THEA MEDIUM
fontanaarte > Wall lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
THEA MEDIUM
fontanaarte > Ceiling lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
TROPICO SMALL
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
FONTANELLA MEDIUM
fontanaarte > Wall lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
SETAREH LARGE
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
THEA
fontanaarte > Wall lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
SETAREH GLASS SMALL
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
PALLINA SMALL
fontanaarte > Ceiling lamp
The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.
GLOBO DI LUCE MEDIUM
fontanaarte > Ceiling lamp
Blown glass, in chrome and metallic copper finishes, enhances the spherical lampshades of this family, available in a table version and three different sized suspension versions.
CHESHIRE MEDIUM
fontanaarte > Floor lamp
It echoes the studio’s Nordic imprint in its simplicity and functional aspects. The opaline polycarbonate diffuser ensures soft lighting, while the colored one spreads the light downwards in the table and floor versions or upwards in the hanging model.
SETAREH METAL LARGE
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
PALLINA SMALL
fontanaarte > Wall lamp
The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.
PALLINA SMALL
fontanaarte > Table lamp
The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.
RIGA MEDIUM
fontanaarte > Wall lamp
Wall lamp with linear essential design, comprising a structure in metal and diffusers in sandblasted tempered glass. Downlighting and uplighting.
TAVOLINO 1932
fontanaarte > Side table
This coffee table was designed by Gio Ponti and is made from two discs in float glass, 15 mm thick. The structure is in brushed nickel-plated brass.
AMAX LARGE
fontanaarte > Ceiling lamp
Extra-large interpretation of the classic FontanaArte lampshade, Amax is a family of suspension lamp. For the larger sizes, the hanging lamp has a bottom disc that covers and hides the light sources from view.
PAROLA
fontanaarte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
PALLINA SMALL
fontanaarte > Ceiling lamp
The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.
PANGEN
fontanaarte > Ceiling lamp
This lampshade is a fluid, minimal dome shape, its lacquer finish and modern colors ensuring surprising lighting. Available in suspension and ceiling mounted versions.
BIANCA SMALL
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA LARGE
fontanaarte > Table lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
TAVOLINO CURVO LARGE
fontanaarte > Side table
Firmato da Pietro Chiesa,rappresenta per l’epoca un pezzo straordinario per essenzialità ed eleganza. È un tavolino ricavato dalla doppia curvatura di una unica lastra di grosso spessore (15 mm).Disponibile in 3 dimensioni.
MERIDIANO
fontanaarte > Floor lamp
The «shape of light» is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Tropico and Meridiano. The latest family now featuring the new floor-standing version. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods.
FONTANELLA LARGE
fontanaarte > Wall lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
PINECONE LARGE
fontanaarte > Ceiling lamp
Pinecone is a suspension and table lamp. The diffuser is manufactured using the ancient caged blown glass technique: the glass maker blows the molten glass blob into a metal cage, which only partly contains the blob's natural expansion. In this way, the glass surface is partly trapped by and partly escapes the cage, generating an impression of tension as the object struggles to free itself from its harness; the cage is further enriched by the galvanic treatment that makes it look glossy and brilliant. The transparent version, in particular, reveals a two-fold structure that multiplies the scenic effect, while the metal cage pattern projects kaleidoscopic shade effects on the surrounding surfaces. On the contrary, in the white version the glass delicately envelops the cage surface and enhances its geometric pattern, generating an elegant and visually pleasing diffused light. The lighting fixture makes a highly appealing and striking impact either switched on or off.
FONTANELLA MEDIUM
fontanaarte > Wall lamp
Two materials: metal and glass, as in the historic tradition of FontanaArte. The metal acts as a base and contains the light source while the glass, the true protagonist of the project, is expertly worked by skilled craftsmen in a process of fusion between a portion of transparent glass and a satin one from which the light diffuses. Fontanella is formed by the union of two glasses: the internal tube is threaded, sandblasted and finally joined with the bubble-shaped blown glass. What makes the processing particularly refined is the manual joining of the two parts, which requires the skillful technique of a craftsman. Furthermore, the glass, which has always been the material par excellence of the FontanaArte product, is the most crystalline on the market. The use of light bulbs, dimmable and not dimmable, for the biggest energy saving, complete the contemporaneity of this FontanaArte piece.
EQUATORE SMALL
fontanaarte > Floor lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
SILLABONE LARGE
fontanaarte > Wall lamp
Designed for either wall or ceiling installation, Sillaba combines discretion and pureness, furnishing any room with its minimal presence.
SETAREH SMALL
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
EQUATORE MEDIUM
fontanaarte > Floor lamp
Equatore is a contemporary reinterpretation of the classic lamp with a glass shade. While the traditional abat-jour uses the shade to contain the light source within, in this family of lamps the shade is paradoxically and suggestively empty, with the light being generated by two luminous discs placed inside a central metal band, visible on the shade, that evokes the line of the equator. The light produced by the Leds, thanks to internal screens arranged in layers, is distributed regularly across the surface of the discs, magically illuminating them. The bottom disc directs the light output downward, the upper one illuminates the glass cap for a soft, diffused light. Available in table, floor and ceiling models, in two sizes and two colors: a cooler version in gray with a dark chrome frame, and a warmer version with a transparent dove gray cap and a copper-colored frame.
SETAREH MEDIUM
fontanaarte > Table lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
SETAREH GLASS MEDIUM
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
PAROLA
fontanaarte > Floor lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
3247TA SMALL
fontanaarte > Table lamp
Family of lamps, which includes the floor and table version, re-edited by the FontanaArte historical archive. With well-balanced proportions and a simple and refined design, these lamps create atmospheres with soft and harmonious tones.
CAMEO
fontanaarte > Table lamp
When we speak of a “cameo” in a film or play, we mean the brief and discreet appearance of a famous character. In the same way, CAMEO, the new light by FontanaArte designed by Studio Claesson Koivisto Rune, is a lamp with character and personality, essential and fundamental in its function without being the star of the room. It is a lamp that can go unnoticed by the unobservant gaze of the person who observes the environment as a whole and does not dwell on the details.
THEA MEDIUM
fontanaarte > Ceiling lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
THEA MEDIUM
fontanaarte > Wall lamp
Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.
RIGA SMALL
fontanaarte > Wall lamp
Wall light of essential and sober design. Double light output. Different lengths available that allow an arrangement in several settings.
PALLINA SMALL
fontanaarte > Table lamp
The perfection of glass and sphere to create the most essential object of the collection. A must-have for every space of the house, inspired by the Italian theatre and Broadway musicals from 40’s and 50’s. Simplicity and seriality. Pallina. One, no one, one hundred thousand.
SETAREH MEDIUM
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.