Alya SO1533
andreuworld > Chair
Armchair with solid beech wood central swivel base and upholstered seat and backrest.
TROPICO MEDIUM
fontanaarte > Table lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
Zio Dining Table
moooi > Table
In most households the table is the central piece of the dining room the heart around which families gather entertain and relax. Many special memories revolve around its steady presence. With their graceful look and refined details the Zio tables by Marcel Wanders bring a touch of style to any moment.
Mistral
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Brandy SO2997
andreuworld > Chair
Armchair with solid beech wood central swivel base and upholstered seat and backrest.
Calma SO2295
andreuworld > Office Chair
Mid-backed armchair with upholstered shell and central 5-wheeled aluminum swivel base with tilting system, height adjustable and fi n ished in polished aluminum, white or black finish. Option of Walnut wood on the exterior of the backrest.
Calma SO2297
andreuworld > Chair
High-backed armchair with upholstered shell and central 4-wheel aluminum swivel base with return system, available in polished alum i num, white or black finish. Available options: Walnut wood on the exterior of the backrest and a head cushion.
Kitchen roll holder
vipp > Styling
The Vipp kitchen roll holder helps control paper towels in the kitchen. A solid base gives the kitchen roll holder stability, and a stainless-steel arm holds paper towels in place. The Vipp kitchen roll holder is made to fit European standard-sized paper towels.
Été Pillow Case
hay > Styling
Crafted in crisp soft cotton with contrasting stripes t Pillow Case is a HAY x Amanda Borberg design collaboration that brings to mind hot summery days with sandy beaches and fresh sea air. Available in a variety of colours. OEKO-TEX STANDARD 100 cert. No 2176-345 DTI.
MERIDIANO
fontanaarte > Table lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. In the new Meridiano lamp, the vertical cylindrical tube contains and diffuses the light in the transparent glass capsule, which defines its refined ovoid shape. Available in two sizes, Meridiano is available as a medium-size and large suspended lamp, to be used individually or in multiples arranged in groups. The table version is offered in the medium size.
MERIDIANO
fontanaarte > Floor lamp
The «shape of light» is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Tropico and Meridiano. The latest family now featuring the new floor-standing version. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods.
MERIDIANO LARGE
fontanaarte > Ceiling lamp
La “forma della luce” è il tema centrale di questo progetto di Gabriele e Oscar Buratti iniziato con la famiglia di lampade Equatore, presentata nel 2017 ed ora ampliata con altre finiture, fino alle nuove Meridiano e Tropico. Forme di vetro e metallo che raccolgono, contengono e diffondono la luce nello spazio. Passando tra layer opalini, colorati e trasparenti, enfatizzata dalle curvature ricercate e dalla magia dei vetri soffiati, la luce è libera di creare effetti, disegni ed atmosfere sorprendenti ed affascinanti. Nella nuova lampada Meridiano, il tubo cilindrico verticale contiene e diffonde la luce nella capsula di vetro trasparente, che ne definisce la ricercata forma ovoidale. Prevista in due misure, Meridiano è declinata come sospensione media e grande, da usare singolarmente oppure in composizione di multipli disposti a grappolo. La versione da tavolo è proposta nella misura media.
MERIDIANO LARGE
fontanaarte > Ceiling lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. In the new Meridiano lamp, the vertical cylindrical tube contains and diffuses the light in the transparent glass capsule, which defines its refined ovoid shape. Available in two sizes, Meridiano is available as a medium-size and large suspended lamp, to be used individually or in multiples arranged in groups. The table version is offered in the medium size.
MERIDIANO MEDIUM
fontanaarte > Ceiling lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. In the new Meridiano lamp, the vertical cylindrical tube contains and diffuses the light in the transparent glass capsule, which defines its refined ovoid shape. Available in two sizes, Meridiano is available as a medium-size and large suspended lamp, to be used individually or in multiples arranged in groups. The table version is offered in the medium size.
TROPICO MEDIUM
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
TROPICO LARGE
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
TROPICO MEDIUM
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
TROPICO MEDIUM
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
Harvey 556
leoline > Floor tile-stone
Natural wood design with pronounced texture and contrasting warm-cold color play is a perfect solution for any home.
Harvey 508
leoline > Floor tile-stone
Natural wood design with pronounced texture and contrasting warm-cold color play is a perfect solution for any home.
Nova
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Tarragon
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Arctic Shades
arte-international > Wallcovering
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
Nivå Wall
amacoustics > Panels
NIVÅ is a sound absorbing contrast wall produced in cooperation with three designers – Camilla Tillberg, Gill Weibull and Maria Holmgren. The idea was to create a sound absorbent where the design was just as important as the function. The result is an exciting, varying wall module of polyester fibre with a flocked surface on different levels. NIVÅ is available in black, white or gray RAW edition or laminated with Hush fabric on the front. Marking: Sundahus | BIM Object | Acoustic facts | pCon Planner | Byggkatalogen
Lunetta
leolux > Sofa
The Lunetta sofa puts you in control, shaping itself to your tastes, position, and style. It’s a marriage of extremes: soft yet hardwearing, geometrical yet informal. It’s contrasts like these that make life so exciting, and the Lunetta so incredibly relaxing.
Araldica Base Corallo
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Brandy SO3002
andreuworld > Office Chair
Armchair with upholstered seat and backrest and Eco thermo-polymer central base with 5 casters, swivel and pneumatic height adjustm ent, finished in black.
Flex Executive SI1864
andreuworld > Office Chair
Intermediate back chair with upholstered shell and Eco thermo-polymer central base with 5 casters, swivel and pneumatic height adju s ment, finished in black. Available options: Parallel upholstery stitching, tilting mechanism and back finished in walnut veneer.
Capri Executive SI1565
andreuworld > Office Chair
Low back chair with upholstered shell and Eco thermo-polymer central base with 5 casters, swivel and pneumatic height adjustment, f inished in black. Additional options include: tilting mechanism and back finished in walnut veneer.
Araldica Base Blu
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Flex Executive SO1863
andreuworld > Office Chair
Low back armchair with upholstered shell and Eco thermo-polymer central base with 5 casters, swivel and pneumatic height adjustment,, finished in black. Available options: Parallel upholstery stitching, tilting mechanism and back finished in walnut veneer.
Arc
mitab > Chair
CHAIRS ARC REFRESH & RENEW Designed and built with heavy contract use in mind, with Mitab’s Refresh & Renew initiative you can repair and reinvigorate tired chairs simply and conveniently with clear pricing. From the point of view of sustainability selecting furniture with the longest in-service life is the most effective way of reducing CO2 emissions due to purchasing and user behaviours. SUSTAINABILITY Chair and armchair in 3 base configurations, 4-leg, wooden base or sledge base. Frame in tubular steel, steel wire or ash wood. Base in standard RAL (black, white or silver), chrome, Selected RAL or Anycolour RAL. Seat/back in compression moulded wood. Clear stain lacquered seat or with cold foam upholstered in standard fabrics or c.o.m. Stackable in configurations chair with 4-legs or sledge base. Optional metal armrests.
Brandy SO3000
andreuworld > Chair
Armchair with upholstered seat and backrest and aluminum central base with 5 casters, swivel and pneumatic height adjustment. Finished in polished aluminum, white or black.
Flex Executive SI1858
andreuworld > Office Chair
High back chair with upholstered shell and height adjustable central swivel base with 5 casters finished in polished aluminum, white or black. Additional options include: parallel upholstery stitching, tilting mechanism and back finished in walnut veneer.
Zero bed
turri > Bed frame
Zero bed has a thin and linear structure that contrasts with a much more important headboard, embellished by a game of levels and a showy central seam, like a signature. The leather or fabric covering crates a game of textural contrasts pleasant to the eye and touch. Zero bed is available in king size or standard size. Different coverings are available as per our samples book.
Chouchin 3
foscarini > Ceiling lamp
A family of lamps that play on the visual contrast between the painted and white blown glass, combined with different shapes and colours, also ideal for multiple compositions. A particular shade of grey distinguishes the Chouchin 3 suspension lamp, which is the most compact in the Chouchin family.
Flex Executive SO1861
andreuworld > Office Chair
High back armchair with upholstered shell and height adjustable central swivel base with 5 casters finished in polished aluminum, white or black. Additional options include: parallel upholstery stitching, tilting mechanism and back finished in walnut veneer.
Mesh wireless
luceplan > Ceiling lamp
The wireless version of Mesh offer users total freedom of lighting control. Available for the suspension versions large (Ø 100) and medium (Ø 80), Mesh Wireless is equipped with a sophisticated electronic board allowing users to interact with the lamp by means of a smart device. Luceplan has developed a special App (for iOS and Android) that makes it possible to control single or multiple units, individually or as a group. The Mesh App permits use of one or more light points at a time, orienting light in space to create different moods and experiences. The App can be programmed with 6 presets for rapid activation. It is also possible to set up a dynamic scenario with a simple touch of the screen. Using a local Internet connection, on-off functions can be programmed in remote access mode.
Sir gio round
kartell > Table
The Sir Gio table is characterised by a central leg created using a high-tech mould: the moulded plastic material conveys high performance and stability to support the glass top. The table offers the chance to combine different coloured bases and tops, for a wide range of different solutions.
Calma SO2290
andreuworld > Office Chair
High-back armchair with upholstered seat and backrest and central swivel base, with tilting system, made of Eco thermopolymer with 5 wheels, adjustable in height and black finish. Available options: backrest in walnut wood and headboard cushion.
Rim Glass
hay > Styling
Made in resilient borosilicate glass with gently sloping sides and contrast trim at the top the Rim Glasses are versatile and distinctive glasses for water wine and other drinks. Comes as a set of two that can be used alone or over the top of the matching carafe.
Vogue round table
turri > Side table
The round table from Vogue collection is made of a single central leg covered in leather, with application of a gold metal grid. The top and the base are made in glossy lacquered wood; it is also possible adding a lazy Susan on top to complete the table. The top can be also in marble, to be chosen from our marble collection. Vogue table is available in different finishes included in our collection.
Blue Bluetech Vintage Charbon
refin-ceramic > Floor tile-stone
Modern allureBlue brings together the suggestions of natural stones of Central European origin. Essence is characterised by a lightly speckled texture with delicate fossil inclusions and comes in the classic Fumée and Perle colours and the original warm Avane tone. The value of Belgian Pierre Bleue is given on life in Bluetech and Emotion, whose different processes create different surfaces. Vintage represents natural stone, with dark tones and a grainy texture. Scié reinterprets the smooth surface generated by cutting the stone, featured by stripes with different nuances. Flammé represents the flamed finish that natural stone takes on when treated with intense heat.
Flex Executive SI1857
andreuworld > Office Chair
Intermediate back chair with upholstered shell and height adjustable central swivel base with 5 casters finished in polished aluminum white or black. Additional options include: parallel upholstery stitching, tilting mechanism and back finished in walnut veneer.
PK54™
fritzhansen > Table
The PK54™ dining table represents an exploration of contrasting materials and forms by Poul Kjærholm. Circle meets square, marble meets mineral – every time you look at it, new details emerge. Featuring Italian marble or granite and a satin-polished steel frame, the table’s delicate unevenness makes it the natural focal point in any room.
Calma SO2289
andreuworld > Office Chair
High-back armchair with upholstered seat and backrest and central swivel base, with tilting system, in aluminum with 5 wheels, adju s table in height and polished aluminum finish, white or black. Available options: backrest in walnut wood and headboard cush
Fiji Drum Table With Stone Top
lexington > Styling
The top features honed and polished travertine marble contrasting subtly with the vertical lines of the drum table in a sun-drenched sienna coloration, and complemented by the walnut finished base. The single door opens to one adjustable shelf.
Alya Executive SO1496
andreuworld > Office Chair
High back armchair with upholstered shell and aluminum central base with 5 casters, swivel and pneumatic height adjustment. Avaiabl e in polished aluminum, white or black. Additional options include: tilting mechanism and back finished in walnut veneer.
Daphne Mirror
lexington > Styling
Simply elegant, the contrasting dark umber frame pairs well with the dresser or above the buffet or accent pieces. This mirror may be hung vertically or horizontally.
Pole Barstool 65 cm Pine/Grey
normann-copenhagen > Stool
Pole Barstool is a characterful design full of contrasting geometric elements. A powder coated steel tube with a smaller tube footrest constitutes the base, while the circular seat is made from solid pine wood. Pole Barstool comes in two different heights of 65 cm or 75 cm and a range of different color combinations.