At Mitab we don’t just sell new furniture. Customers can also return to us to have their pieces refreshed, renewed and repaired. Mitab products are designed and made to last decades but furniture that lives that long also require a little TLC every now and then to keep it looking its best! Maybe after a couple of hard years in a café (or a few equally hard years in a house with ketchup loving children!) your chair is in need of recovering. Or perhaps a hue that looked on trend ten years ago now looks a little dated. Mitab offers to re-new your furniture as easily as it is to buy a new piece.By offering straightforward options with standard pricing for re-lacquering or reupholstering your Mitab products we make it easy for you to extend their life and help out the environment at the same time. FUNCTIONAL SIMPLICITY Brace’s armrests have been carefully designed with ergonomics and practicality in mind, supporting users as they work yet still comfortably sliding under most table tops. A gradual bend allows users to to sit a little closer while working or eating while still being able to perch their arms. COLOUR COORDINATED A wide range of contemporary colour options are available through MItab’s various colour systems – Standard, Selected and Anycolour. For a small additional fee all metal components and wooden parts can be colour-matched to your chosen specification. DESIGNER JONAS WAGELL Swedish architect and designer Jonas Wagell is widely revered for his modern product and furniture design comprising soft, minimalist shapes with a welcoming expression. His Stockholm-based studio, JWDA, was founded in 2008 and boasts collaborative relations that stretch from Scandinavia and Europe to China and North America. An alumnus of the prestigious schools Konstfack in Stockholm and Parsons in New York City, Jonas Wagell’s award-winning work combines graphic simplicity and playfulness to create pieces that typify modern-day life. Materials: Steel frame, compression moulded veneer.

Vibrant apricot Duvet Cover

auping > Accessories

This cotton satin cover features playful stripes in the on-trend colour of apricot. The background is a light beige print that almost looks woven. Both the back of the cover and the pillowcases are a solid orange colour. Want to give your bed an extra dose of style? Add a few pillowcases in Brilliant... Handy: tuck-in strip, hotel closure and button down systemAll Auping duvet covers have an extra long tuck-in strip. This makes it easy to tuck the duvet cover in under your mattress. Cold feet are a thing of the past. You can recognise the extra long tuck-in strip by the length: 200/220The Auping pillowcases of the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat.Auping duvet covers and duvets feature the button down system. These are handy buttons and loops that you use to fasten the duvet and cover together, preventing it from shifting. The term button down comes from fashion. It literally means 'buttoned down' and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons to prevent the duvet from sliding around in the cover. These buttons and loops also make it easier to make your bed neatly. Sizes of our duvet coversThe sizes of our duvet covers are coordinated with the Auping duvet and pillow range to ensure a perfect match. In addition, the duvet covers and pillowcases are also suitable for most common other duvets and pillows.The Auping duvet covers are available in both single and double sizes:- 140 x 200/220 cm incl. 1 60 x 70 cm pillowcase.- 200 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 240 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.- 260 x 200/220 cm incl. 2 pillowcases of 60 x 70 cm.Sustainability At Auping, we dream of a rested world. Of sleeping under wonderful bedding made in an environmentally friendly way and under good working conditions. That's why all our duvet covers in the basic collection have the internationally recognised GOTS certificate. This is the very highest international standard for organic textiles. It not only guarantees top quality but also gives us the assurance that the entire chain complies with strict social and environmental requirements. The covers in the seasonal collection carry the BCI label, which also guarantees sustainably and socially responsible bed textile production. Quality labelsNot only sustainability but also the quality of our products is very important to us. We pay a lot of attention to this and work with the following quality marks and institutes to guarantee our quality. All Auping duvet covers are checked annually by TÜV Rheinland Netherlands for size, shrinkage, colour fastness and strength properties.All Auping duvet covers have the Oeko-Tex Standard 100 certificate. This quality mark is issued by the Oeko-Tex institute which guarantees that the tested and certified textiles are free of harmful substances in relation to human health and environmental impact. It is thus a safety seal for textiles.

Tesori Monile bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati "It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric. The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering. Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.

Miniatures RAR

vitra > Styling

The Fiberglass Chairs are rare examples of a satisfying synthesis of formal and technical innovation. For the first time in the history of design, Charles and Ray Eames utilized the unlimited malleability of plastic for the development of a comfortable seating shell that corresponds to the shape of the human body. The idea of making a three-dimensional molded shell goes back to a design from 1940. The original attempt to make the shell out of plywood was unsuccessful, however, due to the extreme conditions necessary to mold the material. Only with the advent of fiberglass technology was it possible to achieve satisfying results. The first Fiberglass Chair went into production in 1950. After years of experimentation, Charles and Ray Eames were able to realize their goal: an industrially produced chair that is inexpensive, sturdy, and comfortable. The Fiberglass Chairs come in several versions: with an A-shaped shell (armchair) or S-shaped shell (side chair) and on different bases, one of which is the famous »Eiffel Tower« base. Until 1968, Herman Miller also produced a rocking chair base. Every Herman Miller employee who expected a baby received it as a gift until 1984.

Night shade Duvet Cover

auping > Accessories

Dark blue duvet cover adorned with cream white origami shapes with a nod to the classic patchwork style. Fine dark lines elegantly frame the individual patterns. The piping on the pillowcases is a deep, dark blue that matches the colour on the reverse side of the pillowcase. These night colours create... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.

COSMO 1515 Side Table: A Modern Laptop Table

Et al. > Coffee table

COSMO 1515 Side Table: A Modern Accent for Contemporary Spaces The COSMO 1515 side table, designed by Philippe Tabet for Et al., embodies minimalist elegance and functionality, making it a versatile addition to various interior settings, including residential living rooms, hotel lounges, office waiting areas, and educational environments. Design and Dimensions The COSMO 1515 features a sleek steel frame paired with a durable HPL (High-Pressure Laminate) tabletop, offering a modern aesthetic that complements a wide range of interior styles. Its compact dimensions are: Width: 50 cm Depth: 50 cm Height: 50 cm These proportions make it an ideal choice for both spacious and limited areas, providing a functional surface without overwhelming the space. Materials and Finishes Crafted with precision, the COSMO 1515 comprises: Frame: Constructed from durable steel tubing, ensuring stability and longevity. Tabletop: Made from high-pressure laminate (HPL), known for its durability and resistance to scratches and stains, making it ideal for high-traffic areas. The steel frame is available in a variety of finishes, allowing for customization to match specific design aesthetics. Options include: White Aluminium (NCS S4000-N VR) Jet Black (NCS S9000-N VR) Coral Red (NCS S3060-Y80R) Matt Jet Black (NCS S9000-N VR) Rough Metallic Bronze (VR) Curry (NCS S3060-Y) Olive Green (NCS S7020-G50Y) Water Blue (NCS S4050-B40G) Capri Blue (NCS S6030-B) Brown (NCS S8005-Y20R) Traffic White (NCS S0502-B VR) Marsala (NCS S4040-R) Pewter (VR) Pure White (NCS S0500-N VR) Anthracite Grey (NCS S7502-B VR) These finish options enable the COSMO 1515 to seamlessly integrate into diverse interior color schemes and styles. Applications and Versatility The COSMO 1515's adaptable design makes it suitable for a variety of settings: Residential Spaces: Serves as a stylish accent table in living rooms, bedrooms, or reading nooks, complementing sofas and seating arrangements. Hospitality Environments: Ideal for hotel lobbies, lounges, and guest rooms, providing a functional surface for guests. Office and Waiting Areas: Enhances reception spaces and meeting rooms with its sleek design and practical surface area. Educational Settings: Suitable for libraries, study areas, or common rooms, offering a durable and functional surface for various activities. Complementary Products The COSMO collection includes various seating solutions that can be paired with the 1515 side table to create cohesive interior designs. Options include the COSMO 1505 armchair, the COSMO 1502 three-seater sofa, and modular systems like the COSMO 1520, allowing for flexible configurations to suit different spaces and requirements. Key Features Modern Aesthetic: Clean lines and minimalist design contribute to a contemporary look. Customizable Finishes: Wide range of frame finishes to match specific design requirements. Durable Materials: High-quality steel frame and HPL tabletop ensure longevity and resistance to wear. Compact Dimensions: Suitable for both large and small spaces without compromising on functionality. High-Quality Construction: Durable materials ensure longevity and sustained aesthetic appeal.