Vekst Lamp Small EU Black
normann-copenhagen > Wall lamp
Vekst Lamp is a decorative lamp collection characterized by its sculptural branch-like arms. Crafted from powder-coated steel, the branches are fitted with a bulb, which is surrounded by a sphere of etched opal glass. Vekst offers a unique expression and a striking light and comes as a dimmable pendant light in two different sizes as well as a wall lamp variant.
Vekst Wall Lamp EU Black
normann-copenhagen > Wall lamp
Vekst Lamp is a decorative lamp collection characterized by its sculptural branch-like arms. Crafted from powder-coated steel, the branches are fitted with a bulb, which is surrounded by a sphere of etched opal glass. Vekst offers a unique expression and a striking light and comes as a dimmable pendant light in two different sizes as well as a wall lamp variant.
Circle Lamp
paolocastelli > Wall lamp
A remarkable size decorative wall lamp, inspired by the soft lines of the 1940s. Circle Lamp consists of a slightly concave disc made of hand-hammered metal shiny gold and mirror glazed in various colors, on which a half sphere in reflective material sits like a drop. Thanks to hand-made manufacturing techniques, each piece of the collection is unique.
Fabula Wall
marazzigroup > Wall tile-stone-brick
Marble effect cladding and 3D decorations Marble is renowned as the embodiment of elegance and purity. Now its most neutral varieties, the whites with their sophisticated veining and the warmer beiges, are reinterpreted in contemporary style in a very tactile porcelain stoneware collection in which use of the 3D Ink technology makes every piece unique and gives the veins both depth and shine. The matching Fabula Wall selection of wall coverings features tactile decors and three-dimensional structures.
Luthien
luceplan > Wall lamp
A wall lamp with extraordinary decorative character and immediate impact. The structure is the result of the staggered overlaying of two concentric surfaces in technopolymer. The lamp emits indirect light thanks to the interaction of the planes that produce a reflection of the beams, in a cloud of light with a gentle spirit. A compact but very functional lamp of sophisticated beauty that is never excessive, Luthien combines aesthetic and emotional value in a precious object with the classic practicality of a wall lamp.
Vekst Lamp Large EU Black
normann-copenhagen > Wall lamp
Vekst Lamp is a decorative lamp collection characterized by its sculptural branch-like arms. Crafted from powder-coated steel, the branches are fitted with a bulb, which is surrounded by a sphere of etched opal glass. Vekst offers a unique expression and a striking light and comes as a dimmable pendant light in two different sizes as well as a wall lamp variant.
BIANCA MEDIUM
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA SMALL
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA SMALL
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA MEDIUM
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA SMALL
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA MEDIUM
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
SOLE
fontanaarte > Wall lamp
A lighting project that is both technical and decorative. Essential design with a techno ‘heart’ thanks to a highly evolved Led board with adjustable, energy-saving, high luminous efficiency. Tiny and easy to install on walls or ceilings
BIANCA LARGE
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
SOLE
fontanaarte > Wall lamp
A lighting project that is both technical and decorative. Essential design with a techno ‘heart’ thanks to a highly evolved Led board with adjustable, energy-saving, high luminous efficiency. Tiny and easy to install on walls or ceilings
BIANCA LARGE
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
BIANCA LARGE
fontanaarte > Wall lamp
Bianca is a family of luminaires with the decoration on the diffuser surface features an orderly series of shallow delicate grooves etched into the white glass, yielding an effect resembling small footprints on fresh snow. Mouth blown, belt sanded and dipped in acid to obtain the distinctive 'silk effect' typical of fine glassware, Bianca diffusers are available in three different diameters to complete all thirteen types of luminaires belonging to the family. The largest diffuser has a 50 cm diameter and, owing to its dimensions and the amount of glass involved, continues to pose a considerable challenge even for the ablest of glassbbottoms trained in the fixed-mould blowing technique, which – according to the traditional Venetian production process – is performed without any external aids for turning and shaping the glass blob inside the mould, but relies solely on the glassbbottom's skill and lung capacity. Bianca is available in the following versions: table-top without stem, floor-standing with base and stem, pendant, wall-mounted and ceiling-mounted. The matt white coating applied to the various metal supports evokes the name and colour of the diffuser. Bianca produces a very warm, diffused and enveloping light emission in the surrounding environment.
SOLE
fontanaarte > Wall lamp
A lighting project that is both technical and decorative. Essential design with a techno ‘heart’ thanks to a highly evolved Led board with adjustable, energy-saving, high luminous efficiency. Tiny and easy to install on walls or ceilings
SOLE
fontanaarte > Wall lamp
A lighting project that is both technical and decorative. Essential design with a techno ‘heart’ thanks to a highly evolved Led board with adjustable, energy-saving, high luminous efficiency. Tiny and easy to install on walls or ceilings
Streamline Wall Light
castrolighting > Wall lamp
Streamline is versatile thanks to its details that will enrich the décor of a wide range of interior design styles. The shining gold plated finish confers an extraordinary beauty to the brass, enhancing its value as a noble material. The fluid shades from the piece contrast with the geometric forms, playing nicely with abstract art. This piece was conceived to be distinctive and stand out for its design, becoming the perfect fit for curated interiors that combine a diversity of styles. This elegant wall light features long gold plated brass tubes that give the design a whole exclusive and deluxe look, setting another level by its distinctive appearance. This recipe of rich materials and sleek lines inspired by art-deco architecture make the Streamline wall sconce desirable. #alenaproject VIEW FULL FAMILY #seasideliving
SCINTILLA MEDIUM
fontanaarte > Wall lamp
The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.
SCINTILLA LARGE
fontanaarte > Wall lamp
The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.
SCINTILLA LARGE
fontanaarte > Wall lamp
The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.
SCINTILLA MEDIUM
fontanaarte > Wall lamp
The absolutely novel Scintilla system combines the essential versatility of a decorative lamp and a lighting capacity comparable to a technical system. The great success of this system persuaded the company to design a free-standing version in the early eighties, with the main structure fastened to the base and stem in metal.
FRENESI
fontanaarte > Wall lamp
The Frenesi lamp comes from the author’s passion – filmmaker Luca Guadagnino - for art deco, a style he loves in all its declinations, particularly for the angularity, the design, the regular shapes of the lines that meet and intersect. Today, the FontanaArte collection is still a synthesis of art deco, which, in an Italian key, illuminates homes all over the world. The designer questioned the form to which he should strive in order to create an object that respected the stylistic expression of the era from which it was inspired but with a contemporary language.
ArtCraft
marazzigroup > Wall tile-stone-brick
Innovative porcelain stoneware, classic and minimalist decorations, variety of formats and colors A perfect blend of age-old traditional skills and leading-edge industrial porcelain stoneware manufacturing, the collection features a lavish series of decors, from the more classical Quadri and Segni to the more minimal, geometrical Bolli and Triangoli and the Bande 3D structure. 2 surfaces – Natural in 6 colours and Semi-Matt in Bianco – re oered in the new 5.3x30 cm listel size, in 20x20 cm size and in the 21x18.2 cm hexagon tile – available in Sabbia, Coccio and Cotto colours.
Toro Clear Glass
astro > Wall lamp
Inspired by the shape of traditional East Asian lanterns, Toro adds a uniquely decorative allure to your living room. In addition to its crisp double-glass shade and durable steel wall bracket, Toro features a simple, tool-less wiring system, making it quick and easy to install in your home.
Aura
marset > Wall lamp
A simple household item kickstarted the design process of the Aura wall lamp. This decorative lamp, which provides outstanding light while turn on but stands out beautifully while off as well, was inspired by the traditional glass carafe, a mainstay of households the world over.The Aura follows an emotional design, because of what glass means in the collective memory, as well as a rational and contemporary design because it draws on LED technology to achieve efficiency and subtlety. The opalescent, transparent, or coloured glass of its lampshade allows the light to bathe the wall and creates a luminous effect without harshness, while also generating a point of interest in the space. Aura comes in two sizes – 18 and 25 cm in diameter – to provide lighting solutions for smaller or larger spaces. This light and forceful wall lamp should be in ideal proportion to the interior that it has to illuminate, and the proportion always depends on the scale.
Chalk
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Étoile étoile illusion
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Mountain
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Coke
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Étoile étoile renoir
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Étoile étoile symphonie
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Étoile étoile gris
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Flour
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Étoile étoile tropical
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Moss
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Étoile étoile crème
florim > Wall tile-stone-brick
A selection of new and rare marbles, with a strong decorative impact, that come from extremely distant geographical areas. <p>Étoile is a magical balance between signs and colors that stimulate the senses by inviting the viewer to feel its sophisticated chromatic intensity. A perfect blend of elegance that derives from the surprising variety of nature and cutting-edge production technology. Redefining the material while maintaining its original feel is the greatest objective of this brand, always attentive to evolutions in style.<br /><br />The series offers <strong>seven colors</strong> that may be used for floors and walls, either singly or combined. Four graphics decorate both the traditional sizes and the design of the Florim Magnum Oversize large size tiles, the other three (étolie brown river, étoile illusion, étoile symphonie) only have modular Magnum sizes (60x120 cm, 120x120 cm, 120x240 cm).<br /><br /></p>
Limestone
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Mystone Berici
marazzigroup > Wall tile-stone-brick
Porcelain stoneware inspired by stone, neutral tones, and exclusive decorations The wide range of sizes, from the most traditional variants to the slab size, enables many different installation solutions, thanks also to the availability of surfaces with R9, R10 and R11 anti-slip coefficients and the 20 mm version in the 60x120 size. The Mystone Berici range comprises 4 colours with a very natural, neutral look – Bianco, Beige, Cenere and Grigio – produced in all sizes. The collection’s potentials are enhanced by the Righe 3D structure in 60x120 size with a light relief pattern on a background rich in elements inspired by the calcareous rock, the Flora decor in 60x120 size featuring chiaroscuro and material effects that mitigate the severity of the original stone, and the Strip mosaic in 60x180 size, only for use on walls, offering 3 modules with titanium-colour metallic inserts. The resulting collection is ideal for defining the personality of design schemes with different looks, both classical and contemporary.
Nolan Wall Light
castrolighting > Wall lamp
Nolan Wall Light represents the beauty of bespoke, showing the ultimate class in brass. Designed to be a delicate yet splendid highlight to an interior design project, it incorporates modern simplicity with an elegant and luxurious twist of art deco style. Clean and sleek lines of this modern wall lamp reveal a fresh take on contemporary refinement in lighting design. The handmade wall sconce resembles an exquisitely balanced curve that twists like a shell, as its gold-plated brass tube is bent by the hands of experienced craftsmen. This wall sconce provides a sophisticated golden glow to the interior space, as its warm light is spread in a gentle, delicate way. This lighting piece is perfect for bedrooms, living rooms, and hallways. In a commercial space, like a restaurant or bar, it can create a more romantic and inviting atmosphere. Combine the rigor of the minimal style with the warmth of the handcrafted work and attention to the smallest details. Explore new lighting design solutions and celebrate opportunities to decorate boldly and limitless. VIEW FULL FAMILY
Nolan Wall Light
castrolighting > Wall lamp
The Nolan Wall Light represents the beauty of bespoke, showing the ultimate class in brass. Designed to be a delicate yet splendid highlight to the interior design project, it incorporates modern simplicity with an elegant and luxurious twist of art deco style. The clean and sleek lines of this modern wall lamp reveal a fresh take on contemporary refinement in lighting design. The handmade wall sconce resembles an exquisitely balanced curve that twists like a shell, as its gold-plated brass tube is bent by the hands of experienced craftsmen. The wall sconce provides a sophisticated golden glow to the interior space, its warm light is spread in a gentle and delicate way. This lighting piece is perfect for bedrooms, living rooms, and hallways. In commercial spaces, like a restaurant or bar, this lighting fixture can create a more romantic and inviting atmosphere. Combine the rigor of the minimal style with the warmth of the handcrafted work and attention to the smallest details. Explore new lighting design solutions and celebrate opportunities to decorate boldly and limitless. VIEW FULL FAMILY
Araldica Base Corallo
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Illu Mirror 65 x 50 cm EU White
normann-copenhagen > Wall lamp
Illu is an eye-catching mirror characterized by a distinctive wavy frame with built-in, dimmable LED light. The unique design makes Illu an equally decorative and functional mirror for any room in the home. Illu Mirror comes in three different sizes.
Elegance
marazzigroup > Wall tile-stone-brick
Marble Wall Tile A project that mixes modernity and tradition, minimalism and classic style. Linear and smooth design, a mosaic in modular geometric patterns, decorations inspired by brocade and damask motifs, slimline 3D structures. Interiors stand out for their elegance and eclecticism.
Compatta Limo
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Araldica Base Blu
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Compatta Pisé Melange
florim > Wall tile-stone-brick
<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>
Veo Bronze
astro > Wall lamp
Inspired by the fluted columns of classic Greek architecture, Veo adds timeless elegance and a warm, ambient glow to your home. With its decorative glass shade and sleek metal base, it is an attractive addition to any modern living room or hallway.