Patio

minotti > Armchair

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

ELEMENTS 1 - Indoor/outdoor porcelain stoneware wall/floor tiles _ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Elements1 by Ceramica Bardelli: Embracing Nature Indoors The Elements1 collection by Ceramica Bardelli transforms interior spaces into serene, nature-inspired environments. This series draws inspiration from the natural elements of water and clouds, using cutting-edge design techniques to bring the ethereal beauty of the outdoors into your home or commercial spaces. Clouds Design and Features At the heart of the collection is the Clouds tile, featuring soft, sky-like visuals that evoke a sense of tranquillity and openness. Each tile measures 60x120 cm (24"x48") and has a matte finish, creating a subtle yet impactful aesthetic. The large format allows for seamless, immersive designs, whether used for interior flooring or wall cladding. Crafted from high-quality porcelain stoneware, the tiles are designed to be both visually stunning and highly durable. They feature an abrasion coefficient (PEI) of 2, making them ideal for moderate-traffic interior areas. The tiles are also R10-rated for slip resistance and meet DCOF standards, ensuring safety without compromising style. Innovative Craftsmanship The Elements1 series exemplifies the best of modern ceramic technology. The tiles are created using advanced third firing digital printing techniques, which add depth and texture to the patterns. The collection includes A+B pattern options, enabling designers to create continuous, flowing designs that mimic the vastness of the sky or the serene movement of water. Transformative Interior Design With the Clouds design, spaces are transformed into immersive environments that defy traditional perceptions of interior design. Imagine walking on a soft blue sky dotted with clouds or being surrounded by the serene clarity of crystalline waters—these tiles invite the beauty of nature to take centre stage in any space, creating a calming and transformative atmosphere. Applications and Versatility The Elements1 collection is ideal for a variety of settings, including residential spaces, hospitality projects, and commercial interiors. Whether used to cover floors or walls, these tiles provide a cohesive and luxurious aesthetic that feels both modern and timeless. About Ceramica Bardelli Ceramica Bardelli is a renowned brand within the Gruppo Bardelli, a leader in Italian ceramic excellence. Combining artistic innovation with technical mastery, the Group’s collections are synonymous with the finest Italian craftsmanship. With production facilities in Cerrione and Oderzo, the brand is at the forefront of high-end ceramic design. Elements1 reflects this legacy, offering a visionary approach to interior design. For seamless project integration, designers can also download 3D files of the collection, ensuring precise visualisation and implementation. With Elements1, Ceramica Bardelli brings the magic of nature indoors, creating spaces that inspire and captivate.

Eames Fiberglass Armchair LAR

vitra > Chair

The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) &#8211; making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.

Sunray

minotti > Coffee table

Sunray designs a new, open-air landscape where exquisite design and carefully researched comfort join forces to create an intimate, relaxing atmosphere. With its enveloping design, the Sunray seating system is inspired by the desire to design situations that convey a sensation of intimacy and relaxation, in line with the concept of open-air living that imitates the comfort and beauty of indoor furnishing solutions. Sunray is designed both to play a leading role in outdoor settings and to complement the other furnishing pieces in the collection. It juxtaposes different shapes and materials: its airy surface in natural teak wood defines its horizontal line, while the curved backrest with interwoven cords gives it a dynamic allure. The system, composed of pieces that can be used alone or combined together, offers a variety of compositional solutions thanks to the high versatility of its elements. The family is composed of armchair, sofa, end element with or without extending top, chaise-longue, loveseat, daybed with reclining backrest, and square and rectangular coffee tables. The wide choice of the fabrics of the 2020 Textile Collection means Sunray can be personalised with exclusive textures and an extensive colour range. The natural teak top with sloping section sits on a polished Bronze metal structure: it is tapered on the edges and hosts the mattress-like cushioning of the seat. The backrest is characterised by a tubular profile covered in flat cord, in Bronze and Ecru colour, which designing a linear weave.

Sunray

minotti > Bed frame

Sunray designs a new, open-air landscape where exquisite design and carefully researched comfort join forces to create an intimate, relaxing atmosphere. With its enveloping design, the Sunray seating system is inspired by the desire to design situations that convey a sensation of intimacy and relaxation, in line with the concept of open-air living that imitates the comfort and beauty of indoor furnishing solutions. Sunray is designed both to play a leading role in outdoor settings and to complement the other furnishing pieces in the collection. It juxtaposes different shapes and materials: its airy surface in natural teak wood defines its horizontal line, while the curved backrest with interwoven cords gives it a dynamic allure. The system, composed of pieces that can be used alone or combined together, offers a variety of compositional solutions thanks to the high versatility of its elements. The family is composed of armchair, sofa, end element with or without extending top, chaise-longue, loveseat, daybed with reclining backrest, and square and rectangular coffee tables. The wide choice of the fabrics of the 2020 Textile Collection means Sunray can be personalised with exclusive textures and an extensive colour range.

LAB - Square table _ Inno

Inno > Table

Lab Table 1100mm – Square Configuration Introduction The Lab Table 1100mm, designed by Harri Korhonen for Inno, is a standing-height table that combines modern aesthetics with functional design. This table is part of the Lab product family, which includes a wide range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. ​ archiproducts.com +4 1stdibs.com +4 archiproducts.com +4 inno.fi Square Table Dimensions The Lab Table 1100mm is available in various sizes, including square configurations suitable for diverse spatial requirements. The standard square dimensions are:​ 800 x 800 mm​ 900 x 900 mm​ 1000 x 1000 mm​ 1100 x 1100 mm​ franckly.com +11 1stdibs.com +11 inputinterior.com +11 1200 x 1200 mm​ archiproducts.com +3 architonic.com +3 1stdibs.com +3 1400 x 1400 mm​ These dimensions cater to various seating capacities and room sizes, ensuring flexibility in design and functionality. ​ Design and Aesthetics The Lab Table 1100mm features a minimalist design characterized by clean lines and a sleek silhouette. Its standing height promotes dynamic interactions and encourages movement, fostering a more engaging and health-conscious workspace. The table's understated elegance allows it to integrate seamlessly into various interior styles, from modern corporate offices to creative studios.​ Materials and Finishes Inno offers a diverse selection of materials and finishes for the Lab Table 1100mm, enabling customization to suit specific aesthetic preferences and functional requirements. Tabletop materials include natural woods such as birch, ash, maple, walnut, and oak, each providing a distinct texture and color. For a more contemporary look, laminate and nanolaminate options in black, white, and grey are available. These materials are not only visually appealing but also durable and easy to maintain, ensuring longevity in high-traffic areas.​ The table's base can be customized with different metal finishes, including crystal aluminium, silver aluminium, metallic grey, effect white, matte white, matte black, and effect black. This variety allows designers to create a cohesive look that aligns with the overall interior theme.​ Cable Management Understanding the importance of a clutter-free workspace, the Lab Table 1100mm is available with a range of cable management options. These features ensure that electronic devices can be connected seamlessly, maintaining a clean and organized appearance. This thoughtful design enhances the overall aesthetic and functionality of the workspace, contributing to increased productivity and focus.​ Versatility and Applications The Lab Table 1100mm's design and functionality make it suitable for a wide range of applications:​ Corporate Offices: Ideal for standing meetings, collaborative work sessions, and break areas, promoting a dynamic and engaging work environment.​ Educational Institutions: Suitable for seminar rooms, libraries, and study areas, offering a durable and functional workspace for students and faculty.​ Hospitality Settings: Enhances the ambiance of hotel lobbies, business centers, and dining areas, combining style with practicality.​ Residential Spaces: Serves as a stylish standing table or a large workstation in home offices, adapting to various interior design themes.​ Integration with Lab Product Family The Lab Table 1100mm is part of Inno's Lab product family, which includes a range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This cohesive collection allows for harmonious interior design, enabling designers and architects to create unified spaces that promote productivity and well-being. The Lab product family has been granted the internationally recognized GOOD DESIGN™ 2015 Award, underscoring its excellence in design and functionality. ​ Conclusion The Lab Table 1100mm in its square configuration exemplifies Inno's commitment to quality craftsmanship, innovative design, and functional excellence. Its adaptability to various professional and residential environments, coupled with the recognition from prestigious design awards, makes it a standout choice for those seeking to enhance their interiors with stylish and practical furniture solutions.

Linha "Dining"

minotti > Table

An expression of the minimalism that pervades the Brazilian architect’s designs, the Linha dining table is a manifesto of his constant pursuit of elegance in the proportions of his creations, and of his almost obsessive attention to detail. Linha, or “line” in Portuguese, is his response to the challenge of designing a dining table with a large span, a structure only 16 mm thick and a top that can reach up to 4 metres in length. Visually, it appears extremely lightweight and airy, despite the strong impact of the materials used, in which marble boldly takes centre stage. In the more sculptural version, the structure designs a bridge, with the top being flush with the sides, whereas in the other tables the blade-like legs, with the section curved on the inside, are set back from the top. The stratified bearing structure with matt black lacquered finish features aluminium sides with Golden Brown finish and a top in Grigio Orobico marble. The top in flamed Tobacco oak and palisander Santos with matt polyester varnished finish is also available – woods that, with their material textures, give great character to the product. The Linha family also includes a round table available in four sizes.

VOLUME - Ceramic 3D Wall Tile _ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Volume by Ceramica Bardelli: A Bold Play of Light, Shadow, and Form The Volume collection, designed by Storagemilano for Ceramica Bardelli, redefines interior cladding with its dramatic three-dimensionality and architectural elegance. These innovative strips transform walls into striking design elements, creating dynamic plays of light and shadow while adding depth and movement to any space. Design and Features Volume is crafted from white paste monoporous ceramic and features an extra-glossy finish, enhancing its ability to reflect light and accentuate its three-dimensional form. Each strip is sized at 10x40 cm (4"x16") with a substantial thickness of 1.8 cm (45/64"), creating a bold and sculptural aesthetic. The design’s simplicity and versatility make it a "wall object" capable of elevating spaces with its scenographic impact. The collection is available in six glossy colours, ranging from white to dove grey, grey, and blue. These shades provide a versatile palette for designing both classic and contemporary interiors. For even greater creative freedom, Volume is fully combinable with Ceramica Bardelli’s Cromia collection, allowing for unique and personalised compositions. Transformative Potential Volume is more than a wall covering—it is a decorative tool that transforms empty surfaces into architectural focal points. Its ability to play with light and shadow adds dimension and character, making it an ideal choice for feature walls, accent areas, and high-impact design statements. Whether used individually or in combination with solid colours, Volume infuses spaces with a bold yet refined aesthetic. Applications Perfect for both contract projects and domestic interiors, Volume adapts seamlessly to a wide range of settings, from modern homes to hospitality and commercial environments. Its combination of functionality and artistry makes it a versatile choice for designers seeking to create walls that stand out with texture and visual intrigue. About Ceramica Bardelli Ceramica Bardelli is a part of the renowned Gruppo Bardelli, celebrated for its excellence in Italian ceramic design and innovation. With production facilities in Cerrione and Oderzo, the Group embodies the finest traditions of Italian craftsmanship while embracing cutting-edge techniques. The Volume collection exemplifies Ceramica Bardelli’s dedication to merging aesthetics and functionality. To facilitate design planning, downloadable 3D files are available, ensuring seamless integration into projects. With its sculptural design and rich colour palette, Volume is a transformative element for walls, bringing spaces to life with movement, light, and artistic sophistication.

PEBBLE L - Ash coffee table for living room _ Zilio A&C

Zilio A&C > Coffee table

Zilio A&C Pebble Collection – A Playful Blend of Organic Form and Functionality Introduction to the Pebble Collection Designed by Tomoko Azumi in 2018, the Pebble Collection by Zilio A&C is a versatile family of stools, side tables, and benches, inspired by the natural, irregular shapes of pebbles. Crafted entirely from solid ash, the collection brings a sense of organic warmth and playfulness to any hospitality, contract, or residential setting. With its fluid, asymmetrical surfaces and slim, elegantly tapered legs, the Pebble Collection offers a multifunctional design—allowing users to sit, rest, or place objects as they see fit. Design & Key Features Three adaptable pieces – available as a stool, side table, and bench for diverse interior applications. Organically shaped surfaces – inspired by the natural softness of pebbles, adding a playful and sculptural touch. Solid ash construction – ensuring durability, longevity, and a refined wood grain texture. Lightweight yet sturdy – easy to move around while maintaining stability. Minimalist aesthetic – perfect for Scandinavian, Japandi, and contemporary interiors. Invites flexible use – can function as seating or surface space, depending on the user's needs. Available Variants & Dimensions The Pebble Collection consists of three pieces, each designed to accommodate different functions and settings: Pebble Side Table – An organic-shaped surface, ideal for lounge areas. Width: 500 mm Depth: 665 mm Height: 525 mm Each piece in the Pebble Collection is made from premium solid ash, available in: Finishes: Natural Ash – A light, airy wood finish that highlights the organic grain and texture of the material. Where to Use the Pebble Collection? The Pebble Stool, Side Table, and Bench fit effortlessly into various commercial and residential interiors, offering a blend of versatility and sculptural beauty: Boutique Hotels & Lounge Areas – Ideal for casual seating or display surfaces. Modern Restaurants & Cafés – A flexible seating option that brings warmth and character. Creative Workspaces & Studios – Perfect for casual meeting spaces and informal seating arrangements. Residential Interiors – Works beautifully in living rooms, bedrooms, and hallways as a seat or side table. Retail & Gallery Spaces – A unique display element for product presentations or artistic installations. Alternative Options For designers looking for similar organic, sculptural seating and surfaces, consider: Muuto Around Side Table – A Scandinavian-inspired side table with soft curves. Normann Copenhagen Tablo Table – A sleek, minimalist table with a rounded form. Andreu World Reverse Occasional Table – A sophisticated, sculptural alternative.

CONEK - Modular fabric pouf _ Mobboli

R

Mobboli > Pouf

The Conek Modular Seating Collection from Mobboli serves as contract furniture for hospitality venues and workspaces and applies to public and commercial settings as well as residential and hotel interiors. Introducing the Conek Collection by Mobboli The Conek collection produced by Mobboli features modular seating solutions designed by famous designer Gabriel Teixidó which fit perfectly into contemporary interior spaces. Conek offers armchairs and poufs that combine perfect form with function and sustainability so designers can create tailored seating solutions for various spaces including hotels and offices as well as residential and hospitality settings. Conek remains adaptable and adjusts instinctively to meet modern interior design needs. The smooth modular design of Conek allows for easy adaptation to both straight and curved layouts which delivers essential flexibility for versatile spaces. The collection's understated elegance establishes it as a flexible choice for spaces that appreciate minimalism along with modern features and practical luxury. Elegant, Minimalist Style and Design The Conek collection presents a modern minimalist design with smooth lines that create a sophisticated look suitable for various spatial applications. Seating modules utilize carefully determined proportions to blend seamlessly into interior spaces without dominating existing decorative elements. The combination of delicate rounded corners and precise upholstery work creates a refined appearance which highlights luxury and comfort while maintaining visual simplicity. The Conek modular collection features an advanced interconnectivity system which simplifies both attachment and rearrangement of its pieces. Configurations in the Conek modular collection can include intermediate tables which provide practical surfaces for work as well as relaxation and interaction purposes. The improved functionality enhances user experience which allows Conek to function in both sophisticated waiting areas and modern workspaces. Premium Materials and Luxurious Finishes High-quality craftsmanship and sustainable practices stand as key principles behind the Conek collection from Mobboli. The upholstered components deliver unmatched comfort through their structure of rubber bands which vary in density. The design maintains ergonomic support and durability under constant use in heavy-traffic areas. The Conek collection features eco-friendly upholstery options like FELICITY which is made from 100% recycled plastic bottles. The sustainable fabric selections come in modern shades such as terracotta, dry blood red, sophisticated navy, and subtle light grey. The combination of soft textures and strong compositions provides both visual and tactile benefits along with outstanding durability to meet the tough requirements of hospitality and commercial settings. Every frame benefits from robust yet well-proportioned construction made of round steel tubing which receives a finishing coat of high-quality epoxy paint. Designers have the flexibility to create harmony or contrast between project elements because the frames come in numerous modern colors that enhance the appearance of the upholstery. Dimensions of Conek Seating Elements The Conek collection contains two fundamental seating components which provide maximum comfort through their design while optimizing space efficiency. Armchair Dimensions: Width: 686 mm Height: 640 mm Depth: 663 mm Seat Height: 390 mm Pouf Dimensions: Width: 686 mm Height: 390 mm Depth: 663 mm Seat Height: 390 mm The Conek collection's compact yet spacious dimensions allow it to fit comfortably into multiple interior layouts without losing either functional capacity or comfort features. Ideal Applications and Versatile Usage The Conek collection demonstrates adaptability across multiple settings because of its flexible design and modern appearance. Hospitality and Hotels: The Conek collection delivers sophisticated seating solutions for hotel lobbies, lounges, and guestrooms that create welcoming environments for relaxation. Restaurants and Bars: Establishments can use Conek's modular design to establish seating arrangements for both personal discussions and big group interactions which improves guest comfort with its fashionable design. Offices and Collaborative Working Spaces: Conek offers dynamic seating solutions that enhance corporate interiors and coworking spaces equally for formal meetings and casual collaboration areas. Residential Interiors: This collection brings minimalist elegance to residential spaces and offers adaptable seating that meets diverse requirements from hosting guests to daily life comfort. Public and Commercial Projects: The combination of durable building techniques with flexible design features positions Conek as the top choice for waiting areas and lounges in airports and public institutions that need seating combining sturdiness with contemporary looks. Sustainability and Environmental Responsibility Mobboli demonstrates its commitment to environmental stewardship through the sustainable design of its Conek collection. Through their utilization of recycled upholsteries and components that can be recycled completely Mobboli demonstrates their support for a circular economic model. Conek's sustainable credentials and responsible production methods make it an excellent choice for interior designers who prioritize eco-friendly products. Alternative Modular Seating Collections Mobboli offers other modular seating solutions for interior designers who wish to expand their options while maintaining similar functionality. Split Collection: The Split Collection modular sofa system delivers modern versatility for public spaces and hospitality settings through cosmopolitan elegance and straightforward design. Track Collection: The Track series delivers more customizable options through its modern modular design which makes it perfect for contract projects that need both stylish aesthetics and adaptability. 2D and 3D Files Available Designers and architects who select the Conek collection can access comprehensive 2D drawings as well as 3D models for their projects. The system enables detailed project planning and smooth integration into design processes while supporting visualization and specification needs for projects regardless of size.

Riviera Sunbed

fritzhansen > Outdoor furniture

Designed in 1991 in collaboration with Danish designer, Povl B. Eskildsen, the versatile Riviera Collection has become an outdoor classic, renowned for its flexibility and straightforward appearance. Taking a sustainability approach, the design optimises the use of materials, using the slimmest possible amount in the teak slats without compromising strength. The ingenious construction is adjustable by design, allowing the pieces in the Riviera collection to transform in both expression and functionality and can easily be supplemented by a comfortable cushion. Riviera Cushion is custom-made for the Riviera Sunbed bringing an extra element of comfort for summer days relaxing. The backside is designed with an anti-slide textile that keeps the cushion in place. The cushion can be folded so it fits the versatile purposes of Riviera. The weatherproof upholstery textiles are Oeko-Tex® certified and extremely colourfast, lightfast, water and dirt-repellent and mildew-resistant. The cushion dries exceptionally quickly as the foam’s open-cell structure allows water and air to pass through. The quick-dry outdoor foam provides a firm and comfortable texture that remains the same year after year. Please note that a different version is available to meet the fire regulations in the UK market. These cushions are upholstered with FR cold foam, which is not weather resistant.

Solid Steel

minotti > Coffee table

The Solid Steel family of coffee tables is characterised by its clear 1970s inspiration: glossy and mirrored finishes, rigorous, overlapping and staggered volumes recreate a strong yet minimal architectural geometry, which perfectly complements different styles of living areas. The Solid Steel coffee tables are parallelepipeds with one or two staggered levels; in the two-volume version the finishes of the higher top are glossy lacquered Moka, Cappuccino, Malachite, Chestnut, or Moka open-pore lacquered ash, while the lower volume has the polished stainless steel frame with mirrored top. In the monobloc version, however, the frame is again in polished stainless steel or polished Bronze with four possible finishes for the top: Arabescato Grigio marble, Nero Marquina marble, open-pore Moka colour lacquered ash or mirror. The colour palette is consistent with the imagery of the living space by which they were inspired: mirrored stainless steel combined with coloured lacquers, wood and marble finished with a special smoothing treatment that enhances its matt texture, in stark contrast to the shine of the mirrored steel frame. These details are typical of the style of a brand that knows how to translate simplicity into sophistication, transforming a furnishing accessory into a strong and recognisable feature. The minimalism of their shape makes these coffee tables architectural objects with a big personality, incisive in the overall aesthetics of the space and yet easy to insert into many contexts: in the area in front of the sofa, but also at the side of the living room, as a support element, the ideal finishing touch to any environment. The Solid Steel coffee tables flawlessly follow the evolution of the Minotti range which, in the 2022 Collection, combines Scandinavian style with the striking effects of Japanese Zen: minimalism and in-depth research, simple elegance and maniacal attention to detail, the reduction of excesses and radiating brilliance. Harmonious contrasts in a perpetual balance between domestic life and Hospitality.

Chromia Tiles_ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Cromia by Ceramica Bardelli: Minimalist Elegance in Vibrant Hues The Cromia collection by Ceramica Bardelli is a celebration of pure colour and simplicity, offering designers an exquisite palette of solid-colour ceramic tiles with a glossy finish. This collection reflects a return to minimalism, drawing inspiration from its understated elegance while providing maximum versatility for architectural and interior design projects. Design and Features Cromia tiles are crafted from high-quality white paste monoporous ceramic, delivering durability alongside aesthetic appeal. The collection is available in two versatile sizes: 20x20 cm (8"x8") 10x40 cm (4"x16") With a thickness of 0.8 cm (5/16"), these tiles are perfect for interior cladding, whether used on walls in residential, commercial, or hospitality spaces. The glossy finish enhances the depth and vibrancy of each colour, allowing the tiles to capture and reflect light beautifully. A Designer’s Colour Box Cromia offers 14 carefully curated colours, including 7 bold accent hues and 7 soft neutral tones, designed as an artist’s palette. These colours can be mixed and matched to create dynamic compositions or used in broad, uniform fields for a clean and modern look. The collection is a tool for creative freedom, providing endless opportunities to customise spaces with simplicity and elegance. The versatility of the Cromia collection also makes it an ideal companion to other Ceramica Bardelli series, such as Volume, enabling designers to experiment with combinations of textures and colours for truly unique designs. Applications and Aesthetic Whether you’re looking to create vibrant feature walls, subtle tonal accents, or large expanses of colour, Cromia adapts effortlessly to both contemporary and classic interiors. Its minimalist essence makes it suitable for a range of projects, from residential homes to hospitality environments, offering a timeless solution that can evolve with design trends. About Ceramica Bardelli Ceramica Bardelli, part of the esteemed Gruppo Bardelli, is synonymous with Italian ceramic excellence. The Group’s production facilities in Cerrione and Oderzo blend craftsmanship with cutting-edge technology, creating collections that inspire and elevate interior design. With Cromia, Ceramica Bardelli delivers a versatile, minimalist collection that is as functional as it is beautiful. For seamless project integration, 3D files of the collection are available for download, supporting designers in visualising and implementing their ideas. From bold artistic statements to serene, understated designs, Cromia is the perfect choice for those seeking refined simplicity with endless creative possibilities.

PEBBLE M - Ash coffee table for living room _ Zilio A&C

Zilio A&C > Coffee table

PEBBLE M - Ash coffee table for living room Zilio A&C Pebble Collection – A Playful Blend of Organic Form and Functionality Introduction to the Pebble Collection Designed by Tomoko Azumi in 2018, the Pebble Collection by Zilio A&C is a versatile family of stools, side tables, and benches, inspired by the natural, irregular shapes of pebbles. Crafted entirely from solid ash, the collection brings a sense of organic warmth and playfulness to any hospitality, contract, or residential setting. With its fluid, asymmetrical surfaces and slim, elegantly tapered legs, the Pebble Collection offers a multifunctional design—allowing users to sit, rest, or place objects as they see fit. Design & Key Features Three adaptable pieces – available as a stool, side table, and bench for diverse interior applications. Organically shaped surfaces – inspired by the natural softness of pebbles, adding a playful and sculptural touch. Solid ash construction – ensuring durability, longevity, and a refined wood grain texture. Lightweight yet sturdy – easy to move around while maintaining stability. Minimalist aesthetic – perfect for Scandinavian, Japandi, and contemporary interiors. Invites flexible use – can function as seating or surface space, depending on the user's needs. Available Variants & Dimensions The Pebble Collection consists of three pieces, each designed to accommodate different functions and settings: Pebble Side Table – An organic-shaped surface, ideal for lounge areas. Width: 500 mm Depth: 665 mm Height: 525 mm Each piece in the Pebble Collection is made from premium solid ash, available in: Finishes: Natural Ash – A light, airy wood finish that highlights the organic grain and texture of the material. Where to Use the Pebble Collection? The Pebble Stool, Side Table, and Bench fit effortlessly into various commercial and residential interiors, offering a blend of versatility and sculptural beauty: Boutique Hotels & Lounge Areas – Ideal for casual seating or display surfaces. Modern Restaurants & Cafés – A flexible seating option that brings warmth and character. Creative Workspaces & Studios – Perfect for casual meeting spaces and informal seating arrangements. Residential Interiors – Works beautifully in living rooms, bedrooms, and hallways as a seat or side table. Retail & Gallery Spaces – A unique display element for product presentations or artistic installations. Alternative Options For designers looking for similar organic, sculptural seating and surfaces, consider: Muuto Around Side Table – A Scandinavian-inspired side table with soft curves. Normann Copenhagen Tablo Table – A sleek, minimalist table with a rounded form. Andreu World Reverse Occasional Table – A sophisticated, sculptural alternative.

Patio

minotti > Sofa

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

Block Iron

refin-ceramic > Floor tile-stone

Molten StoneConcrete is versatile; it comes to life without any shape and because of it provides for countless formal options, from smooth finishes to rough surfaces, with a very diverse aesthetic. A careful research of the many characteristics of this material is the fil rouge to our three solutions, Block, Mold and Plain; these three collections feature different characteristics brought together in the Master Plan.Block draws inspiration from concrete in the form closest to the natural elements it is made of: rock, clay and limestone. Gravel and rocks of varying coarseness emerge to the surface, as if immersed in concrete in a semi-liquid state. Produced in Mist white and three shades of grey – light Cinder, dark Iron and muddy Nickel – Block is available in the 120×120, 60×120, 75×150, 75×75, 60×60 and 30×60 formats, either with a matt or soft finish, with a soft hand and a very pleasant tactile texture.

ELEMENTS 2 - Indoor/outdoor porcelain stoneware wall/floor tiles _ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Elements2 by Ceramica Bardelli: The Serenity of Nature Indoors The Elements2 collection by Ceramica Bardelli embodies the beauty of the natural world, focusing on the soothing essence of water through its Waterfall design. This collection seamlessly integrates nature into interior design, transforming spaces with its immersive visuals and premium craftsmanship. Waterfall Design and Features The Waterfall tile in the Elements2 series reflects the calming flow of crystalline water, creating an atmosphere of serenity and freshness. Each tile is sized at 60x120 cm (24"x48"), with a matte finish that enhances its subtle elegance. The large format allows for expansive and cohesive designs, whether on floors or walls, making it perfect for contemporary interiors. Made from durable porcelain stoneware, the tiles offer exceptional performance. With an abrasion coefficient (PEI) of 2, they are ideal for moderate-traffic interior spaces. The tiles also meet R10 anti-slip and DCOF safety standards, ensuring both functionality and aesthetic appeal. Innovative Craftsmanship Elements2 showcases the latest in ceramic technology. Produced using third firing digital printing, the Waterfall tiles achieve high-definition visuals with intricate textures and patterns. The option to combine A+B patterns further enhances design flexibility, allowing for continuous, immersive compositions that mirror the natural flow of water. Immersive Interiors The Waterfall design invites the outdoors into interior spaces, offering a visual and sensory experience that redefines traditional design boundaries. Whether used to envelop a wall with the dynamic motion of water or as flooring to create a tranquil base, these tiles turn interiors into transformative environments. Walking on the serene reflections of water creates a unique connection to nature, radically enhancing the ambience of any space. Applications and Versatility Designed for interior flooring and cladding, Elements2 is a versatile choice for residential, commercial, and hospitality projects. Its balance of durability and artistic finesse makes it suitable for diverse settings, from serene spa environments to modern living spaces. About Ceramica Bardelli As part of the esteemed Gruppo Bardelli, Ceramica Bardelli is synonymous with Italian ceramic excellence. With a legacy rooted in craftsmanship and innovation, the Group combines artistic vision with technical expertise across its brands. Its production facilities in Cerrione and Oderzo uphold the highest standards of quality and design. To support designers and architects, 3D files of the Elements2 collection are available for download, facilitating seamless project integration. With Waterfall, Ceramica Bardelli continues to redefine interior design by bringing the timeless beauty of nature indoors, creating environments that captivate and inspire.

Block Nickel

refin-ceramic > Floor tile-stone

Molten StoneConcrete is versatile; it comes to life without any shape and because of it provides for countless formal options, from smooth finishes to rough surfaces, with a very diverse aesthetic. A careful research of the many characteristics of this material is the fil rouge to our three solutions, Block, Mold and Plain; these three collections feature different characteristics brought together in the Master Plan.Block draws inspiration from concrete in the form closest to the natural elements it is made of: rock, clay and limestone. Gravel and rocks of varying coarseness emerge to the surface, as if immersed in concrete in a semi-liquid state. Produced in Mist white and three shades of grey – light Cinder, dark Iron and muddy Nickel – Block is available in the 120×120, 60×120, 75×150, 75×75, 60×60 and 30×60 formats, either with a matt or soft finish, with a soft hand and a very pleasant tactile texture.

Daniels

minotti > Sofa

Comparable to a landscape design project, where carefully plotted combinations of elements create a new domestic scenery, the Daniels seating system redesigns the living areas with brand new compositions, in which regular curves and ellipses interrupt the linearity of the layouts, imbuing them with a more dynamic momentum.   Innovative and truly original, it is at its most striking when paired with the Amber low units, creating solutions with a strong visual impact that pass seamlessly from the soft feel of the seats to the harder feel of the containers and from more geometric shapes to an extraordinary combination of curves. The chairs are designed based on the concepts of full modularity and maximum comfort, and feature a single cushion. The vast design system also includes decisively large chaise-longue couches with curved seating areas. The frame of the back, and the combination of two different depths produces an effect in which the backrests appear to overlap, creating movement at the back which dispels the perception of the sofa as a continuous screen when set in the centre of the room, as well as making it possible to add the Clive console, which further accentuates its motion.  Instead, the “offset” version, where the backrest juts out from the side of the seat, easily accommodates the Amber ottoman or low unit, creating a different compositional solution.  The system offers an alternative to the fixed armrest, in the form of a removable ottoman, in leather or fabric, on wheels. Its natural position is alongside the sofa, attached using magnets, but it can be moved and used as an additional chair or surface, or, if positioned opposite the seat, as a natural extension of the same. The ottomans can also be attached to the end of the Amber low units. Daniels is available in two versions: all-fabric or all-leather, and in a third combined option with base and armrest in leather and cushion in fabric, flaunting a harmonious mix of the textures and colours of the exclusive Minotti textile collection.  With its design-based, modular, versatile and innovative qualities, Daniels introduces original and unexpected structural details and compositional elements with a dynamic, contemporary rhythm. 

Riviera Lounge

fritzhansen > Outdoor furniture

Designed in 1991 in collaboration with Danish designer, Povl B. Eskildsen, the versatile Riviera Collection has become an outdoor classic, renowned for its flexibility and straightforward appearance. Taking a sustainability approach, the design optimises the use of materials, using the slimmest possible amount in the teak slats without compromising strength. The ingenious construction is adjustable by design, allowing the pieces in the Riviera collection to transform in both expression and functionality and can easily be supplemented by a comfortable cushion. Riviera Lounge Cushion is custom-made for the Riviera Lounge Bed to give an extra element of softness and comfort for relaxing on long summer days. The cushion can be folded so it fits the versatile purposes of Riviera Lounge. The backside is designed with an anti-slide textile that keeps the cushion in place. The weatherproof upholstery textiles are Oeko-Tex® certified and extremely colourfast, lightfast, water and dirt-repellent and mildew-resistant. The cushion is quick drying thanks to the foam’s open-cell structure that allows water and air to pass through. The resilient foam provides a firm and comfortable texture that remains the same year after year. Please note that a different version is available to meet the fire regulations in the UK market. These cushions are upholstered with FR cold foam, which is not weather resistant.

DIAMOND - White-paste and glass 3D Wall Tile _ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Dimon Black by Ceramica Bardelli: Vintage Charm Meets Modern Design The Dimon Black tile from the Diamond collection by Ceramica Bardelli offers a versatile and timeless solution for interior cladding. Featuring a glossy finish and a striking diamond-cut surface, Dimon Black seamlessly blends retro aesthetics with contemporary design sensibilities, making it a perfect choice for both modern and classic interiors. Design and Features Dimon Black is part of a three-dimensional ceramic tile series crafted from high-quality white paste monoporous material. The 10x40 cm (4"x16") format lends itself to modular installations, offering endless design possibilities. Its glossy black finish exudes elegance and sophistication, making it a standout feature in any interior setting. The iconic diamond-cut design evokes vintage charm, reminiscent of retro styles, while its sleek execution ensures it complements contemporary spaces. This duality makes Dimon Black a versatile choice for those seeking to create interiors with personality and depth. Colour Range and Customisation While the Dimon Black tile showcases a bold, glossy black, the full Diamond collection is available in a variety of rich colours, including white, orange, mustard, and red. This diverse palette allows for customisable designs that cater to a range of aesthetics, from monochromatic chic to vibrant, playful compositions. Applications Designed exclusively for interior cladding, Dimon Black is perfect for walls in residential, commercial, and hospitality spaces. Whether used as a feature wall in a kitchen or bathroom, or as an accent in retail and public spaces, the tile adds texture, shine, and a touch of retro elegance to any design scheme. Its durability and ease of maintenance further enhance its appeal, making it a practical and stylish choice. About Ceramica Bardelli Ceramica Bardelli is part of the prestigious Gruppo Bardelli, a leader in Italian ceramic design. With production facilities in Cerrione and Oderzo, the Group is renowned for its commitment to innovation, craftsmanship, and excellence. Its collections, including the Diamond series, embody the finest traditions of Italian ceramics while embracing contemporary trends. The Dimon Black tile exemplifies this approach, offering designers and architects a high-quality product that merges vintage inspiration with modern functionality. For seamless project integration, downloadable 3D files are available, ensuring that the Dimon Black tile is as practical as it is beautiful. With its bold design and impeccable finish, Dimon Black is the ideal choice for creating striking, sophisticated interiors.

LAB - Rectangular table _ Inno

Inno > Table

Lab Table 720mm – Versatile and Stylish Solution for Modern Interiors Introduction The Lab Table 720mm is a versatile piece of furniture designed to seamlessly blend into various interior settings, serving both meeting and dining purposes. Part of Inno's acclaimed Lab product family, this table exemplifies a harmonious balance between casual style and functional design, making it an ideal choice for contemporary spaces.​ Design and Aesthetics The Lab Table 720mm boasts a minimalist design characterized by clean lines and a sleek silhouette. Its understated elegance allows it to integrate effortlessly into diverse interior styles, from modern office environments to cozy dining areas. The table's design promotes a sense of openness and collaboration, enhancing the overall ambiance of any space.​ Materials and Finishes Inno offers a wide array of materials and finishes for the Lab Table 720mm, enabling customization to suit specific aesthetic preferences and functional requirements. Tabletop materials include natural woods such as birch, ash, maple, walnut, and oak, each providing a distinct texture and color. For a more contemporary look, laminate and nanolaminate options in black, white, and grey are available. These materials are not only visually appealing but also durable and easy to maintain, ensuring longevity in various settings.​ The table's base can be customized with different metal finishes, including crystal aluminum, silver aluminum, metallic grey, effect white, matte white, matte black, and effect black. This variety allows designers to create a cohesive look that aligns with the overall interior theme.​ Dimensions and Configurations The Lab Table 720mm is available in multiple sizes to accommodate different spatial requirements and seating capacities. Standard dimensions include:​ Width x Length: 800 x 800 mm​ 800 x 1200 mm​ 800 x 1800 mm​ 800 x 2400 mm​ 800 x 3600 mm​ 800 x 4800 mm​ 900 x 900 mm​ 900 x 1800 mm​ 900 x 2400 mm​ 900 x 3600 mm​ 900 x 4800 mm​ 1100 x 1100 mm​ afc-agence.fr +1 inputinterior.com +1 1100 x 1800 mm​ 1100 x 2400 mm​ 1100 x 3600 mm​ 1100 x 4800 mm​ 1200 x 1200 mm​ 1200 x 1800 mm​ 1200 x 2400 mm​ 1200 x 3600 mm​ 1200 x 4800 mm​ 1400 x 1400 mm​ 1400 x 1800 mm​ 1400 x 2400 mm​ 1400 x 3600 mm​ 1400 x 4800 mm​ Diameter: 1000 mm​ 1100 mm​ inputinterior.com 1200 mm​ 1300 mm​ 1400 mm​ 1500 mm​ These options allow for customization based on the specific needs of the space, whether it's a compact meeting area or a spacious dining room. Additionally, the modular design enables the table to be extended endlessly, offering flexibility for future expansions or reconfigurations. ​ architonic.com Cable Management Understanding the importance of a clutter-free environment, the Lab Table 720mm is available with a range of cable management options. These features ensure that electronic devices can be connected seamlessly, maintaining a clean and organized appearance. This thoughtful design enhances the overall aesthetic and functionality of the space, contributing to increased productivity and focus. ​ Versatility and Applications The Lab Table 720mm's design and functionality make it suitable for a wide range of applications:​ Corporate Offices: Ideal for conference rooms, meeting areas, and collaborative workspaces, promoting a dynamic and engaging work environment.​ Educational Institutions: Suitable for seminar rooms, libraries, and study areas, offering a durable and functional workspace for students and faculty.​ Hospitality Settings: Enhances the ambiance of hotel lobbies, business centers, and dining areas, combining style with practicality.​ Residential Spaces: Serves as a stylish dining table or a large workstation in home offices, adapting to various interior design themes.​ Integration with Lab Product Family The Lab Table 720mm is part of Inno's Lab product family, which includes a range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This cohesive collection allows for harmonious interior design, enabling designers and architects to create unified spaces that promote productivity and well-being. The Lab product family has been granted the internationally recognized GOOD DESIGN™ 2015 Award, underscoring its excellence in design and functionality.

Connery

minotti > Sofa

Contemporary, with a strong architectural appeal and pure lines reminiscent of the Mid-Century American spirit, the Connery seating system sports an exquisite aesthetic and design that instantly catch the eye. The clever combination of fine materials and sophisticated details adds a hint of couture to its design. An extremely versatile seating system, in terms of both composition and combination of materials, Connery has a distinctive personality also expressed in the pairing of original square and round chaise-longues. With its geometric rigour, the base creates an original contrast with the softness of the seat, conceived as a single cushion punctuated by light stitching defining the width of the seat - 83 or 68 cm - and with the structure of the backrest and armrest, covered in channelled goose down padding. The backrest and armrest form a single volume, with a 45° split in the corner. As well as the fabric covering, the padded structural base can also feature a covering with strips of leather, crafted with the same technique used in fine leather luggage-crafting. References to the concept of high-end leather goods are also found in the headrests and the elegant “C”-shaped Flap surfaces, which seamlessly blend into the seating elements, animating the compositions with a vibrant rhythm. The structural base is raised from the ground on thin blades in extruded aluminium in a Brandy polished varnished finish, positioned at the front, giving the sofa an appealing and airy look, and recalling the metal parts of trunks and suitcases. The Flap shelves reiterate the strip design of the structural base and make the system functional, offering stylish, surfaces on which to place objects. Covered in leather or Moka ash veneer, they dialogue harmoniously with the textures of the covering. The leather bands of the structural base, sewn together with straps and marked out by stitching that add rhythm to the design, are made with the same technique used in fine leather luggage-crafting. The same concept of high-end leather goods also inspires the freely adjustable headrests. The well-structured, customisable range, offering many different compositional options, in addition to longer square chaise-longues, also includes circular elements, which can be positioned near the sofa as atolls.

West

minotti > Sofa

A faceting effect livens up and interrupts the cubism that sets the morphology of the West system apart from the clichés of modern design. Characterised by its suitability for use in a wide range of different contemporary and traditional arrangements, West also features glints of pure creativity, such as the chaise-longue, available in pentagonal or hexagonal form and the elements that stand out for their striking backrests in saddle hide, ergonomically shaped to rise and support the rear cushion.   True elements of surprise, they break up the compositional layout, creating a stylistic point of interest, and interrupting the continuous effect of the fabric covering, visually lightening the volume at the rear. A solution designed to optimise both look and form, created with the know-how about design and the savoir-faire associated with fine tailoring that have always distinguished the Minotti brand.  Every element of the system is made with exquisite goose down padding to ensure maximum comfort, features cushions finished with a piping that defines their profile and a distinctive aluminium strip, slightly rounded at the edges which skims the floor, in a brand new polished Brandy colour finish.  West leaves plenty of room for interesting compositional possibilities: it enters a harmonious dialogue in terms of both colour and shape with the Amber coffee tables, is complemented by the Side coffee tables, with their frame in saddle hide that evokes that of the backrest and enhanced by the Clive consoles, which play around with surfaces, even setting one over another.    The combination of the two looks of West, one with backrest in saddle hide and the other more conventional version with padded backrest and armrest - creates original arrangements and unusual textural and colour pairings, with saddle hide taking centre stage in a range of new, exclusive colours.

Carson Dine

minotti > Cabinet

The Carson family welcomes the "buffet" version of the bookcase, characteristically inspired by a simple, contemporary look with clean lines that mark out the frame and central volume. The striking effect created by combining different thicknesses makes a comeback, with thinner ones for the sides in satin finish aluminium, painted Malt colour, and thicker ones for the bottom shelf and the highest top in Moka-coloured ash.    The central "buffet" volume looks suspended and features a top in Stone Grey marble. The top presents an elegant faceting that joins up with the same distinctive faceted detail on the edge along the length of the long doors, created with a painted finish in the shades of Warm Grey or Moka, or in Moka-coloured ash.  Inside, it conceals a free compartment for storing dishes and glasses and an equipped area with a sliding tray on runners to make the objects inside easier to pick up. A drawer reveals the sophisticated cutlery holder in saddle hide.  The interesting contrast between full and empty volumes in Carson Dine is complemented by the unique textures and colours of the materials, in a succession of alternate painted, metallic and wooden surfaces.

Patio

minotti > Styling

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

Sunray

minotti > Sofa

Sunray designs a new, open-air landscape where exquisite design and carefully researched comfort join forces to create an intimate, relaxing atmosphere. With its enveloping design, the Sunray seating system is inspired by the desire to design situations that convey a sensation of intimacy and relaxation, in line with the concept of open-air living that imitates the comfort and beauty of indoor furnishing solutions. Sunray is designed both to play a leading role in outdoor settings and to complement the other furnishing pieces in the collection. It juxtaposes different shapes and materials: its airy surface in natural teak wood defines its horizontal line, while the curved backrest with interwoven cords gives it a dynamic allure. The system, composed of pieces that can be used alone or combined together, offers a variety of compositional solutions thanks to the high versatility of its elements. The family is composed of armchair, sofa, end element with or without extending top, chaise-longue, loveseat, daybed with reclining backrest, and square and rectangular coffee tables. The wide choice of the fabrics of the 2020 Textile Collection means Sunray can be personalised with exclusive textures and an extensive colour range. The natural teak top with sloping section sits on a polished Bronze metal structure: it is tapered on the edges and hosts the mattress-like cushioning of the seat. The backrest is characterised by a tubular profile covered in flat cord, in Bronze and Ecru colour, which designing a linear weave.

Block Mist

refin-ceramic > Floor tile-stone

Molten StoneConcrete is versatile; it comes to life without any shape and because of it provides for countless formal options, from smooth finishes to rough surfaces, with a very diverse aesthetic. A careful research of the many characteristics of this material is the fil rouge to our three solutions, Block, Mold and Plain; these three collections feature different characteristics brought together in the Master Plan.Block draws inspiration from concrete in the form closest to the natural elements it is made of: rock, clay and limestone. Gravel and rocks of varying coarseness emerge to the surface, as if immersed in concrete in a semi-liquid state. Produced in Mist white and three shades of grey – light Cinder, dark Iron and muddy Nickel – Block is available in the 120×120, 60×120, 75×150, 75×75, 60×60 and 30×60 formats, either with a matt or soft finish, with a soft hand and a very pleasant tactile texture.

LAB BAR - Rectangular high table _ Inno

Inno > Table

Lab Table 1100mm – Elevate Your Workspace with Modern Design and Functionality Introduction The Lab Table 1100mm is a standing-height table designed to seamlessly blend style and practicality in various professional settings. Part of Inno's acclaimed Lab product family, this table is ideal for environments that require both aesthetic appeal and functional excellence, such as offices, collaborative workspaces, and hospitality areas.​ inno.fi +1 inno.fi +1 Design and Aesthetics Featuring a minimalist design characterized by clean lines and a sleek silhouette, the Lab Table 1100mm exudes contemporary elegance. Its standing height fosters dynamic interactions and encourages movement, promoting a more engaging and health-conscious workspace. The table's understated design allows it to integrate seamlessly into various interior styles, from modern corporate offices to creative studios.​ Materials and Finishes The Lab Table 1100mm offers a variety of materials and finishes, allowing for customization to suit specific aesthetic preferences and functional requirements. Tabletop materials include natural woods such as birch, ash, maple, walnut, and oak, each providing a distinct texture and color. For a more contemporary look, laminate and nanolaminate options in black, white, and grey are available. These materials are not only visually appealing but also durable and easy to maintain, ensuring longevity in high-traffic areas.​ inno.fi +1 inno.fi +1 The table's base can be customized with different metal finishes, including crystal aluminum, silver aluminum, metallic grey, effect white, matte white, matte black, and effect black. This variety allows designers to create a cohesive look that aligns with the overall interior theme.​ Dimensions and Configurations The Lab Table 1100mm is available in multiple sizes to accommodate different spatial requirements and seating capacities. Standard dimensions include:​ inno.fi +1 inno.fi +1 Width x Length: 800 x 800 mm​ 800 x 1200 mm​ 800 x 1800 mm​ 800 x 2400 mm​ 800 x 3600 mm​ inno.fi +2 archiproducts.com +2 inputinterior.com +2 800 x 4800 mm​ 900 x 900 mm​ 900 x 1800 mm​ 900 x 2400 mm​ 900 x 3600 mm​ 900 x 4800 mm​ 1000 x 1000 mm​ archiproducts.com +2 inputinterior.com +2 biocompare.com +2 1000 x 1800 mm​ 1000 x 2400 mm​ 1000 x 3600 mm​ 1000 x 4800 mm​ 1100 x 1100 mm​ 1100 x 1800 mm​ 1100 x 2400 mm​ 1100 x 3600 mm​ 1100 x 4800 mm​ 1200 x 1200 mm​ 1200 x 1800 mm​ 1200 x 2400 mm​ 1200 x 3600 mm​ 1200 x 4800 mm​ 1400 x 1400 mm​ 1400 x 1800 mm​ 1stdibs.com +4 inputinterior.com +4 archiproducts.com +4 1400 x 2400 mm​ 1400 x 3600 mm​ 1400 x 4800 mm​ Diameter: 1400 mm​ architonic.com +4 inno.fi +4 inno.fi +4 1500 mm​ biocompare.com +6 inputinterior.com +6 inno.fi +6 These options allow for customization based on the specific needs of the space, whether it's a compact meeting area or a spacious collaborative zone. Additionally, the modular design enables the table to be extended endlessly, offering flexibility for future expansions or reconfigurations.​ Cable Management Understanding the importance of a clutter-free workspace, the Lab Table 1100mm is available with a range of cable management options. These features ensure that electronic devices can be connected seamlessly, maintaining a clean and organized appearance. This thoughtful design enhances the overall aesthetic and functionality of the workspace, contributing to increased productivity and focus.​ inno.fi +1 inno.fi +1 Versatility and Applications The Lab Table 1100mm's design and functionality make it suitable for a wide range of applications:​ Corporate Offices: Ideal for standing meetings, collaborative work sessions, and break areas, promoting a dynamic and engaging work environment.​ Educational Institutions: Suitable for seminar rooms, libraries, and study areas, offering a durable and functional workspace for students and faculty.​ Hospitality Settings: Enhances the ambiance of hotel lobbies, business centers, and dining areas, combining style with practicality.​ Residential Spaces: Serves as a stylish standing table or a large workstation in home offices, adapting to various interior design themes.​ Integration with Lab Product Family The Lab Table 1100mm is part of Inno's Lab product family, which includes a range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This cohesive collection allows for harmonious interior design, enabling designers and architects to create unified spaces that promote productivity and well-being. The

Linha Studio

minotti > Table

The evolution of the dining table designed by the Brazilian architect in 2020, the Linha Studio desk is available in five sizes, from the suite or home office desk to larger sizes for the office. The sculptural frame draws a large bridged area with the top lying flush to the sides, and two drawers underneath, positioned on the left. Linha, which means line in Portuguese, responds to the challenge of designing a desk with a slender frame, a top only 16 mm thick and from 180 to 250 cm long. Visually speaking, it is extremely light and airy, the ultimate expression of the minimalism that pervades the designs of Marcio Kogan / studio mk27, which have always focused on finding proportions that convey a certain elegance. The entire frame is characterised by sides with a Golden Brown finish, while the top and front of the drawers are in Dark Brown stained palisander Santos, with a matt polyester lacquered finish, wood with an interesting texture that adds volumes of personality to the design. A cable hole compartment is located on the table top, which can house a storage tray in Golden Brown varnished metal, with internal partitions and a background in Dark Brown saddle-hide positioned near the drawers.

Block Cinder

refin-ceramic > Floor tile-stone

Molten StoneConcrete is versatile; it comes to life without any shape and because of it provides for countless formal options, from smooth finishes to rough surfaces, with a very diverse aesthetic. A careful research of the many characteristics of this material is the fil rouge to our three solutions, Block, Mold and Plain; these three collections feature different characteristics brought together in the Master Plan.Block draws inspiration from concrete in the form closest to the natural elements it is made of: rock, clay and limestone. Gravel and rocks of varying coarseness emerge to the surface, as if immersed in concrete in a semi-liquid state. Produced in Mist white and three shades of grey – light Cinder, dark Iron and muddy Nickel – Block is available in the 120×120, 60×120, 75×150, 75×75, 60×60 and 30×60 formats, either with a matt or soft finish, with a soft hand and a very pleasant tactile texture.

LAB MEETING ZXLA - Height-adjustable fabric office chair _ Inno

R

Inno > Chair

Lab Meeting L ZXLA: An Ergonomic and Versatile Meeting Chair for Modern Workspaces​ Introduction The Lab Meeting L ZXLA is a meticulously designed meeting chair that combines ergonomic comfort with modern aesthetics, making it an ideal choice for contemporary work environments. Part of the renowned Lab product family by Inno, this chair is crafted to enhance comfort and functionality in meeting rooms, conference spaces, and multi-functional work areas.​ inno.fi Design and Aesthetics The Lab Meeting L ZXLA features a sleek and minimalist design characterized by clean lines and a refined silhouette. Its modern appearance is complemented by a soft quilted seat, adding a touch of sophistication while ensuring maximum comfort during extended meetings or work sessions. The chair's understated elegance allows it to integrate seamlessly into various interior design styles, from minimalist to industrial chic.​ Materials and Finishes Inno offers a diverse selection of materials and finishes for the Lab Meeting L ZXLA, enabling customization to suit specific aesthetic preferences and functional requirements. The upholstery options include high-quality fabrics such as Gabriel Step Melange, Fame, Crisp, and Europost 2, each available in a wide array of colors. These fabrics are known for their durability, soft texture, and vibrant hues, allowing designers to create a cohesive look that aligns with the overall interior theme.​ The chair's frame is available in several finishes, including:​ Crystal Aluminium: Offers a sleek, metallic appearance that complements modern interiors.​ Silver Aluminium: Provides a subtle sheen, adding a touch of elegance without overpowering the space.​ Metallic Grey: Introduces a contemporary and industrial feel, suitable for cutting-edge office designs.​ Effect White: Creates a clean and crisp look, ideal for minimalist environments.​ Matte White: Delivers a soft and understated finish, blending seamlessly with neutral palettes.​ Matte Black: Adds a bold and sophisticated touch, perfect for creating contrast in lighter settings.​ Effect Black: Features a textured finish that adds depth and interest to the chair's design.​ These finish options provide flexibility in achieving the desired aesthetic for any professional setting.​ Dimensions and Ergonomic Features While specific dimensions are not provided in the available information, the Lab Meeting L ZXLA is designed with ergonomics in mind. It features a 5-star cross base equipped with castors, facilitating smooth mobility across various floor surfaces. The chair also includes a height adjustment mechanism, allowing users to customize the seating position for optimal comfort and posture support during meetings or collaborative sessions.​ Suitable Environments The versatility and thoughtful design of the Lab Meeting L ZXLA make it suitable for a wide range of applications:​ Corporate Offices: Ideal for conference rooms, boardrooms, and executive offices where comfort and professionalism are paramount.​ Educational Institutions: Suitable for seminar rooms, lecture halls, and administrative offices, providing ergonomic support for extended periods.​ Hospitality Settings: Enhances guest experiences in hotel business centers, meeting rooms, and collaborative lounges.​ Co-Working Spaces: Fits seamlessly into modern co-working environments, offering flexibility and comfort to diverse users.​ Lab Product Family and Recognition The Lab Meeting L ZXLA is part of Inno's broader Lab product family, which includes a wide range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This collection emphasizes versatility and cohesive design, allowing for the creation of harmonious interior landscapes.​ Notably, the Lab product family has been honored with the internationally recognized GOOD DESIGN™ 2015 Award, presented by The Chicago Athenaeum: Museum of Architecture and Design in collaboration with the European Centre for Architecture, Art, Design, and Urban Studies. This accolade underscores the collection's excellence in design, innovation, and functionality.​ Alternatives For those seeking alternative options within the Lab product family, Inno offers various configurations to suit different needs:​ Lab Meeting L ZXL: Similar to the L ZXLA model but without armrests, offering a more streamlined appearance.​ Lab Meeting L ZXC: Features a cantilever base, providing a different aesthetic and seating experience.​ Lab Lounge: A lower seating option with a more relaxed posture, suitable for lounge areas and informal meeting spaces.​ These alternatives allow for cohesive design across various areas within a workspace, maintaining a unified aesthetic while catering to different functional requirements.​ Conclusion The Lab Meeting L ZXLA by Inno exemplifies the fusion of modern design, ergonomic functionality, and customizable aesthetics. Its adaptability to various professional environments, coupled with the recognition from prestigious design awards, makes it a standout choice for those seeking to enhance their interiors with stylish and comfortable seating solutions.

Chimera Empatia Bianco

florim > Wall tile-stone-brick

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Ritmo Beige

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Radici Grigio

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Radici Beige

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

COSMO 1505 Armchair: A Modern Seating Solution

Et al. > Armchair

COSMO 1505 Armchair: A Modern Seating Solution The COSMO 1505 armchair, designed by Philippe Tabet for Et al., combines sleek modern design with functional versatility. Its clean lines and understated elegance make it an excellent choice for residential, hospitality, and office spaces. Dimensions and Design The updated dimensions of the COSMO 1505 are: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm This armchair features a compact footprint while still providing exceptional comfort. The absence of armrests enhances its minimalist aesthetic and makes it easy to incorporate into diverse interiors. The slightly curved backrest and plush seat ensure optimal support and relaxation. Materials and Finishes The COSMO 1505 offers a wide range of customisation options to suit any interior design scheme: Frame Material: Durable steel tubing that ensures stability while maintaining a lightweight look. Upholstery Options: Available in premium fabrics such as wool, velvet, and leather, alongside a variety of synthetic and natural blends. Each upholstery option comes in a broad spectrum of colours, from neutral tones like grey and beige to bold hues like teal and mustard. Frame Finishes: Choose from a palette of classic and contemporary finishes, including matt black, white, and metallic shades, as well as brighter colour options to make a statement. Accessories For added functionality and comfort, the COSMO 1505 can be accessorised with: A lumbar cushion for additional support. Integrated USB and Schuko sockets, making it suitable for modern office or hospitality settings. A reading lamp for cosy corners and personal reading spaces. Applications and Versatility The COSMO 1505’s adaptability makes it ideal for a variety of spaces: Residential: A stylish and comfortable choice for living rooms, bedrooms, or reading corners. Hospitality: Perfect for hotel rooms, lounges, or lobby areas, offering a sleek yet welcoming vibe. Office Spaces: Enhances reception areas or breakout zones, blending aesthetics with practical features. Public and Commercial Areas: Its robust construction and elegant design make it a reliable and attractive choice for waiting areas, retail spaces, and more. Complementary Options To create a cohesive seating arrangement, pair the COSMO 1505 armchair with other pieces from the COSMO collection, such as the COSMO 1502 sofa or COSMO 1500 armchair with armrests. These options share the same design language and ensure a seamless look throughout your space. Key Features Compact yet spacious dimensions, perfect for various settings. Customisable upholstery and frame finishes to suit different styles. Accessory options for added functionality. Designed for comfort with a plush seat and ergonomic backrest. Durable steel frame for long-lasting use. 2D and 3D files are available for designers to incorporate into their projects. The COSMO 1505 armchair is a perfect balance of simplicity, elegance, and functionality. Whether you're looking to furnish a residential space or a commercial environment, this armchair delivers timeless style and adaptability. You said: last time you were more complete ChatGPT said: ChatGPT Thank you for pointing that out! Let me refine and expand the description to make it as complete and detailed as possible. COSMO 1505 Armchair: A Contemporary Icon of Design and Comfort The COSMO 1505 armchair, designed by Philippe Tabet for Et al., is a masterpiece of modern minimalism and versatility. Its sleek and understated design is perfectly suited for residential living rooms, hotel lounges, office receptions, and hospitality spaces. Combining elegant curves with robust functionality, this armchair is as practical as it is visually appealing. Dimensions and Design Details The COSMO 1505 has carefully considered dimensions to offer a balance of comfort and adaptability: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These dimensions make it compact enough for smaller spaces yet spacious enough to provide exceptional seating comfort. The armchair’s distinctive feature is its armless design, which enhances its minimalist aesthetic while allowing for a freer range of motion. The gently curved backrest and plush seat ensure maximum comfort, while the raised tubular metal frame adds a touch of lightness to its overall profile. Materials and Finishes The COSMO 1505 is crafted with meticulous attention to quality and detail. It is available with several customisation options to suit any interior style: Frame Material: Made from high-strength tubular steel, the base is both durable and lightweight, ensuring longevity and ease of placement. Upholstery: Choose from a wide selection of high-quality fabrics, including: Velvet: For a luxurious, soft texture that exudes sophistication. Wool Blends: Durable and warm, perfect for creating cosy spaces. Synthetic Fabrics: High-performance, easy to clean, and ideal for high-traffic areas. Premium Leather: Adds timeless elegance and a touch of luxury. Colours: A rich palette is available, from understated neutrals such as beige, grey, and taupe to bold, vibrant hues like teal, mustard, and terracotta. Frame Finishes: The tubular metal frame can be customised in a variety of finishes, including matte black, white, metallic bronze, and even bright pops of colour like coral red and curry yellow, making the COSMO 1505 adaptable to modern or playful interior styles. Functional Accessories The COSMO 1505 is designed not just for aesthetics but also for enhanced functionality. Optional accessories include: Lumbar Cushion: For extra support and comfort, particularly in lounges and waiting areas. Integrated USB Socket: A modern convenience, perfect for offices, hospitality, or waiting rooms where charging devices is a priority. Reading Lamp: A sleek, built-in light for focused tasks or to add ambient lighting to the space. Schuko Socket: An additional power source, ideal for hospitality or office applications. Style and Versatility The COSMO 1505’s sleek silhouette and refined proportions make it a versatile addition to a variety of interiors. Its clean lines and minimalist design make it a perfect fit for contemporary, Scandinavian, and Japandi interiors, while its subtle industrial flair allows it to integrate seamlessly into urban loft-style spaces. The curved metal base not only enhances its modern aesthetic but also adds a sense of visual lightness to the armchair, making it ideal for both large and compact rooms. Applications and Ideal Settings The COSMO 1505’s versatility and durability make it suitable for a wide range of uses: Residential Spaces: Perfect for living rooms, bedrooms, or reading nooks, offering a stylish yet comfortable seating option. Hospitality Projects: A sophisticated choice for hotel lounges, lobbies, and guest rooms, creating a welcoming atmosphere for guests. Commercial and Public Spaces: Durable enough for high-traffic areas such as offices, galleries, and retail stores. Office Settings: Ideal for reception areas, breakout spaces, and private offices, blending comfort and functionality. Complementary Products The COSMO collection by Philippe Tabet offers a range of matching furniture pieces to create a cohesive design scheme. Pair the COSMO 1505 armchair with: COSMO 1502 Sofa: A three-seater option that shares the same sleek design language. COSMO 1500 Armchair with Armrests: For spaces that require varied seating options while maintaining a cohesive look. COSMO 1520 Modular Seating System: Ideal for creating larger, flexible configurations in public or commercial spaces. Key Features and Benefits Elegant Aesthetic: Minimalist design with modern and industrial influences. Customisation Options: Wide range of upholstery fabrics, colours, and frame finishes to suit any interior style. Functional Enhancements: Optional USB sockets, reading lamps, and power outlets add practicality. Compact and Comfortable: Dimensions ensure it fits seamlessly into both large and small spaces. 2D and 3D Files Available: Designers can easily download the files for seamless integration into their projects. Why Choose the COSMO 1505? The COSMO 1505 is more than just an armchair—it’s a statement of modern design. Its sleek lines, customisation options, and practical features make it a top choice for architects and designers seeking a balance of style and functionality. Whether it’s enhancing the comfort of a hotel lobby, adding a touch of luxury to a living room, or elevating the look of an office reception area, the COSMO 1505 delivers unparalleled quality and versatility.

Chimera Ritmo Azzurro

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Empatia Nero

florim > Wall tile-stone-brick

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Colore Bianco

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Chimera Colore Grigio

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

KASANE 33 - Rectangular clay garden table _ Gervasoni

Gervasoni > Table

The Kasane collection, designed by the renowned Japanese studio Nendo, features tables with bases crafted from expanded polymer and tops made of MDF, elegantly coated with a thin layer of clay available in Terracotta, Sand, Jade, or Stone hues. This unique finish not only enhances the visual appeal but also offers a delightful tactile experience, embodying the essence of materiality. Inspired by the art of stacking, the collection transforms functional furniture into sculptural pieces, with rhythmic, overlapping edges that echo the gradual build-up of stacked cups. The Gervasoni Outdoor collection, to which Kasane belongs, showcases a harmonious blend of natural and technical materials, meticulously crafted with innovative technologies to suit diverse outdoor living styles, from urban terraces to lush garden settings. A 3D file of the Kasane table is available for download, allowing for a closer look at its intricate design. Gervasoni, an esteemed Italian interior design supplier established in 1882, is celebrated for its timeless, high-quality furniture and accessories, crafted with precision and a deep respect for natural materials, catering to both residential and commercial spaces worldwide.

KASANE 38/39 - Round clay garden table _ Gervasoni

Gervasoni > Table

The Kasane collection, designed by the renowned Japanese studio Nendo, features tables with bases crafted from expanded polymer and tops made of MDF, elegantly coated with a thin layer of clay in Terracotta, Sand, Jade, or Stone hues, offering a unique tactile experience and a sense of materiality. Inspired by the art of stacking, the collection transforms functional furniture into sculptural pieces, with rhythmic, overlapping edges that echo the gradual rise of stacked cups. Part of the Gervasoni Outdoor collection, these tables are designed to blend seamlessly into various outdoor settings, from urban terraces to natural gardens, combining timeless elegance with innovative craftsmanship. A 3D file of the product is available for download, allowing for detailed visualization and planning. Gervasoni, an Italian interior design supplier established in 1882, is celebrated for its high-quality, versatile furniture and accessories, crafted with meticulous attention to detail and a commitment to natural materials, making it a trusted name in both residential and commercial design.

PLURA - Rectangular single concrete washbasin _ URBI et ORBI

URBI et ORBI > Washbasin

PRISMA - LED blown glass and metal floor lamp _ BROKIS

BROKIS > Floor lamp

BRISE 26 - Stainless steel easy chair _ Gervasoni

Gervasoni > Chair

The Brise lounge armchair, crafted from stainless steel with a seat and back in Wood Evolution™, is a versatile outdoor furniture piece available in elegant colors such as pearl, oxido, agate, and slate, with an optional cushion for added comfort. Its design is inspired by the freedom to creatively arrange outdoor spaces, featuring a laser-carved Wood Evolution backrest that mimics the intricate texture of Vienna straw, secured with tone-on-tone nautical webbing for a refined finish. Part of the Gervasoni Outdoor collection, this chair exemplifies the brand’s commitment to blending natural and technical materials with innovative craftsmanship, making it ideal for enhancing terraces, gardens, or poolside areas with timeless elegance. A 3D file of the product is available for download, allowing for seamless integration into design plans. Gervasoni, an Italian design house established in 1882, is renowned for its high-quality, versatile furniture and accessories that cater to both residential and commercial spaces, combining timeless aesthetics with meticulous attention to detail.

PRISMA DOUBLE - LED blown glass and metal pendant lamp _ BROKIS

BROKIS > Ceiling lamp

PAJAMA 94 - DuPont™ Tyvek® floor lamp _ Gervasoni

Gervasoni > Floor lamp

The Pajama collection features a stunning standing lamp crafted from Tyvek®, a lightweight yet durable material that mimics the texture of crumpled paper, blending a sense of delicate beauty with long-lasting resilience. The lamp’s circular shade, supported by an internal metal frame, creates the illusion of light floating effortlessly in the air, while the resin base adds a modern and sturdy touch. With a maximum power of 14 W, an E27 bulb holder, and compatibility with 220 Volt (110 Volt and US plug available upon request), this lamp is designed for use with LED bulbs only (bulb not included). The collection, which includes both table and floor lamps, transforms spaces with its ethereal charm, offering a dreamy, enveloping atmosphere. A 3D file of the product is available for download, allowing for detailed visualization and planning. Gervasoni, the Italian interior design supplier behind this collection, has been crafting high-quality furniture and accessories since 1882, renowned for their timeless designs, meticulous attention to detail, and use of natural materials.

PRISMA SINGLE - LED blown glass and metal pendant lamp _ BROKIS

BROKIS > Ceiling lamp