Eclipse Floor Lamp
castrolighting > Floor lamp
The Eclipse Handmade Floor Light is named after the solar eclipse phenomena. When the moon slowly starts to rotate to the point it almost aligns with the Sun and the Earth, the moon creates a shadow that partially inhibits sunrays from being seen from earth. Recreating this natural wonder, the Eclipse gold floor lamp is composed of two rounded brass plates, placed in front of each other, with a slight distance between them, only allowing little crescents of light to shine through. The front plate is hammered by hand, using modern handcraft technics, that reflects in the shining gold plated plate in the back. With touches of modern, contemporary and mid century modern styles, the luxury shade is the perfect fit for a hallway, bedroom, living room or dining room, it’s warm light brings a calm and relaxing ambiance. VIEW FULL FAMILY
Soft Dreams Lux green
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Milton "Nightstand"
minotti > Cabinet
Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries. The recessed plinth in Light Bronze-painted satin metal transforms the supporting structure in a seemingly floating element. Closed by a band in Moka-tainted brushed oak, the frame holds the top in Zebrino marble or Black pâte de verre. Despite the generous proportions of the tops, due to their reduced height, the tables are not invasive in the living space, but function as pleasantly decorative and functional island elements. The family is completed by squared items that feature drawers or a void space, which is enhanced by a sheet of satin-finished metal that covers the internal surface. The latter is also available in a revolving version.
Stone Bookends White x 2
tomdixon > Styling
Bookends in heavy, white marble with rounded curves and a unique fingerprint. Equally sculptural and functional. More Information This hard, semi-precious surface has transfixed architects, sculptors and designers for millennia. Marble is the dream material - tough yet tactile, heavy and long-lasting with individual personality. This year, the Stone family receives an upgrade
HeadHat Bowl
santacole > Ceiling lamp
At Santa & Cole we have developed a LED system that adapts to different shades, just as the Edison thread does. Hence, a single head can be combined with various hats. The HeadHat Bowl series features handmade ceramic shades and is ideal for lighting specific surfaces or points of reference. Very convenient, very simple and very efficient.
Connect Bed
hay > Bed frame
Connect Bed takes the idea of traditional craftsmanship methods combined with the computer-controlled high-tech tools and processes which have now become commonplace in the contemporary designers world to create a minimalistic industrial look. The result is a razor sharp design with pinpoint precision simply consisting of four elements two side rails and two end rails that slot together and are fastened with eight screws. Embedded in the bare frame the screws become an interesting detail in themselves with the joints displaying references to conventional carpentry work.
Soft Dreams Lux light grey
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
I.d. ish by d'o (4 soup plates)
kartell > Styling
A defining feature of this collection is the embossed stamp on the edge of the plate, reflecting the chef's particular vision of cuisine,in which everything revolves around the act of serving food. It is light yet distinctive to combine practicality with an imaginative and unique style. This collection of plates comes in four models, each referencing one of the four seasons.
plissé beige
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Heracleum III Linear
moooi > Ceiling lamp
Dont confuse the new Heracleum III Linear with its Endless sibling. Look closely and youll see blossoms gently sweeping upwards at either side making the Heracleum III Linear perfect to hang above long surfaces like your dining table or kitchen island. Like the other designs in the Heracleum family the lean branches are powered by Electrosandwich by Marcel Wanders studio. The Heracleum III Linear available in four colours is inspired by the flowering plant of the same name. Its bloom frozen in time. This most recent design in the Heracleum family is compatible with our Wireless Wall Switch and contains bright LEDs together they offer a higher light output that creates a warm glow. 
denim stripe beige
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Koinè acoustic
luceplan > Ceiling lamp
Along with the high-tech lighting engineering performance which distinguishes it, Koinè enjoys yet another innovative element in the sound-absorbing version. The reflector is a felt cap (60% recycled) which not only has an important decorative role, but also allows increased acoustic comfort in the vicinity by reducing the time of sound reverberation. An aluminium portion inside covers the surfaces and contributes on one hand to holding the felt in place, and on the other hand to dispersing the heat of the light source.
Pompeii Grey Waterjet Mosaic Polished Stone
artistictile > Floor tile-stone
In 79 AD Mount Vesuvius suddenly erupted, covering the thriving Roman metropolis of Pompeii in a deep layer of smothering ash. The ash choked the city in a historic tragedy, preserving its people and culture with astonishing clarity. Excavations at Pompeii are ongoing, Each day uncovering new evidence of the cultural richness of the Roman empire. A recently uncovered dwelling revealed an intricate ceiling, with geometrics and braids that thrilled our founder on a recent visit. She reinterpreted the pattern into stone, resulting in Pompeii, a mixed Waterjet mosaic pattern hewn from classic Italian marble. Pompeii’s aesthetic spans millennia - it doesn’t get more classic than this.
Qbic Outdoor
draenert > Outdoor furniture
Pure symmetry – comfortably designed. The QBIC combines fine craftsmanship with a timeless design. It appears like a solid stone sculpture. The edges of this cube are perfectly crafted – box frame construction mitered, glued, sanded and brushed to a leathered finish Due to the natural figu e of the stone, the stringent side table obtains its attractive playfulness. The recessed rollers allow effortless moving to the desired position.
The North African Cookbook
abchome > Accessories
A collection of 445 exciting and accessible recipes that celebrate North Africa’s vibrant and diverse food culture. Extensively researched and twenty years in the making, The North African Cookbook is the largest collection of traditional North African recipes for home cooks. Filled with delicious and authentic North African dishes that can easily be recreated at home, this treasure trove of a book brings to life an exciting cuisine that is as varied and fascinating as the countries it covers.Focusing on the Maghreb region – Morocco, Algeria, Tunisia, and Libya – The North African Cookbook explores the territory’s vast culinary diversity and history. From Berber, Arabic, and Ottoman influences as well as French, Spanish, and Italian, this cookbook offers a comprehensive overview of how native, as well as European colonialism, influenced the region's traditions today.A wide network of culinary voices from across North Africa guided the project. In a region so vast and so diverse, James Beard award-winning food writer Jeff Koehler looked to many hundreds of experts and locals. Following two decades of travel across North Africa and a career spent writing in depth about the region and its food, Koehler’s extensively researched collection is an exhaustive look at traditional recipes across the Maghreb.
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The Grand Prix with steel legs reflects Arne Jacobsen’s larger collection of stackable plywood chairs with tubular steel legs.
FAROL PENDANT
bertfrank > Ceiling lamp
With a simple cylindrical glass shade and suspended from a drop rod with a single brass highlight. Pared-back, understated and undeniably sophisticated. Try multiple pieces in a linear formation for a bold, minimalist silhouette.Our glass shades are hand-blown in Poland, a country steeped in glassblowing heritage. Any small air pockets found in the glass are reminders of the handmade processes, first invented thousands of year ago, that are still being practiced today. Please write to us at [email protected], referencing your order number, to let us know your required drop height.Standard dispatch time: 6-8 weeks.
Soft Dreams Lux golden
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Soft Dreams Lux rose
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
Eames Fiberglass Armchair LAR
vitra > Chair
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
Soft Dreams Lux beige
egecarpets > Carpet
Soft Dreams Lux softens the streamlined architecture found in many modern buildings. With its elegant, high-pile surface, the collection imparts a feeling of homey cosiness to any room, whether it is an office, meeting room or lounge area. The large open common area and reception also offer a warm welcome with Soft Dreams Lux. With the any shape concept, your carpet can be customised to complement the room’s décor with its shape, size and colour. Outline the carpet’s shape with an accurate measurement on each side and choose from a colour palette carefully curated in the dark, deep and dusty tones currently preferred by stylists and interior designers.
denim grey
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
patchwork green
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Matrice Forma
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
stitch blue
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
stitch green
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Grand Prix™
fritzhansen > Chair
The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The Grand Prix with steel legs reflects Arne Jacobsen’s larger collection of stackable plywood chairs with tubular steel legs.
Bond
cor > Side table
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
Honey Moss print EcoSUND®
gotessons > Styling
Honey print is a playful wall absorbent with beehive-shaped panels in three different thicknesses that together create an effective 3D feeling in the room. Honey print is available in several stylish patterns inspired by nature.Two pieces of each thicknesses 20 mm, 40 mm and 50 mm. Straight edges for even corners. Mounting: velour backing & Hook & Loop tape. Core material: black EcoSUND. No need of pattern matching. Always same motif but with a reservation for some variation in the pattern.Honey Print Sound-absorbing beehive-shaped wall absorber with pattern. Core material gray EcoSUND. Assembly: Velor covered back and Hook & Loop tape. Thickness: 20/40/50 mm. Certificate (valid 2019-06-03): ISO 354 Absorption and SS 25269. Absorption factor alfa 0,95 and Fire class: testad according to B-s1, d0 N10 value 600x520x50 = 33 For updated information, see: https://www.gotessons.com/en/wall-and-ceiling-acoustics/honey-ecosund-wall-panel-sound-absorbent ______________________________________________________________________________________________ Standard measurements: 600x520x20 || 600x520x40 || 600x520x50
Vertigo Medium Pendant light - Bronze
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
The Lobster Chair - Walnut / Chrome
bruunmunch > Chair
The Lobster chair is an exclusive and sculptural Danish-designed new classic. The chair is designed by Lund and Paarmann and was first launched in 2008. This lounge chair is an exclusive piece of Danish craftsmanship created by Danish designers with a passion for quality and unique details. The chairs embracing form is ideal for relaxing after a long day or for enjoying a good book or TV show. The name Lobster refers to the chairs unique form which is inspired by the unique exoskeleton of lobsters.
Superb Trevira®
flukso > Paneling
Superb Trevira®, the Demitec velvet in Trevira® polyester by Flukso, comes in 40 lively and bright colours. Superb Trevira® is soft yet lasting, resistant to wear, suitable for both public settings and home. Superb Trevira® is a timeless velvet; it adapts to every style no matter if classic or modern. It is fire resistant and easy to maintain. Flukso velvet can be used for fireproof armchairs, sofas, chairs, beds, upholstered furniture and curtains to meet a variety of standards required in the world. Superb Trevira® is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector together with the high technical performances of contract fabrics.
velvet bloom green
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Louver
minotti > Coffee table
A light and refined coffee table that finds its expressive power in the masterful use of lacquer, Louver features legs in solid Liquorice-coloured ash supporting a flared top that appears to rest delicately on top, as if it were a tray. Designed in three different heights with three different diameters for the top, it is also available in an oval version. Like the other furnishing pieces in the 2022 Collection, Louver is clearly inspired by the 1970s, a reference underlined by the lacquering of its top in Cappuccino, Chestnut, Malachite, Moka and Army Green, mixed with the more rational taste expressed by its clean, minimal forms. The nuances of the top reinterpret the Seventies vibe with a surface effect that moves the lacquer, making it not only shiny but also strongly textured. The combination of rational shapes and the discreet decoration of the top make it an unexpected coffee table, rendered elegant also thanks to its polished wood legs. Of all the coffee tables in the collection, it is the one with the most decorative inspiration, but always calibrated with a modernist taste, imbued by the combination of the thickness of the entire perimeter of the top and its surface.
Impronta - Pin tray Mano
cassina > Styling
Thanks to painstaking historically accurate lines of inquiry and development conducted in partnership with Roberta Lietti, curator of the Ico Parisi Design Archives, Cassina re-edits a cylindrical vase with an opening in the shape of a mouth, a single-stem vase characterized by a hollow contour in the shape of a hand, and a pin tray that reproduces the cast of an open hand, poised to receive small everyday items.
quilt grey
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Stanley journey beyondthe stars.
terzani > Floor lamp
Capturing the mystery, power, and wonder of the stars, this new floor lamp from Dodo Arslan conjures the natural beauty of space and mankind’s fascination with the heavens. Blades of crystalline light travel through a field of stars, creating a deep, rich, and nuanced viewing experience. Stanley’s multiple perspectives create a cosmic vision with infinite depth. An homage to the genius of Stanley Kubrick and his masterpiece, 2001: A Space Odyssey, Arslan’s design aims to open doors to new galaxies. Through recreating the mysteries of our universe, Stanley captures the sense of awe that continues to compel artists, scientists, and dreamers to look to the sky for answers and inspiration. Staying in accordance with the vibrancy of space, Stanley offers a series of chromatic variations which can be customized creating a unique, tonal experience. Design Dodo Arslan. Made in Italy.
Vertigo Large Pendant light - Copper
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
Moods – Vibration
flukso > Paneling
Vibration is a fabric produced and finished in Italy, made with polyester FR yarn in 40 different colors that can be matched with the Atmosphere, Emotion and Dynamic collections, for a total of 160 products, all available on stock. Vibration is a fabric with an extremely soft and enveloping surface resembling natural fabrics. The effect was achieved by dyeing the jacquard textile bases with rope overflow machines and subsequent processing with a rubber cylinder. Vibration is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector with the resistance and high technical performance of contract fabrics.
Matrice Rilievo
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Vertigo Large Pendant light - Black
petitefriture > Ceiling lamp
The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm Made in France Read more
Yoko
minotti > Armchair
Yoko, a light and elegant seating design; a Japanese name and Scandinavian lines that come together in a piece of furniture with an aesthetic matrix, flavoured by both cultures. A contrast in constant equilibrium thanks to the skilful craftsmanship of the Japanese-Danish couple Inoda+Sveje. The continuous cross-reference between the two cultures, their styles and manufacturing skills shapes a project composed of an armchair, a dining little armchair and a bench/footstool characterised by a dual lightness: physical and aesthetic. Delicate and sinuous lines, created with precious cabinet-making interlocking techniques that enrich the structure of legs and armrests in solid ash open pore wood lacquered with a Liquorice colour, or in solid Canaletto walnut stained Light Brown, a chromatic choice that lends a more decisive tone to the elegance of the silhouette. The wooden frame has a joint where the leg meets the armrest, both at the front and at the back: a structural joint that becomes decorative thanks to the clever use of the wooden material. In this project, the great expertise in woodworking that has always been characteristic of Nordic and Japanese craftsmanship meets the historical know-how of a Made in Italy company that has been an expert in exquisite upholstered furniture for decades. Yoko is the harmonious union of technology, elegance and comfort.
Fontana
draenert > Table
A new generation of extendable dining tables. FONTANA combines the uniqueness of natural stone with the experience of an innovative synchronous mechanism. Unfold the table to a banquet – effortless and apparently magical. DRAENERT typical - the expressive, trapezoidal table top adds the finishing touch. The FONTANA has received four awards! The collection is complimented by a fix top version. FONTANA - Four times awardedCheck out the function as a video!
Shrimp
cor > Armchair
No-one would dream of tinkering with an award-winning design icon like our popular Shrimp easy chair – or so you might think. But as our furniture is always supposed to be contemporary, we – or rather the designers Jehs + Laub – have decided to make some modifications. The new version has kept its outer shell with the characteristic side recesses. New features include a loose cushion and a new frame that makes the chair swing not only visually but also physically. Can you feel it yet?
Millennial – Pixel
flukso > Paneling
Pixel is a knit fabric, made with polyester FR yarn in 30 different colors that can be coordinated with the Visual, Impulse and Bitnet collections, for a total of 120 products, all available on stock. Pixel is a slightly elastic fabric made with jacquard knitted looms having a density of 440 g/m2. With its particular fabric construction, Pixel is suitable for upholstering with ease and excellent aesthetic results all types of upholstered furniture, including extreme-design elements. Pixel is also designed to cover panels and padded sound-absorbing furniture. The slightly three-dimensional fabric construction, combined with soundabsorbing material, contributes to decreasing sound reverberation.
crepe beige
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Moods – Dynamic
flukso > Paneling
Dynamic is a fabric produced and finished in Italy, made with polyester FR yarn in 40 different colors that can be matched with the Vibration, Emotion and Atmosphere collections, for a total of 160 products, all available on stock. Dynamic is a fabric with an extremely soft and enveloping surface resembling natural fabrics. The effect was achieved by dyeing the jacquard textile bases with rope overflow machines and subsequent processing with a rubber cylinder. Dynamic is part of the Demitec range that introduces a new fabric concept, born of Flukso’s solid experience and bound to revolutionize the word of interior design. Demitec combines the elegance, enveloping textures and prestige of fabrics traditionally reserved for the residential sector with the resistance and high technical performance of contract fabrics.
Ami ami (2 chairs)
kartell > Chair
Inspired by the way pattern and texture interweave in a fabric, the Ami Ami chair (its name in Japanese literally means "to weave"), was born of designer's wish to reproduce one of the stylistic icons typical of his country - weaving. The simple squared off lines contrast with the richness of the weaving and this is achieved on the inner and outer surfaces through a complex industrial process which recreates the motif using a single mould.
stitch beige
egecarpets > Carpet
The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.
Fienile outdoor
luceplan > Outdoor lighting
Fienile is also available in floor lamp versions for outdoor use, based on the same design inspired by the iconic rural buildings of Norway. Fienile Outdoor is a work of micro-architecture, with its walls and pitched roof extruded in a single, solid block of coated aluminium, while the diffuser is in polycarbonate. The outdoor version of Fienile comes in two heights, 32 or 72 cm, and two colors: pale and dark gray. Thanks to its essential design, Fienile Outdoor fits perfectly into the surrounding landscape and architectural context. The characteristic angled roof, besides being a clear reference to the archetypal form of the house, contributes to screen the light and spread it uniformly on the ground.