Play Graphite
refin-ceramic > Floor tile-stone
A design toolA cloud of colours targeted to design: the collection plays on a scale of solid colours to interpret architecture with large backgrounds, highlighting geometries or creating uniformity between surfaces. Play consists of 6 carefully selected matt colours: a range of neutral tones from very light to very dark with warm and cold shades. The perfectly solid colours are achieved through a special production process, the ‘solid colour tile’, which we have developed to create completely homogeneous coloured surfaces without any graphic or pattern effect. We offer mainly large sizes (up to 120×278 in White) to respond effectively to all project requirements, both for floor and wall tiles. Play guarantees the possibility of large single-colour surfaces with harmonious visual results and high technical performance also for outdoor wall tiles. The volumes are amplified by the choice of a “total colour” for floors, walls and ceiling: the result is a homogeneous envelope that conveys a strong impact.
Cromatica Cenere
florim > Synthetic Floor
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
ReForm Flux light brown
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
plissé beige
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Donut Set of 2 espresso - Vanilla
petitefriture > Styling
In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more
Dylan Low
minotti > Sofa
The timeless, multifaceted stylistic language of the distinguished yet cosy Dylan modular seating system is also expressed in the Dylan Low version. With a more classic and traditional identity, raised 7,5 cm off the ground, this version effortlessly interprets a timeless taste. It is capable of expressing multiple aesthetic and compositional languages, fitting with ease into environments with different uses. With its sophisticated wealth of subtle, but important details, such as the stitching and the curved silhouette of the backrest and armrest, Dylan Low stands out for its ability to make a discreet yet strong impact.
ReForm Flux black
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
Noa Midnight black oak With wheels
auping > Bed frame
The Noa bed is a true Scandinavian design with its simple shape, clever details and natural materials. This variation in Midnight black oak and Noa wheels is a real eye-catcher of the bedroom. The clean finish and natural materials exude tranquillity. The Auping Noa stands for peace, comfort and security. Thanks to the use of natural materials and the classic look of the bed, it fits any bedroom. The Auping Noa bed was designed by Danish designer Eva Harlou. The bed exudes tranquillity through its classic Scandanavian design, which easily fits into any bedroom. Thanks to the use of extremely strong beech wood, the bed will also last a long time. Want to discover more about the Noa? Take a look at the look book page View the Noa The Noa is available with all our mattresses, change your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.
Como SC53
&tradition > Table lamp
Match lighting to mood with Como SC53, a portable table lamp from Space Copenhagen. Crafted from anodized aluminium, Como’s sturdy base tapers up towards a softly curved, mushroom-shaped shade. This battery-powered lamp can operate for eleven hours at the highest setting, with an extra battery option that allows additional operating. It is easily recharged with a magnetic USB cable or a charging tray. As of Spring 2022, you can now find the Como lamp in two new and contemporary finishes: Stone Blue and Red Brown.
Mobil 1 drawer with feet
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
ReForm Flux purple
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
KushiMobile
kdln > Table lamp
The metal, rigid, cold and material rod is opposed to the velvety softness of the curves of the etched diffuser, coexisting in the same space, in continuous and mutual relationship, to create a collection of lamps formally very simple, but with a strong personality.
Donut Set of 2 espresso - Lemon
petitefriture > Styling
In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more
Labics Pendant
castrolighting > Ceiling lamp
Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY
ReForm Flux yellow
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
ReForm Flux charcoal
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Flux dark grass
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
NASKA LARGE
fontanaarte > Table lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
Élémentaire Chair
hay > Chair
With lmentaire Ronan and Erwan Bouroullec set out to create a chair that is both aesthetically and physically balanced with a sustainable profile. lmentaire uses 100% recycled polypropylene and the latest technology to create an eco-friendly chair that is robust enough to be a long-lasting object while still appearing delicate. Precise proportions and a clear profile give lmentaire a charm that allows it to stand out on its own or look strong in a group. Designed for everyday life lmentaire fulfils basic needs in a balance of beauty and strength. Locally produced in Denmark its durability and resilience make it suitable for both indoor and outdoor use.
ReForm Flux grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
velvet grey
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Lawson "Dining"
minotti > Chair
With the fluid line of its shapes and the equilibrium of its soft volumes, the Lawson seating system explores different types of chairs, offering innovative solutions that push out the traditional style boundaries, ranging from small lounge armchairs to the larger easy chair, and even sofas. The design features a look based on the juxtaposition of materials: on one side there is leather, which follows the curve of the enveloping backrest, in turn becoming an armrest and on the other side there is the fabric of the cushions, with its haute couture feel. The many different layouts of the system, with its interesting range of alternating depths, mean it is perfect for creating both small, intimate spaces, as well as arrangements featuring several elements, all fit to occupy larger spaces with grace. With its natural elegance, Lawson is ideal for residential interiors, but also reveals a strong vocation for the hospitality sector, thanks to its versatile modularity. Sofas and armchairs sit on metal feet with a chrome or polished Pewter finish, a jewel-detail that adds a touch of sophistication to the piece. The wide variety of elements in the Lawson family also includes an armchair with legs in Moka-coloured ash wood or covered in leather, a detail that also characterises the lounge armchair and dining chair. Each piece can be used in a wide range of potential combinations of materials and colours. And while the impression made by Lawson oozes with Seventies style if the arrangement includes pieces with black leather, structured fabric upholstering and feet with a chrome finish, instead, a more decorative spirit shines through if the option chosen features velvet and chenille.
Hello
marazzigroup > Wall tile-stone-brick
Subway Tiles The unique appeal of subway tiles or metro tiles, which clad the underground railways of large cities throughout the 20th century, lives again in this wall tile collection with all the distinctive beauty of traditional ceramic coverings. Just one, small size 7.5 x15 cm with a vast assortment of colours, with the neutral shades and ever-popular white, grey and beige accompanied by strong, bright colours including blue, red and yellow. The collection has two surfaces – glossy and satin – and a lux diamond structure.
BLEND tile by Douglas & Jones
pietboon > Floor tile-stone
BLEND Tile is a large format tile series. The two different color shades in this series fit in seamlessly with Piet Boon’s characteristic color palette. The BLEND Tile is a timeless wall and floor tile, which ensures an elegant end result on any surface. The tiles have a minimum thickness of 6 mm. Ultra-thin, but as strong as stone. The BLEND Tile naturally offers the proven practical properties of ceramics.
stitch green
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
HAY Colour Crate
hay > Cabinet
HAY Colour Crate is a series of colourful storage boxes with a distinctive perforated design. Made from 100% recycled post-consumer plastic waste in a variety of different colours and sizes the crates can be stacked on top of one another in different size combinations. The multifunctional crates are suitable for storing and organising a wide range of items on shelves tables or inside cupboards.
Serpentine Light
moooi > Ceiling lamp
Serpentine Light by Front is an airy suspension lamp created with elaborate twists and turns. The lighting design originated from twisting and turning a piece of paper. By playing with the tension and natural flowdiscovering the limits of the different shapes paper could adopt. The dark lines create the effect of an endless upwards spiral. The flow and curve of the almost translucent material is very natural and diffuses the light evenly. The designs strong character and illusion of perpetual movement makes it the perfect lamp to hang above your dining table in your hallway or above your desk in your office. The lightweight material and perpetual movement make the Serpentine Light an elegant suspension light that keeps you guessing.
Play Grey
refin-ceramic > Floor tile-stone
A design toolA cloud of colours targeted to design: the collection plays on a scale of solid colours to interpret architecture with large backgrounds, highlighting geometries or creating uniformity between surfaces. Play consists of 6 carefully selected matt colours: a range of neutral tones from very light to very dark with warm and cold shades. The perfectly solid colours are achieved through a special production process, the ‘solid colour tile’, which we have developed to create completely homogeneous coloured surfaces without any graphic or pattern effect. We offer mainly large sizes (up to 120×278 in White) to respond effectively to all project requirements, both for floor and wall tiles. Play guarantees the possibility of large single-colour surfaces with harmonious visual results and high technical performance also for outdoor wall tiles. The volumes are amplified by the choice of a “total colour” for floors, walls and ceiling: the result is a homogeneous envelope that conveys a strong impact.
Cromatica Verde
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Panorama Carole Baijings - Evening / Part 1
petitefriture > Wallpaper
Carole Baijings reinvents the French stripe with transforming colors, creating a dynamic landscape in her wallpapers and panoramics. Within her range of wallpaper and panoramic designs, each vertical stripe embodies a color that morphs, while viewed collectively, the stripes unveil a moving landscape. The vivid hues of the panoramic design evoke nature, offering a striking depth. As Carole Baijings explains, "similar to a painting, the perspective shifts with distance." The fluorescent accents, her distinctive hallmark, captivate the gaze and surprise, reminiscent of the freshness of spring flowers or the brightness of sunbeams. Wallpaper Panorama Morning - Part 2 Wallpaper Panorama Morning - Part 3 Read more
Donut Set of 2 espresso - Lemon
petitefriture > Styling
In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more
Mobil 6 drawers with wheels
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
NASKA LARGE
fontanaarte > Wall lamp
The Naska family of lamps is a classic from 1933. Simple and functional, with a revolving, adjustable arm, it is available in three different versions – table, floor and wall. More than any other lamp, Naska expresses an unmistakable identity through its archetypal form. It is the desk lamp par excellence, the original ancestor of every lamp with a spring-balanced arm. A timeless object, suitable for both domestic spaces and those dedicated to work.
Noa Soft white oak With solid headboard and legs
auping > Bed frame
The Noa bed is a true Scandinavian design with its simple shape, clever details and natural materials. This variation in Soft white oak with a solid headboard is a real eye-catcher of the bedroom. The clean finish and natural materials exude tranquillity. The Auping Noa stands for peace, comfort and security. Thanks to the use of natural materials and the classic look of the bed, it fits any bedroom. The Auping Noa bed was designed by Danish designer Eva Harlou. The bed exudes tranquillity through its classic Scandanavian design, which easily fits into any bedroom. Thanks to the use of extremely strong beech wood, the bed will also last a long time. Want to discover more about the Noa? Take a look at the look book page View the Noa Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.
Planner™ Tables
fritzhansen > Side table
The Planner™ coffee tables are part of a relaunched Fritz Hansen collection by Paul McCobb, a legendary designer known for creating slender designs where form follows function. Featuring a structured marble surface and a powder-coated steel base, the coffee table is an illustration of raw, tactile simplicity. With a strong linear framework and a bold, geometric shape, the rectangular Planner Table MC310 has a sleek, contemporary character that complements a wide range of interior styles
Zenith Suspension
castrolighting > Ceiling lamp
The stunning natural beauty of Zenith Suspension is born from the intense shining star constellations presented in the celestial sphere. The name itself represents the peak of life where one becomes serene with its self-being. Falling in love with this stars-like piece, the Castro design team conceived this modern futuristic chandelier to be the center focal point in every wide room living area. Highlighting the natural shape of a group of stars forming this minimalistic but strong-will suspension. This handmade fixture is all made in brass with a mixture of black nickel and gold finishes. Take in the gracious sight of the star constellations at home with this celestial-inspired innovative fixture. Use it to create beautiful sceneries for residential or commercial interior design projects.
patchwork black
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
ReForm Flux dark green
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Flux is a collection of carpet tiles produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring. The backing of the Flux tiles is produced from used water bottles that are recycled into our patented and long lasting Ecotrust felt backing.
ReForm Memory dark blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. The marriage of a complex structured multi-level loop and digital colouration gives the Memory Ecotrust collection a unique expression. Memory Ecotrust comprises three designs, each in 9 architectural colours. The colour palette is structured around light, medium and dark tones, which can be used in combination to reflect the social aspect of the office space. Play with tonal range and accent colour to create neighborhoods, way-finding etc. Designed by Carol Appleton. The carpet tiles consist of Ecotrust felt backings and tile faces. The Ecotrust felt backings are produced from recycled water bottles. An innovative production technique turns bottles into a soft yet strong PET felt material that is long lasting and has great acoustic performance. At Ege Carpets we use regenerated and regenerable yarns produced from used fishing nets. Once the fishing nets are collected and cleaned, they are physically and chemically broken down and reborn as strong and hardwearing yarns for carpets.
Donut Set of 2 espresso - Blueberry
petitefriture > Styling
In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more
Calabash™
fritzhansen > Ceiling lamp
Calabash™ pendants are inspired by the simple and harmonious form of the calabash pumpkin. Made of aluminium and finished with chrome or textured coating, Calabash pendants are an example of authentic craftsmanship. Turned on or left off, its distinct design has strong presence by combining convex and concave shapes – mirroring the room or manifesting that reflection with sculptural quality.
Mobil 2 drawers with feet
kartell > drawer
Mobil is a system of storage units that can be used throughout the home and office, for a variety of purposes. The basic element of the system is the drawer, alternated with intermediate shelves and tops. Mobil can be a simple chest of drawers, featuring between two and six drawers, and be fitted with comfortable handles. It can be set on castors or fixed feet and this makes Mobil suitable for use in different contexts: from the bedroom to the living room, bathroom or study, and in the office as a desk drawer unit for storing stationery and documents.
velvet bloom blue
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Cromatica Opale
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Outline Studio Sofa 170 cm / 67"
muuto > Sofa
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Flo X Large Format Single Monitor Arm
hermanmiller > Accessories
Description Flo X is the latest evolution of high load monitor support. Capable of holding larger and heavier screens, as well as dual and triple monitors. Its dynamic functionality and considered ergonomics mean you can quickly and easily establish the optimal working position, enhancing productivity and wellbeing. Features Designed to mount larger format/heavier displays (up to 18kg single, 16kg dual or triple) including curved screens. Innovative dual-spring technology offers unparalleled smoothness of movement. Spring system can be configured to suit lower weight range (down to 3kg) if required. Next generation D-ring tilt offers adjustment to mount a range of screen formats, including curved screens. Portrait-to-landscape screen adjustment. Weight gauge reduces installation time for multiple installations. Integrated cable management system. Can hold two 32" or three 27" screens. Select the Dual or Triple versions for a two or three monitor setup. Screen Weight Range Single: 3 - 18 kg ; Dual/Triple: 3 - 16 kg Product Weight 3.35 kg Assembly Some simple self-assembly required Warranty 12-years
ReForm Flux black
egecarpets > Carpet
Flux is produced from regenerated materials that allows you to implement sustainable and modern design in the office environment. The colour palette reminds of the transformation from dry to wet. Concrete, stone, sand and asphalt all change when a rain shower or a wave touch them. The sun and the wind bring them back to their original colour and in between these two extremes lie a countless amount of tones and shades. Flux is produced from regenerated and regenerable yarn regenerated from among others used fishing nets that are reborn as a strong and hardwearing textile flooring.
Ro™ Sofa
fritzhansen > Sofa
The two-seater Ro sofa showcases the curvy form and playful expression that serve as the bedrock of Jaime Hayon’s renowned design philosophy. Here, softness is expressed in an intimate yet spacious social setting for two. A solid oak base adds natural warmth to this imposing 2-seater sofa, bringing a delicate yet strong poise to its sculptural magnificence.
denim black
egecarpets > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. Composed of the 3 design themes Minimal, Reflex and Heritage, Rawline Scala Ecotrust pays a tribute to universal fashion textures and details: The basic and linear look of denim, the classic stitch of a gentleman’s suit, folded and pleated fabrics reflecting light and dark. Featuring these elements in three different scales from small to medium and large, the tiles collection brings the flat woven design expression to a new level. Rawline Scala Ecotrust urges to explore space with subtle and artistic patterns that can be mixed and matched but also stand beautifully alone. Rawline Scala Ecotrust is made from regenerated and regenerable yarns consisting of abandoned fishing nets and other waste materials. Comes with Ege Carpets' patented and Cradle to Cradle Certified® Ecotrust backing based on used water bottles that are transformed to a soft yet strong PET felt with excellent acoustic advantages.
Ardoise Gris
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>