chenille black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

textile grey

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

chenille blue

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

crepe green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

crepe black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

textile blue

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

plissé blue

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

denim black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet bloom black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet beige

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

textile green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

patchwork black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

patchwork grey

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet bloom grey

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

denim green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet bloom beige

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

quilt green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

textile beige

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

quilt blue

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

plissé black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet blue

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

stitch grey

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

denim stripe black

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

denim stripe green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet green

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

velvet grey

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

patchwork beige

ege > Carpet

The collection combines the rawness of the flat woven look and feel with all of the acoustical and practical advantages, making the carpet material superior to any interior design. Rawline Scala comprises three design themes, Minimal, Reflex and Heritage, each celebrating the eternal textures favoured by fashion and different cultures in all times. The references to the textiles’ textures and weaving structures are evident in the design expressions embracing three pattern scales from small to medium and large.

Console Table Aldo Bakker, 2017

karakterCopenhagen > Console

Tranquil and seductive, Aldo Bakker’s Console Table floats exquisitely between sculpture and furniture. It depicts the simplest concept of a table: two columns and a surface. The legs are an elongation of the line created by the tabletop. The tabletop and the base of the legs have the same width, making them equally important to the design. The distance between the legs is not fixed, but can be changed as preferred, adding to the sculptural quality of this piece.

Patio

minotti > Armchair

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

Pao Pendant

hay > Ceiling lamp

An exciting collaboration with Japanese designer Naoto Fukasawa the Pao Pendant is named after the soft glowing shape of traditional Mongolian Pao tents. By keeping the aesthetics modest and simple Fukasawa creates a beautiful everyday object that is in harmony with its environment. The light source is concealed from view within the shade resulting in a clean and simple design with no visual intrusions. The pendants shades are crafted from steel with a high-gloss finish and are available in different sizes and colours. Their functionality and the deliberate simplicity of the design make them suitable for a wide range of spaces and uses in domestic and corporate environments.

Rilievi Lido

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Jacques

minotti > Styling

The Jacques collection includes sofas, and ottomans available in several sizes, originated from a common design seed that transforms a vaguely retro style into a symbol of absolutely contemporary style.  A sophisticated aesthetic language that is expressed in soft shapes, compact proportions and details with striking visual impact, like the metal base with Bronze finish. Elegant stitching emphasizes the curved silhouette of the Jacques armchairs and sofas, whose rounded shapes create a surprising contrast with the more formal, geometric outlines of the Lawrence sofa.  All of the seating elements share the enveloping lines that offer a pleasant sensation of welcoming warmth, thanks to the soft cushioning in the seats and backrests. Structural perfection and flawless tailoring underscore the high level of expertise achieved by the company over the years and are the consummate expression of its masterful craftsmanship.  The sophisticated elegance and compact proportions inherent in all the Jacques collection seating elements allow them to thrive harmoniously in any setting – from home decor to hospitality – and to be easily paired with the new seating systems. Thanks to its soft seat cushion and backrest padding, the Jacques bergère, available both with fixed and swivel base, with swivel base is extremely comfortable and lends itself to the creation of spaces where relaxation is key. When combined with its ottoman and the Song coffee table that embraces the armchair with its organic shape, it becomes a functional table-top surface for a lamp or to display various kinds of objects. The extensive Jacques family also includes ottomans in various shapes and sizes, all distinguished by an elegant stitched motif and a square decorative button. The metal base with Bronze finish is a detail that lends refined decorative appeal to each piece in the Jacques collection. 

Rilievi Nebbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Rilievi Terra

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Patio

minotti > Sofa

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

ND54S Baby Backrest for High Chair

carlhansen > Stool

Baby Backrest for High Chair specifically for Nanna Ditzel's ND54 High Chair. Nanna Ditzel&#8217;s ND54 Dining Chair is a beautiful and enduring piece of design, adaptable to the needs of growing children. Minimalist and sturdy, the FSC&#174;-certified beech wood chair can be used by children up to 15 kg, providing a safe sitting place for them while dining at the table. Finished with matt lacquer for easy cleaning, it is also fitted with saddle leather straps to secure baby in place, as well as an optional back rest for additional comfort. Three stainless steel nameplates for engraving allow you to personalize the chair and pass it down through generations as a family heirloom.

Jacques

minotti > Sofa

The Jacques collection includes sofas, and ottomans available in several sizes, originated from a common design seed that transforms a vaguely retro style into a symbol of absolutely contemporary style.  A sophisticated aesthetic language that is expressed in soft shapes, compact proportions and details with striking visual impact, like the metal base with Bronze finish. Elegant stitching emphasizes the curved silhouette of the Jacques armchairs and sofas, whose rounded shapes create a surprising contrast with the more formal, geometric outlines of the Lawrence sofa.  All of the seating elements share the enveloping lines that offer a pleasant sensation of welcoming warmth, thanks to the soft cushioning in the seats and backrests. Structural perfection and flawless tailoring underscore the high level of expertise achieved by the company over the years and are the consummate expression of its masterful craftsmanship.  The sophisticated elegance and compact proportions inherent in all the Jacques collection seating elements allow them to thrive harmoniously in any setting – from home decor to hospitality – and to be easily paired with the new seating systems. Thanks to its soft seat cushion and backrest padding, the Jacques bergère, available both with fixed and swivel base, with swivel base is extremely comfortable and lends itself to the creation of spaces where relaxation is key. When combined with its ottoman and the Song coffee table that embraces the armchair with its organic shape, it becomes a functional table-top surface for a lamp or to display various kinds of objects. The extensive Jacques family also includes ottomans in various shapes and sizes, all distinguished by an elegant stitched motif and a square decorative button. The metal base with Bronze finish is a detail that lends refined decorative appeal to each piece in the Jacques collection. 

Rilievi Sabbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Patio

minotti > Styling

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

Brace

mitab > Chair

CHAIRS BRACE EXTENSIVE COMFORT As Peter Opsvik, the father of ergonomic furniture design, said “the best posture is the next posture”. Brace’s generously sized, curved back rest provides comfort in a variety of seating positions, for users of all shapes and sizes, and remains comfortable as you change positions throughout the day. HONEST CRAFTMANSHIP Brace’s frame is made from the most recycled material in the world – mild steel – and contains over 30% recycled content. The seat and back rest is made of plywood allowing them to be gently curved and are veneered with real Ash timber, providing a high quality and durable finish even suitable for high traffic environments. RENEW AND REPAIR Why buy new when you can re-new? At Mitab we don’t just sell new furniture. Customers can also return to us to have their pieces refreshed, renewed and repaired. Mitab products are designed and made to last decades but furniture that lives that long also require a little TLC every now and then to keep it looking its best! Maybe after a couple of hard years in a café (or a few equally hard years in a house with ketchup loving children!) your chair is in need of recovering. Or perhaps a hue that looked on trend ten years ago now looks a little dated. Mitab offers to re-new your furniture as easily as it is to buy a new piece.By offering straightforward options with standard pricing for re-lacquering or reupholstering your Mitab products we make it easy for you to extend their life and help out the environment at the same time. FUNCTIONAL SIMPLICITY Brace’s armrests have been carefully designed with ergonomics and practicality in mind, supporting users as they work yet still comfortably sliding under most table tops. A gradual bend allows users to to sit a little closer while working or eating while still being able to perch their arms. COLOUR COORDINATED A wide range of contemporary colour options are available through MItab’s various colour systems – Standard, Selected and Anycolour. For a small additional fee all metal components and wooden parts can be colour-matched to your chosen specification. DESIGNER JONAS WAGELL Swedish architect and designer Jonas Wagell is widely revered for his modern product and furniture design comprising soft, minimalist shapes with a welcoming expression. His Stockholm-based studio, JWDA, was founded in 2008 and boasts collaborative relations that stretch from Scandinavia and Europe to China and North America. An alumnus of the prestigious schools Konstfack in Stockholm and Parsons in New York City, Jonas Wagell’s award-winning work combines graphic simplicity and playfulness to create pieces that typify modern-day life. Materials: Steel frame, compression moulded veneer.

Rilievi Cielo

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

FollowMe

marset > Table lamp

Few lamps have caused as much buzz as FollowMe. This daring pioneer of portable lighting has become a design icon in just a few short years.Its simple, airy lines, its tilting shade and its varying light intensity have established it as a beautiful and practical lamp. Now, FollowMe takes a step further by offering an expanded collection with several colours: pink, blue, terracotta and green. The handle is still made of wood, painted in this case. The FollowMe colors provide multiple possibilities: pink and blue, whose soft colors and gentle light invite serenity, are ideal for children’s rooms or pastel design themes, while the more intense and sophisticated green and terracotta add a spot of bold color to any environment. A fun and colorful collection of this charismatic lamp, where the hardest thing might be deciding which one you like best. FollowMe Plus complements its predecessor. While the original is a small-format object, the Plus reproduces its same shape and warmth, but in a larger size. This version stands out for its ability to create entire atmospheres as a table lamp, or even on the floor. The oak handle beckons you to pick them up. Both have the classic tilting white polycarbonate shade that offers direct light for reading. They have a three-position dimmer to regulate the intensity. Autonomous and cordless, they work with a high-efficiency lithium ion battery that powers them for 5 to 20 hours, and they have a USB-C input to facilitate charging.

Rilievi Salvia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

twine beige

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

faded dahlia mono

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

twine blue

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

twine colour

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

twine green

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

linen rose

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.

linen lt.beige

ege > Carpet

Available in 48x48 cm, 96x96 cm and 24x96 cm. Canvas Collage is designed by Dutch designer Nicolette Brunklaus. Her love of rich textile structures is obvious and the woven structure is applied to all variations of the collection, layered over dried dahlia flowers, in a patchwork of colours and combined with new forms. Canvas Collage represents a collection of 5 harmonious design themes and comes as broadloom, tiles and planks to be mixed within the collection or combined with other Ege Carpets designs. Each of the designs stands alone beautifully and when combined they seamlessly interlace with each other to create an atmosphere of effortless comfort in a hotel or office space.