Pleat Box
marset > Ceiling lamp
Applying a digitally designed fabric crease to ceramics. This is how the Pleat Box lamp was created, resulting in a design that conveys beauty in its material, shapes and texture.Ceramic is a ductile, malleable material, and every lamp in the collection is handcrafted. Fusing the clay with different enamels has allowed Xavier Mañosa to discover and interpret new light effects. He has gone as far as to play with two different finishes on the inside of the lamp: a brilliant white enamel to create sparkles that enhance the light, and a 24-carat gold plated version that emits extraordinarily warm lighting. The outside of the lamp comes in the collection’s classic finishes – white, black, terracotta and grey – as well as in the recently added dark green and ochre, two new shades that expand the range of possibilities to combine different sizes, heights and colours. The Pleat Box collection is also available with integrated LED technology, which projects warm indirect light and prevents glare. This lamp shows respect for craftsmanship, care for ceramics and the ingenuity of design.
Soft Dreams Lux pink
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Una Micro Stripe dark grey
egecarpets > Carpet
Available in 48x48 cm and 24x96 cm. The collection is available in eight different colours inspired by rare timbers. Brown, grey and beige tones create an elegant, timeless design with a stripe effect, bringing an additional sweep of elegance to a simple look. Perfectly matching colour tones create a beautiful two-tone stripe effect. Depending on the colours combined in the individual carpet, the stripe effect is more or less distinctive. The name "Micro" refers to the almost microscopic woven structure with tiny pile loops. The carpet tiles in this collection are extremely durable, and dirt and stain-resistant. The Una Micro Stripe collection is made in 100 % polyamide. The carpet tiles are a reasonably priced carpet solution which meets the highest quality requirements.
Limestone and Sandstone
levantina > Wall tile-stone-brick
Limestone and sandstone are sedimentary rocks with a very natural appearance, highly valued in construction for certain qualities that make them almost unique. Choose sandstone or limestone walls and slabs to modernize your project. Two of their distinguishing features are the variety of colors and different degrees of porosity, all of them tending to a vast wealth of animal and vegetable fossils thanks to the water action of oceans, rivers and lakes that over millions of years shaped their composition and appearance. Sandstone is a type of limestone with a high sand content, compacted by a cement-like calcium carbonate or iron oxide. Sandstones vary in their composition to produce the different tonalities often ehibited by the material once it has been worked into the various formats used in buildings. Architects greatly value limestone and sandstone for a wide variety of projects that can range from full cladding on façades to outdoor floors. Their slip- and heat-resistant properties are highly prized. Different coatings have been introduced in recent years to boost the inherent qualities of limestone and sandstone, with nanotechnology research as their basis.
Series 7™
fritzhansen > Chair
The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The original Series 7 chair is the 3207. It was launched in 1955 at the H55 international design exhibition in Sweden as Arne Jacobsen’s reply to the criticism he received for the Ant chair. The 3207 provided a striking response with perfectly proportioned armrests that follow the contours of the curved backrest while extending the smooth lines of the rear legs to create a perfectly balanced and supremely comfortable design.
velvet bloom blue
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Gradient Long Media Console
lexington > Console
Grand credenza based on our Gradient motif, standing 101-inches wide and intended to anchor the largest of flat panel screens, featuring quartered white oak veneers in our Cerused White Grey finish. The long inset pulls and plinth base are brushed stainless steel. Six doors feature panels in a concentric recessed pattern of small half-round moldings open to reveal three drawers, three adjustable shelves, and ventilated back.
Vertigo Large Pendant light - Green
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
Matrice Sostanza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
The Lobster Chair - Oak Black / Chrome
bruunmunch > Chair
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
SPACE+ 1410 - Fabric linear module _ Et al.
Et al. > Armchair
Space Plus 1410 High-Back Seating Module Dimensions: Height: 128 cm Width: 75 cm Depth: 61.5 cm Seat Height: 47 cm Backrest Height: 75 cm This module has a slightly shorter backrest and a narrower footprint, making it suitable for compact spaces while still providing a sense of enclosure. Materials and Finishes Both modules are crafted with premium materials and offer a range of customisation options: Frame: Sturdy metal construction for stability and durability. Upholstery: Available in a wide range of high-performance fabrics, including stain-resistant and easy-to-maintain options, in both neutral and vibrant colour palettes. Base Finish: Choose from matte black, metallic tones, or white finishes for seamless integration with your design scheme. Features High Backrest: Provides privacy and acoustic benefits, making these modules ideal for open-plan layouts. Compact Design: Maximises seating capacity without overwhelming the space. Modular System: Easily integrates with other Space Plus modules for customised configurations. Comfortable Seating: Cushioned seats ensure ergonomic support for extended use. Applications These seating modules are perfect for a variety of settings: Hospitality: Enhance hotel lobbies, lounge areas, and VIP waiting zones. Corporate Spaces: Create collaborative zones or reception seating with added privacy. Public Areas: Ideal for airports, malls, or healthcare waiting areas where privacy is a priority. Dining Settings: Serve as booth seating in cafés or restaurants. Customisation Options To suit specific needs, these modules offer several enhancements: Privacy Panels: Add-on extensions to further enhance privacy. Integrated Charging Ports: USB or power outlets for tech-friendly environments. Attachable Tables: Practical surfaces for work or dining purposes. Sustainability and Durability Manufactured using eco-friendly processes, the Space Plus 1401A and 1410 modules feature sustainable fabric options, making them an environmentally conscious choice for modern interiors. Complementary Products Pair these modules with other elements from the Space Plus collection: Corner Units: To create L-shaped or U-shaped layouts. Ottomans and Poufs: Provide flexible seating options. Matching Tables: Enhance functionality and cohesion in seating arrangements. Key Features Modular and adaptable to diverse configurations. High backrests for privacy and acoustic benefits. Customisable materials and finishes to match various aesthetics. Durable and eco-friendly construction for long-lasting use.
Grand Conference Highback
vitra > Chair
Grand Conference is a visitor and conference chair designed by Antonio Citterio that pairs extraordinary comfort with an impressive, dignified appearance. Together with Grand Executive, Grand Repos, Repos and Petit Repos, it forms a group that lends a unified look not only to meeting and conference spaces, but also to offices, lobbies, waiting zones and reception areas.
Soft Dreams Lux sand
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. Wooden legs are angled smoothly outwards in this design, mimicking the steel legs of Jacobsen’s other plywood chairs. This is one of the few Arne Jacobsen chair designs with wooden legs. Remember that the Grand Prix chair with wooden legs is not stackable.
The Lobster Footstool - Oak Black / Chrome
bruunmunch > Stool
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
PLANO BFZ construction profile for flush wall skirtings
profilitec > Accessories
PLANO BFZ construction profile for flush wall skirtings BFZ is a construction profile that allows you to create a flush-to-the-wall skirting board with the same material as the flooring. In the lower part there are special grooves, designed to allow the insertion of a linear profile, created to determine the level of the screed and ensure perfect positioning of the heights of doors and windows. How to install BASEBOARD PLANO BFZ This profile is mounted before the various pipes / cables are embedded in the screed. It sets a point of reference for the installation of doors and windows. It was designed to create a 6 cm skirting board. The zero point is positioned between the skirting and the floor; based on the thickness of the latter, the strip will be fixed under which there will be the screed and the insulation.
Epoca Moss silver
egecarpets > Carpet
Moss evokes childhood memories of running barefooted in the deep, green forest and brings back the feeling of extreme softness between your toes. An almost bouncing underlay that excites your underfoot senses, Moss brings that exhilarating and tickling feeling from your feet to your entire body. The voluminous and agile surface reproduces the diversity of the forest floor’s multiple structures and colours. The glossy look of the carpet yarn reflects the mysterious interplay between moist and light as when rays of sunshine catch drops of dew to make them sparkle like diamonds. Moss adds a sprinkling of soft luxury to your hotel lobby, lounge area, conference room or reception.
Ziggy
sabaitalia > Armchair
Metal, wood, rope: simple materials which reinvent commonly used objects. A collection of poufs and coffee tables made in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The reference to David Bowie’s iconic Ziggy Stardust is no accident and relates to the irony in the idea of revolutionising the type of accessory furniture in the area for relaxing. The barrel and hourglass silhouettes come together to make up islands which expand: interweaving and volumes are enhanced in the coordination of the mixed colours of the cord, pointing to a new idea of furnishing accessory with endless possibilities of personalising the space. The two-tone plaited rope is an exclusive Saba combination.
Superellipse table-Tudelad skiva med Spännben, utdragsreglar och iläggsskivor
mathsson > Table
SuperellipsFormgivet år 1964Table with core of edge glued Alder wood, visible at the edges. Treated wih clearcote. Black stained edges optional for tables with laminate top.Veneer of Ash, Beech, birch, Oak and white laminate. Other kinds of wood, stain or colours on laminate on request.Spännben av förkromat stål, lackerade ben som tillval. Bordshöjder: 70 eller 72 cm. Bordshöjd 75 cm som tillval.De olika längd/breddförhållandena ger grundbordet utan iläggsskivor en bordsform där bokstaven i kolumnen refererar till formerna till höger. Iläggsskivorna har raka sidor. Två stycken extra bordsben/stödben levereras med de bord där ”S” är angivet efter storleken. Dessa ben är placerade mitt under grundbordet, se illustration nedan, och kan vid behov vara monterade när iläggsskivorna används.På bord med iläggsskiva 50-70 cm eller 71-100 cm tillverkas iläggsskivan med önskat mått inom det angivna intervallet, anges vid beställning.Avstånd mellan bordsben anger fritt utrymme i centimeter mellan bordsbenen, utan iläggsskivor, uppe vid bordskivan vid bordshöjd 63-75 cm.
Grand Prix™
fritzhansen > Office Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The height-adjustable 3131 swivel chair features an elevated five-legged steel base with high-quality aluminium capped castors, originally designed by Jørgen Rasmussen in 1965 for the KEVI chair. The castor’s twin-wheeled design improves manoeuvrability, and customers have a choice of hard or soft wheels that glide smoothly on a range of surfaces without damaging the floor.
Vertigo Medium Pendant light - White
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
Soft Dreams Lux terracotta
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Irving Writing Desk
lexington > Desk
The 60-inch Irving writing desk is crafted from walnut in a deep mocha finish with woven cane accents of the offset drawer box. Custom oval hardware is finished in a champagne coloration. The design features a storage drawer above and a file drawer below that will accommodate letter or legal files. An integrated power unit with two USB jacks and two receptacles is mounted on the left side of the drawer box.
Freeman "Lounge"
minotti > Sofa
The status and singularity of the Freeman “Tailor” project are perpetuated in its Freeman “Lounge” extension. The reduced depth of the seats gives Freeman “Lounge” the flexibility to fit easily in residential settings of limited scale as well as in hospitality environments, like waiting rooms, reception areas and corporate offices. One-piece seats, distinguished by decorative stitching that defines a uniform, graphic motif, can be grouped together to form dynamic compositions. The “Wing” armrest displays light lines thanks to the polyurethane foam coated metal structure. The sophisticated tailoring of the upholstery reveals the company’s expertise in executing extremely complex fine-tailoring techniques. The various pieces in fabric are assembled using a strip of bronze color eco-leather and double-stitched seams that lend a distinct sense of depth.
Affair
cor > Sofa
Affair originally came about as a draft for the public areas of the exhibition centre in Frankfurt/Main. In other words, as a new kind of seating for large public areas in which many people relax, talk, kill time between appointments, take a breather and above all just feel at ease. And because such people also exist in other places, Affair is now to be found in theatre foyers and lounges, receptions and offices, company headquarters and atriums of all shapes and sizes. No two Affairs are the same. After all, it can literally be configured infinitely to form seating islands or corners, never-ending sofas or waiting benches. And then regrouped for any occasion and any purpose.
crepe blue
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Series 7™
fritzhansen > Chair
The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The original Series 7 chair is the 3207. It was launched in 1955 at the H55 international design exhibition in Sweden as Arne Jacobsen’s reply to the criticism he received for the Ant chair. The 3207 provided a striking response with perfectly proportioned armrests that follow the contours of the curved backrest while extending the smooth lines of the rear legs to create a perfectly balanced and supremely comfortable design.
Matrice Aura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Hot
flukso > Paneling
Hot is a polyester fabric entirely manufactured and tested in Italy which has been studied for the upholstered furniture sector. Special dying methods are used to provide volume to Hot fabrics and make them extremely soft. This fabric is highly resistant and both its warp and weft are 100% polyester FR made. Since it has successfully passed the strictest FR certifications, it’s suitable for hospitality and contract use. Hot is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector together with the high technical performances of contract fabrics.
The Lobster Footstool - Walnut / Chrome
bruunmunch > Stool
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
textile black
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
KERNEL PENDANT
bertfrank > Ceiling lamp
Clean, simple lines and repeating shapes. Kernel is composed of intersecting horizontal and vertical lines and geometric forms. Four opal glass spheres framed within a matte lacquered rectangular shade. Laser cut brass diffuser echoes the shape of the encased spheres, fluid and curving. An unexpected twist.Please write to us at [email protected] to let us know your required drop height, referencing your order number.Standard dispatch time: 10-12 weeks.
denim stripe blue
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Eclipse Wall Light
castrolighting > Wall lamp
The Eclipse Handmade Wall Light is named after the solar eclipse phenomena. When the moon slowly starts to rotate to the point it almost aligns with the Sun and the Earth, the moon creates a shadow that partially inhibits sunrays from being seen from earth. Recreating this natural wonder, the Eclipse gold wall sconce is composed of two rounded brass plates, placed in front of each other, with a slight distance between them, only allowing little crescents of light to shine through. The front plate is hammered by hand, using modern handcraft technics, that reflects in the shining gold plated plate in the back. Featuring touches of modern, contemporary and mid century modern styles, alongside it's delicate luxury shade, this handmade wall sconce is the perfect fit for a hallway, bedroom, living room or dining room, it’s warm light brings a calm and relaxing ambiance. #graceofnature VIEW FULL FAMILY #blossomelegance
Dalia
cappellini > Armchair
Charming at first glance: the Dalia armchair by Marcel Wanders is a floral embrace whose sensual curves capture the soul in poetic suspense. An iconic element of design, with a contemporary appeal and moderate dimensions, this armchair offers optimal comfort, with padding placed above a swivelling base (also available with a return mechanism). This armchair is so versatile and richly significant that it can tastefully accent domestic settings and make a stylish statement in business environments alike. Marcel Wanders and Cappellini propose fixed upholstery, a fibreglass and resin shell, polyurethane foam padding on the seat and backrest, and a metal base finished with powder varnished with a natural aluminium hue. The upholstery is available in the fabrics and leathers of the collection. The Dalia armchair by Marcel Wanders has obtained Greenguard Gold Certification, reserved exclusively for products that do not contain or emit harmful volatile substances.
Epoca Moss light beige
egecarpets > Carpet
Moss evokes childhood memories of running barefooted in the deep, green forest and brings back the feeling of extreme softness between your toes. An almost bouncing underlay that excites your underfoot senses, Moss brings that exhilarating and tickling feeling from your feet to your entire body. The voluminous and agile surface reproduces the diversity of the forest floor’s multiple structures and colours. The glossy look of the carpet yarn reflects the mysterious interplay between moist and light as when rays of sunshine catch drops of dew to make them sparkle like diamonds. Moss adds a sprinkling of soft luxury to your hotel lobby, lounge area, conference room or reception.
Vertigo Medium Pendant light - Black
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles. Made in France Read more
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The Grand Prix with steel legs reflects Arne Jacobsen’s larger collection of stackable plywood chairs with tubular steel legs.
srf Slip Retardant Flooring
armstrongflooring > Floor plank
Enhanced Traction for an Added Measure of Safety Healthcare, education, and retail facilities have an extraordinary responsibility to protect the health and well-being of occupants with an environment that is clean, comfortable, dry and safe. Safety Zone Tile Flooring is designed with this in mind, providing enhanced traction for an added measure of safety where it matters most. Reasons to Specify Slip Retardant Flooring Safety Zone Tile Enhanced traction using an embossed surface embedded with proprietary particles Features through-pattern wear layer for lasting performance, even under heavy traffic conditions* Palette coordinates with LVT and VCT for complimentary designs in adjacent spaces Size and squareness remain constant Exclusive Fast Start Factory Finish makes initial maintenance quick and easy Manufactured to Armstrong Flooring’s Diamond Standard of Quality *Refer to the Armstrong Flooring Guaranteed Installation Systems manual (F-5061) for proper installation, care, and maintenance information.
The Lobster Chair - Walnut
bruunmunch > Chair
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
saint-germain
poliform > Sofa
Saint-Germain is a sofa system featuring curved and sensual forms. Inspired by sensual shapes reminiscent of 1970s design, these sofas transform any space into a warm and familiar setting, infusing a cosy feeling of home comfort. Soft, enveloping lines recur in all the elements of the collection, which includes various modules with which to create linear, angular or unusually shaped compositions. The sofas are always characterised by an inviting appearance created through the interaction of shapes and depths. From the haute couture texture of bouclé fabrics to the contemporary elegance of leather, the upholstery enhances the Saint-Germain sofa volumes, projecting a transversal aesthetic appeal.
Epoca Moss brown
egecarpets > Carpet
Moss evokes childhood memories of running barefooted in the deep, green forest and brings back the feeling of extreme softness between your toes. An almost bouncing underlay that excites your underfoot senses, Moss brings that exhilarating and tickling feeling from your feet to your entire body. The voluminous and agile surface reproduces the diversity of the forest floor’s multiple structures and colours. The glossy look of the carpet yarn reflects the mysterious interplay between moist and light as when rays of sunshine catch drops of dew to make them sparkle like diamonds. Moss adds a sprinkling of soft luxury to your hotel lobby, lounge area, conference room or reception.
The Lobster Footstool - Oak Black
bruunmunch > Stool
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
Soft Dreams Lux lilac
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Lari mini Angelo Mangiarotti, 2023
karakterCopenhagen > Table lamp
Lari mini is a portable version of Angelo Mangiarotti’s original Lari lamp from 1978. Just like the original Lari, Lari mini consists of a single mouth-blown piece of glass attached to a powder-coated metal base. The mouth-blown glass has a distinctive rippled structure which creates a beautiful, slightly blurred feel to the ambient light. Lari mini can cast its beautiful light in a wide range of settings – from cosy nooks in private homes and eye-catching reception desks at the office to dim, candlelit dinners at the restaurant. Lari mini charges via a USB-C cable and goes from zero to fully charged in 3,5 to 4 hours. When fully charged, it can provide up to 14 hours of light.
I.d. ish by d'o (4 dinner plates)
kartell > Styling
A defining feature of this collection is the embossed stamp on the edge of the plate, reflecting the chef's particular vision of cuisine,in which everything revolves around the act of serving food. It is light yet distinctive to combine practicality with an imaginative and unique style. This collection of plates comes in four models, each referencing one of the four seasons.
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. Wooden legs are angled smoothly outwards in this design, mimicking the steel legs of Jacobsen’s other plywood chairs. This is one of the few Arne Jacobsen chair designs with wooden legs. Remember that the Grand Prix chair with wooden legs is not stackable.
Soft Dreams Lux white
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Superellipse table-Hel skiva med Spännben
mathsson > Table
SuperellipsFormgivet år 1964Table with core of edge glued Alder wood, visible at the edges. Treated wih clearcote. Black stained edges optional for tables with laminate top.Veneer of Ash, Beech, birch, Oak and white laminate. Other kinds of wood, stain or colours on laminate on request.Spännben av förkromat stål. Svartlack, vit strukturlack, aluminiumlack eller mattförkromning som tillval. Bordshöjder: 37, 42, 52, 63, 70 eller 72 cmDe olika längd/breddförhållandena ger en bordsform där bokstaven i kolumnen refererar till formerna på bilden till höger.Avstånd mellan bordsben anger fritt utrymme i centimeter mellan bordsbenen uppe vid bordskivan vid bordshöjd 63-75 cm.
Bubble
flukso > Paneling
Bubble is a polyester fabric entirely manufactured and tested in Italy which has been studied for the upholstered furniture sector. Made applying special technical finishings that reduce height and increase thickness of the geometrical shapes on the surface. This fabric is highly resistant and both its warp and weft are 100% fireproof. Since it has successfully passed the most exacting reaction to fire tests, it can be used in the professional and hospitality/contract settings. Bubble is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector together with the high technical performances of contract fabrics.