Wall Panels - PlainPanel

amacoustics > Styling

PlainPanel vertical hanging panels for wall. Mounted on wall with strip, suspension included. Available in several colours. Delivered individually. Designad av o4i Design Studio.

Pendula Pixel EcoSUND®

gotessons > Styling

Hanging from the ceiling, Pendula Pixel becomes an effective room divider that improves the acoustics in the room while also becoming a stylish interior detail. Design by o4i Design Studio.Material: EcoSUND. Colors: white, black, grey, light grey or dressed in Hush. Suspension: T24 bracket standard, T24 angled bracket, Roof bracket for other roofs, and cable for suspension. Distance package 150 is purchased separately. Consists of 2 hangers and 4 pins. 5-pack. Width 2400 mm. Thickness 50 mm. Total height 2170 mm including gaps.Pendula Pixel Room Divider Pixel-shaped vertical hanging sound absorber for ceilings made in EcoSUND. Installation: Optional roof bracket and distance package with pins and hooks. Total thickness: 50 mm. Width: 2400 mm. Total height 2170 mm. Distance 150 mm. Available as raw EcoSUND or dressed with Hush, same on both sides. Ex. 567 (67046).

N02™ Recycle

fritzhansen > Chair

The N02™ Recycle is a multi-use chair made from upcycled plastic household waste that can be recycled again. A crease in the chair’s back is inspired by a folded piece of paper on the designer’s studio table and provides extra support for the upper and lower back. Seven colour options are inspired by Scandinavian nature and, along with multiple base options, make N02 Recycle particularly applicable for work, meeting and dining arrangements. Bar and counter heights are designed for homes and workplace settings, and all models are stackable because of the stool’s open base design. Mix and match various heights for cohesive interior design and sustainable seating.

Nomad Pen Holder

fritzhansen > Styling

The Nomad series of interior accessories and small furniture designs help to organise everyday living. Shaped from solid wood, the purposeful pieces are as beautiful to look at as they are versatile to use. Designed by the Danish design studio VE2 An elegant way to store writing supplies, the oak Nomad Pen Holder fits effortlessly into any setting thanks to its understated design. The lid serves as a tray holder for smaller items such as paper clips.

Nomad Tray

fritzhansen > Styling

The Nomad series of interior accessories and small furniture designs help to organise everyday living. Shaped from solid wood, the purposeful pieces are as beautiful to look at as they are versatile to use. Designed by the Danish design studio VE2 The Nomad Tray offers myriad options for clutter-free storage. The slender design takes up little space on a desk, shelf or windowsill where it keeps everyday items both in check and close to hand.

Nomad Letter Tray

fritzhansen > Styling

The Nomad series of interior accessories and small furniture designs help to organise everyday living. Shaped from solid wood, the purposeful pieces are as beautiful to look at as they are versatile to use. Designed by the Danish design studio VE2 The iconic letter tray is reimagined in natural oak. Combine it with the other designs in the Nomad series to add more functions. Perfect for keeping an organised office.

Nomad Tray Table

fritzhansen > Styling

The Nomad series of interior accessories and small furniture designs help to organise everyday living. Shaped from solid wood, the purposeful pieces are as beautiful to look at as they are versatile to use. Designed by the Danish design studio VE2 The iconic letter tray is reimagined in natural oak. Combine it with the other designs in the Nomad series to add more functions. Perfect for keeping an organised office.

Virkelyst sofa

fritzhansen > Sofa

Virkelyst is a modern outdoor series characterised by clean lines, discreet details and high comfort. Designed by contemporary design studio, Says Who. The clean lines of Virkelyst’s 100% FSC-certified teak frame strike a satisfying contrast with the thick, soft and comfortable cushions. Perfect for socialising and relaxing for hours in sunny gardens or terraces. Uniting beauty with resilience, the weatherproof upholstery is Oeko-Tex® certified and extremely colourfast and lightfast as well as water and dirt-repellent and mildew-resistant. The cushion dries quickly even after a heavy downpour, as the foam has an open-cell structure that allows water and air to pass through. Please note that a different version is available to meet the fire regulations in the UK market. These cushions are upholstered with FR cold foam, which is not weather resistant.

Regatta Table

fritzhansen > Coffee table

The Regatta Series of garden furniture profiles minimalist lines with soft curves that add character to outdoor spaces. Designed by Hans Thyge & Co design studio. The low profile of the Regatta Lounge Table makes it the ideal companion to the series’ chair. Made from FSC-certified teak that will patinate to a silver-grey hue over time, the lasting design features a slatted tabletop and sturdy three-legged base.

flotex created by sottsass Bacteria

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Bacteria

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Bacteria

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Bacteria

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Wool

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Wool

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Terrazzo

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Terrazzo

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

flotex created by sottsass Terrazzo

forbo > Carpet

Ground breaking both aesthetically and technically. Flotex Sottsass flocked flooring is the result of a creative collaboration between Forbo Flooring and the Italian design studio Sottsass Associati which is responsible for the famous Memphis Design trend at the end of the last century. The Sottsass designs present unique organic forms and irregular, apparently random patterns.All items of the collection are also available in an adhesive free flooring solution: Flotex Next. You can order a Flotex Next floor by adding the code NX as a suffix behind the regular colour number.

Large Table lamp Unseen - Brass

petitefriture > Table lamp

Pour célébrer ses 10 ans, Petite Friture initie une nouvelle collaboration avec le duo féminin milanais, Arianna Lelli Mami & Chiara di Pinto, du Studiopepe.  « Nous souhaitions préserver l’idée de la pureté de la lumière à travers une approche technique moderne. Le processus de fabrication s’est avéré très éprouvant en raison de la technique lumineuse. Nous voulions conserver l’aspect du néon traditionnel tout en utilisant la technologie LED. »  Arianna Lelli Mami & Chiara di Pinto.  Sublimée, la lumière s’exprime en toute pureté à travers un rendu esthétique fidèle à celui du néon. Les pièces sont serties de laiton, matériau noble, pour une finition délicate. Fabrication française. Read more

Kudo

R

leolux > Armchair

It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!

Qatego Built-in basin with console

duravit > Washbasin cabinet

Incl. vanity basin, Overflow: Yes, Tap hole platform: No, Incl. faucets: No Design by Studio F. A. Porsche

Qatego Built-in basin with console

duravit > Washbasin cabinet

Incl. vanity basin, Overflow: Yes, Tap hole platform: No, Incl. faucets: No Design by Studio F. A. Porsche

Qatego Console

duravit > Washbasin cabinet

Number of cut-outs: 1, Number of washing areas: 1, Tap hole drillings possible, Incl. console supports: No Design by Studio F. A. Porsche

Qatego Console

duravit > Washbasin cabinet

Number of cut-outs: 2, Number of washing areas: 2, Tap hole drillings possible, Incl. console supports: No Design by Studio F. A. Porsche

Qatego Console

duravit > Washbasin cabinet

Number of cut-outs: 2, Number of washing areas: 2, Tap hole drillings possible, Incl. console supports: No Design by Studio F. A. Porsche

Trace SC87

&tradition > Cabinet

The Space Copenhagen Trace cabinet melds a contemporary silhouette with classic expression, providing storage in an elegant frame to display cherished items. The design studio chose the cabinet's name to reflect the concept of collecting small, sentimental pieces from our lives – and the traces they leave behind.

Capo

cappellini > Armchair

The form is reminiscent of a hat, with enveloping lines like a shell: Capo armchair, by London studio Doshi Levien, stands strong with a design that is both slender and robust, created to offer an element of style for variety of settings, both private and contract.

Zeromoon Cover

illoft > Chair

A refined chair with a distinctively lightweight frame crafted from steel rods with rounded shapes. Covered with two types of padding like different dresses creating different forms of style and comfort. The harmonious design gives rise to a sophisticated chair that fits gracefully into any dining room. Designed by Arch. Giuseppe Viganò - Studio Viganò

Angie "Dining"

minotti > Chair

A saddle-hide or leather element designs a wing that embraces the armchair, sustaining the frame like a sculptural bustier, characterised inside by the inviting softness of the seat and backrest. Behind the apparent simplicity of the design lies an advanced technological process used to make both the padding with different textures of foam and the saddle hide or leather bustier, made using two different Baydur® moulds, which perfectly follows the curved line of the armchair. The GamFratesi studio, signing the design, worked on the idea of contrast, emphasising it and juxtaposing the stiff frame of the saddle hide or leather element with the softness of the upholstered part, which can also be seen on the back, so setting the scene for interesting colour combinations of saddle hide and fabric. The legs are in Pewter-coloured die-cast aluminium and a unique bow-shaped frame connects the feet at the rear, emphasising the curve of the saddle hide or leather body.  The family of products includes an armchair, accompanied by a footstool, and a dining little armchair, both with the same features and in different sizes, now joined by the Angie Cover version upholstered entirely in fabric or leather. The presence of saddle hide is not only a distinctive feature of the GamFratesi studio’s involvement in the creative team of Minotti, but also breathes new vibrancy into a piece with classic forms, offering a palette of different shades.

SAAR kitchen & bar stool

pietboon > Stool

The SAAR kitchen & bar stool are both elegant and durable. Inspired by the iconic SAAR design, the SAAR kitchen and bar stool add a touch of low-key luxury living to any interior. and sophisticated color palette, add timeless elegance to any dining interior. The KEKKE is also available as arm chair, long chair, dining table and mirror. The classic design embraces a solid oak or walnut wooden frame and leather low-back seating, finished with the unique Studio Piet Boon stitching.

Qatego Bathtub

duravit > Bathtub

Rectangular, Type of installation: Installation, Sanitary acrylic, Number of backrests: 1 Variable, Overflow: Yes, Waste outlet position: Foot end, Overflow position: Foot end, Capacity: 250 l, Internal depth: 460 mm Design by Studio F. A. Porsche

Pure White Mug

abchome > Styling

Exclusively at abc, this Jan Burtz creation is made by hand from creamy porcelain and a homemade glaze. Its irregular, organic forms bring us back to the basics, accentuating the fluidity and grace of hand-formed wares. Made in Jan Burtz's Connecticut studio, no two pieces are alike, though all are food, dishwasher, and microwave safe.

Cromatica Gradiente bianco-rosa

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Qatego Built-in basin with console vanity unit

duravit > Washbasin cabinet

Number of pull-out compartments: 1, Without handle, Tip-on fitting, Niche lighting Optional, Incl. vanity basin, Overflow: Yes, Tap hole platform: No, Incl. faucets: No Design by Studio F. A. Porsche

Qatego Console vanity unit wall-mounted

duravit > Washbasin cabinet

Number of pull-out compartments: 2, Number of drawers: 2, Number of open compartments: 1, Incl. console: Yes, Tap hole drillings possible, Without handle, Siphon cut-out: Yes, Siphon cover: Yes, Soft self-closing automatic with damping, Tip-on fitting, Niche lighting Optional, Lay-in compartment Optional Design by Studio F. A. Porsche

Cromatica Grigio

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Qatego Washbasin

duravit > Washbasin

Rectangular, Number of washing areas: 1 Middle, Tap hole platform: Yes, Overflow: Yes, Underside glazed, Back side glazed: No, 800 mm Design by Studio F. A. Porsche

Skol wood with arms

infinitidesign > Chair

The design of Skol, at first glance, brings back memories of times long gone by, sedimented in the collective memory. In fact, the peculiar shapes and the delicate, timeless structure bring to mind the school chairs, coupled with the desks where each person’s experiences took place during the years of childhood and adolescence. The new Skol emerges from the educational environment, while maintaining the reassuring and evocative sensations that have guided Needs Studio’s creative thinking: the general aesthetic simplicity, given by the 25 mm round steel tube structure, contrasts with the refined details, such as the delicate support of the seat and backrest to the frame, supported by the classic rivet fastening, creating a play of lightness and sinuosity. The soft and welcoming yet robust shapes intersect in a play of full and empty spaces, in which absolute comfort and a distinctly retro style with contemporary influences win out. Skol is available with or without armrests, with seat and back in oak plywood and the chromed or painted frame. Its versatility makes it ideal for numerous uses: it is perfect for cafés, bars, restaurants, bistros, but also for meeting rooms and coworking areas.

Lelong

R

minotti > Console

The Lelong coffee tables, inspired by the lightness of Scandinavian design, have thin tubular legs in Black Coffee finish with polished Pewter tips supporting lacquered, wood or marble tops.  The Lelong family boasts an extensive range: a full series of different sizes and finishes with square, round and rectangular tops that make it particularly versatile and suitable for use as a coffee table, side table or console. The coffee table design also includes a version with two staggered shelves of different heights that intersect to create a sculptural piece of furniture with multiple possibilities of use.  Its slender, light design offers an ideal contrast when set alongside the more generous volumes of the Horizonte seating system by Marcio Kogan / studio mk27 and the Goodman seating system by Rodolfo Dordoni: a balance of shapes and proportions that makes the living space even more dynamic and elegant. In the single-top version, the top is available in Cappuccino, Moka, Chestnut, Army Green, and Malachite polished lacquered finishes, in Canaletto walnut stained Dark Brown or in Liquorice open-pore lacquered ash; in the double-top version, the lower top comes in the same finishes as the single top version, while there are three alternatives for the higher top: Liquorice-coloured ash, Calacatta marble with smooth matt finish or in various lacquered finishes. 

Qatego Mirror

duravit > Washbasin cabinet

Sensor-Version, Protection type: IP44, Illuminant: LED Light fields Sidewise, 29 W, Turn on lighting: Sensor switch Bottom, Middle, 3500 K, Dimming function: Integrated, Defog system: Optional, Niche lighting: Integrated, Service life of illuminant: 30000, Replaceable illuminant: No, Energy class C Design by Studio F. A. Porsche

Bed side table Zen

tonellidesign > Side table

Zen, multifunctional bed side table created by designer Gonzo & Vicari, features a peculiar geometric structure that playing with the angles creates two shelves, one on top of the other, both usable.  Entirely made of transparent glass it results very versatile because able to adapt to different environments, such as living rooms, bedrooms or studios.

Pure White Pasta Bowl

abchome > Styling

Exclusively at abc, this Jan Burtz creation is made by hand from creamy porcelain and a homemade glaze. Its irregular, organic forms bring us back to the basics, accentuating the fluidity and grace of hand-formed wares. Made in Jan Burtz's Connecticut studio, no two pieces are alike, though all are food, dishwasher, and microwave safe.

RomboSeat with wheels

gotessons > Pouf

A stylish portable seating furniture that makes it easy to decorate thanks to its unique shape. With RomboSeat with wheels you can create flexible sitting areas that can be moved around. The seating furniture can be ordered: freestanding, with table, screen or with both table and screen. Designed by Henrik Kjellberg and Jon Lindström from o4i Design Studio.Can be ordered freestanding, with table, with screen or with table and screen. Dressed in any seating textile from our standard range. Total height 475 mm with wheels.  The table is rotatable.Rhombus-shaped seating furniture with foam laminated fabric. Including lockable wheels. Total height 475 mm. Stand for table is available in black metal or white metal. Laminate on table is available in ash, oak, walnut, black or white. Variants: with table, with screen, with table + screen Extra option: power outlet in seat Textile: ..."

Qatego Console vanity unit wall-mounted

duravit > Washbasin cabinet

Number of pull-out compartments: 2, Number of drawers: 2, Number of open compartments: 1, Incl. console: Yes, Tap hole drillings possible, Without handle, Siphon cut-out: Yes, Siphon cover: Yes, Soft self-closing automatic with damping, Tip-on fitting, Niche lighting Optional, Lay-in compartment Optional Design by Studio F. A. Porsche

Shelving unit Transistor

tonellidesign > Cabinet

The shelving unit Transistor is made in extra clear or transparent glass, it features an articulated structure and is born from the combination of several elements of variable dimensions, linked by aluminium anodized joints. Created by architects Barberini & Gunnell, the shelving unit Transistor is able to host several storage surfaces, becoming an actual designer complement, that can give a contemporary touch to studios and lounges.

Table Farniente

tonellidesign > Table

Conceived by architect and designer Giovanni Tommaso Garattoni, the Farneinte table is made of a metal chrome base and a top in tempered glass.  This designer table is available in square, round and rectangular version, with transparent, extra clear or smoked glass top. Thanks to its geometric lines and luxury finishes it renders the environment elegant, but without burdening the décor. It is perfectly suited for dining rooms, kitchens or studios.

Pelagus Chair

fritzhansen > Chair

Pelagus has a graceful contemporary expression that sits lightly in nature and holds its own in urban environments. The collection is high on comfort and versatility. It is furniture that suits a lifestyle as diverse as that lived in urban cosmopolitans or far from the city and grounded in nature. Designed in collaboration with Stockholm-based Note Design Studio. Pelagus Chair is high on comfort for leisurely dinners around a table. With its 100% FSC-certified teak back and seat and powder-coated aluminium frame, the chair offers great versatility. It is light enough to move easily and stack up to four chairs, yet sturdy. The chair’s slender profile suits many architectural contexts.

Qatego Toilet close-coupled

duravit > Toilet seat

Flush water quantity: 4,5/3 l, Washdown model, Flushing rim: Rimless, Outlet drain: Vario, Flush principle: Displacement, For bowl mounted cistern, UWL-class: 1, Incl. mounting material Design by Studio F. A. Porsche

Sky Shoreline

R

amacoustics > Panels

Sky effectively absorbs sound waves that spread in a room, as well as creating a furnished feeling in the room. Through its design, you can create nice patterns and the absorbents can be added to endlessly. SHORELINE is available in 4-pack. Suspension is added. Note that selection of attachment type must be specified.  Designed by o4i Design Studio.

DERK sofa

pietboon > Sofa

This modular sofa is minimalist in design, with a strong horizontal line and full dimensions, but its goose-down filled cushions offer extraordinary seating comfort. The DERK sofa blends effortlessly into any space and adds a contemporary and comfortable feel to each room. The DERK sofa is available in a range of colors, and in myriad luxurious fabrics and high-quality leathers from the Piet Boon collection. At studio Piet Boon, we often choose a mix of textures for one sofa, within one color palette, to create a sensational effect. The cover of this sofa is removable and may be replaced.