Linear Steel Armchair
muuto > Chair
The Linear Steel Armchair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Armchair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Armchair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Armchair stacks up to 5 chairs on the floor.
Linear Steel Side Chair
muuto > Chair
The Linear Steel Side Chair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Side Chair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Side Chair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Side Chair stacks up to 5 chairs on the floor.
Outline Studio Sofa 140 cm / 55"
muuto > Sofa
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Piuma
kartell > Chair
"Piuma" is one of the most revolutionary and daring products in the evolution of technologies and materials used by Kartell. This is the first time that a material containing carbon fibre has been injection moulded. The seat has a minimum thickness of a few millimetres (2 mm at most) resulting in an ultralight chair (just 2.2 kg). Piuma is very light and very thin, but also incredibly strong, flexible and suitable for outdoor use.
Louis ghost
kartell > Chair
Louis Ghost is the world’s bravest example of the injection of polycarbonate in a single mould. A chair inspired by the Louis XV chair, the baroque ideotype, reinterpreted by Philippe Starck to amaze, inspire and beguile. Despite its evanescent and crystalline image, Louis Ghost is stable and strong, collision-proof and capable of withstanding the effects of the weather; and it can be stacked in piles of up to six. A very charismatic product with enormous aesthetic appeal, perfect for every setting, be it domestic or professional.
Victoria ghost
kartell > Chair
A chair with classic line, it has a rounded back which recalls the shape of antique medallions, while the seat is linear and geometric. Victoria Ghost is available in clear or coloured polycarbonate and is made in a single injection mould. It is stable and strong, collision-proof and capable of withstanding the effects of the weather. A very charismatic product with a personality all of its own, the perfectly elegant and versatile addition to any setting.
One more (2 stools)
kartell > Stool
One more and One more please are the stools of the family "Ghost", available in two different heights - 65 cm and 75 cm, and with two different backrests - oval or squared, agile, practical, colourful and strong enough to cope with every domestic or contract use.
Mobil 1 drawer with wheels
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
Mobil 4 drawers with wheels
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
ReForm Flux charcoal
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Flux purple
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux light blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux dark petrol
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux light grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Memory medium blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Memory plum
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Memory dark stone
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
ReForm Flux khaki
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Flux olive green
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Memory dark grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
denim blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
plissé grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom black
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
velvet bloom beige
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
quilt blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
patchwork grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Compatta Limo
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Compatta Pisé Melange
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Oltremare Poltrona
sabaitalia > Armchair
The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.
Tide Duvet Cover
auping > Accessories
A cotton satin duvet cover with a hypnotic wave pattern like a calmly rippling lake. One side of the duvet cover is bright blue in colour with an irregular pattern of soft white lines, while the other side is a warm white with fresh blue lines. This duvet cover gives you two designs to choose from, ... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.
Charcoal Duvet Cover
auping > Accessories
A timeless duvet cover with a (luxurious) mix of linen and cotton, giving it a deliciously soft feel. It is woven from black and white yarns which combine to create a refreshing shade of grey. The rear side of the duvet is made of cotton satin in a beautiful shade of anthracite. The linen mix is 55%... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.
Twilight Duvet Cover
auping > Accessories
A classic duvet cover with a recurring pattern of hexagon shapes in mauve and shaded pink tints. These refined colours bring a delightful twilight effect into your bedroom. The subtly striped pattern achieves a look that is both graphic and feminine at the same time. A gentle pink has been selected ... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.
Compatta Argilla
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Cielo Wall Light
castrolighting > Wall lamp
Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection which has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, the sky elevates magic, and stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is a dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, and glass curves – the customization options are limitless. The Cielo Wall Light proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, and contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permitted to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors.
Storie Cascina
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
Lagoon Duvet Cover
auping > Accessories
This duvet cover features an irregular pattern of beautiful blue and green bursts that peacefully flow apart and together atop a light background. Seen from above, you'd swear you were looking down upon an idyllic sandy bay. The rear side of the duvet cover and the pillows are a deep-sea green, so you... Extra long tuck-in strip All Auping duvet covers have an extra long tuck-in strip across the entire width and on both sides. This makes it easy to tuck the duvet cover under your mattress. Cold feet are a thing of the past. You can recognize the extra long tuck-in strip by the length: 200/220. Pillowcase with double hotel closure The Auping pillowcases from the seasonal collection have a so-called double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat. Button down Auping duvet covers and duvets feature the button down system. These are convenient buttons and loops that you use to fasten the duvet and cover together so it won't shift. The term button down comes from fashion. It literally means "buttoned down" and often refers to the buttons on the collar of a shirt that you use to neatly fasten the collar to the shirt. Auping duvet covers have loops on the inside of the cover. Our duvets have buttons in the same places. The loops from the duvet cover can be put around these buttons so the duvet can't move around in the cover. And with these buttons and loops it is also easier to make your bed neatly. Sustainable sleeping At Auping, we dream of a rested world. Of sleeping under wonderful bedding that is made in an environmentally friendly way and under good working conditions. The covers in our spring 2023 collection carry the OEKO-TEX label as well as the BCI label, which also guarantees bedding produced in a sustainable and socially responsible manner.
Cielo Chandelier
castrolighting > Ceiling lamp
Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection that has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, sky elevates magic, stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is the dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, glass curves – the customization options are limitless. The Cielo chandelier proudly bears the name which in Italian is related to sky or heaven. This new handmade lighting version is made of gold-plated brass, featuring two levels of strong lines, complementing the luxury chandelier with clear glass. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold chandelier is the perfect choice for the interiors with modern classic style, contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this suspension which brass elements complement the refinement of the interior and permit to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors. VIEW FULL FAMILY
Storie Palazzo
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
Compatta Pisé Limo
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Torii Nest "Outdoor"
minotti > Sofa
Designed for indoor environments in 2020, Torii Nest migrates to open-air living spaces, bringing to life an entire family of seats. With structural details linked to Japanese tradition, the chairs and sofas play with round edged volumes, thin profiles and the apparent formal simplicity of an extremely intricate design. The painted tubular steel frame of the woven cord backrest in the shades Ecru, Dark Brown and Oil Green sports a design inspired by cane, but with a larger mesh that lets light and air through. It sits on a base in natural teak or Dark Brown mahogany, supported by painted aluminium legs with a shiny, Bronze-coloured, anti-touch finish. With its sophisticated, light look, Torii Nest Outdoor comes in pieces of different sizes and types, from fixed and swivel armchair to two-seater sofa with curved silhouette and round chaise-longue, all designed to meet a variety of requirements, both in terms of functionality and ergonomics. The ethereal appearance of these furnishing pieces dialogues harmoniously with their extreme materiality: the backrest, an enveloping nest, embraces and encloses the soft cushions resting on a solid natural teak frame. A succession of materials with a strong tactile impact and a welcoming feel, as if these sofas were primarily places in which to let go and relax. A design that is at times romantic and at times contemporary, thanks to its compact proportions, it easily fits into the decor on metropolitan terraces and in hospitality settings, satisfying both the most classic and the most modern aesthetic tastes.
Storie Masseria
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
Oltremare Panchetta
sabaitalia > Armchair
The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.
Storie Villa
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
Oltremare
sabaitalia > Sofa
The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.
Cielo Suspension
castrolighting > Ceiling lamp
Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection that has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, sky elevates magic, stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is the dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, glass curves – the customization options are limitless. The Cielo suspension lamp proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to complement the hotel lobby, large hallways, long staircases, or the spacious living room. The Cielo handcrafted gold suspension is the perfect choice for the interiors with modern classic style, contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this suspension which brass elements complement the refinement of the interior and permit to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors. #euroluce2023 VIEW FULL FAMILY #hotel
Torii
minotti > Sofa
Airy, with constructive details linked to Japanese tradition, the Torii modular seats play with round edged volumes, thin profiles and the apparent formal simplicity of an extremely detailed design. The metal structure of the legs of the seats and tables is Nendo’s nod to the image of the “torii”, the entrance gate to Shinto shrines in Japan. With an interlocking game, the horizontal elements are laid on the vertical supports, ensuring a sophisticated visual lightness that accommodates the padded volume, characterised by couture craftsmanship. The Torii family includes sofas - with high or low backrest and a linear shape, rounded at the arms - inclined sofas with a combination of two different depths, armchairs and lounge and dining little armchairs, ottomans, coffee tables, and a slender, oval-shaped console table, ideal for placing anywhere in the living area. The varied range of products makes it possible to design a flexible layout, in which the individual elements can also be combined to create a strong visual unity. The metal frame found in the components of the Torii family evokes the image of the “Senbon Torii, the wooden colonnade that forms a gallery made up of 1,000 vermilion torii gates”, as Nendo reminds us. The slim backrest features vertical quilting and a piping running along the perimeter of the cushioning, underlining the couture quality of the craftsmanship. The eco-leather and eco-nubuck piping is in a slightly contrasting colour, but in the same shade as the fabric, if combined with a textile covering, whereas the leather versions come in the same shade when combined with leather upholstery. All the upholstered elements of the system can be customised by choosing the covering: 100% fabric or leather, or in fabric with a leather base. The seats can be accessorised with leather magazine caddy, crafted with fine luggage-crafting techniques and enriched with the same metal details as the base. The end of the horizontal metal element of the legs is designed so that it almost holds the backrest and seat, recalling the Kigumi technique, borrowed from the Japanese tradition of wood construction. A small decorative disk with Black-Nickel finish, in the form of a jewel-like button located at the end, adds a precious detail to the ensemble, and creates a series of contrasts with the Bronze colour varnished metal finish of the legs. The armchairs and swivel armchairs in the form of a perfect circle were designed to meet a variety of requirements, both in terms of functionality and ergonomics, available in a range of different types. The seats - in the Bergère, Large, Medium and Small versions - and the Dining, Dining Large and Lounge little armchairs are the result of the in-depth research carried out to find the best way to express the sophisticated simplicity of the craftsmanship. The base is available in leather or fabric. The extension of the base of some elements features a top in Calacatta or Stone Grey marble with a matt polyester lacquer finish, crafted with a careful study of its proportions, thickness and structural details so that it blends seamlessly into the seat, also from an aesthetic point of view. The Small armchair is also available in the Torii Nest version with braided leather backrest and a pattern inspired by Vienna straw, inserted in a solid ash wood frame that sits on a base in the same material. The Torii coffee tables also feature the same structural style details as the seats, reflected in the metal frame with Bronze colour varnished finish and details in Black-Nickel metal. Available in different sizes, ranging up to an impressive diameter of 120 cm, and different heights, they feature a top in Calacatta or Stone Grey marble with matt polyester finish, in Black pâte de verre or in Liquorice colour brushed ash wood, enclosed by a Liquorice colour matt lacquered frame.
Compatta Ghiaia
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Storie Castello
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.