ID Visitor Trim
vitra > Chair
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>With its quilted upholstery, the backrest of ID Trim conveys a sense of quality craftsmanship. The compact padding offers excellent comfort and – like the seat cushion – is also available in a sustainable PU-free version. The cantilever base is stackable.
Eames Fiberglass Side Chair DSX
vitra > Chair
With its four-legged base in tubular steel, the DSX (Dining Height Side Chair X-Base) is the most understated version of Charles and Ray Eames's classic plastic chair. Its comfort can be further enhanced by the optionally available seat cushion.
Miniatures Womb Chair & Ottoman
vitra > Styling
The Womb Chair is regarded as one of the icons of postwar American Modernism. Designed by Eero Saarinen in 1946 and manufactured by Knoll International since 1948 (originally as Model No. 70), this armchair is the first piece of mass produced furniture in the history of design with an integrated seat shell made of fibre reinforced plastic. The expansive foam upholstered shell, which has two inset cushions for added comfort, is supported by a bent tubular steel frame. <br/><br/>Saarinen developed the Womb Chair in close collaboration with a boat builder. His stated intention was to design a chair that would allow a variety of sitting positions and create a special feeling of relaxation and cosiness. This central design concept finds vivid expression in its name.
.04 beam seating
vitra > Chair
The great comfort of .04 is first revealed upon use. The flexible seat shell made of sturdy integral foam provides optimal support, assisted by the integrated leaf springs in the backrest. Mounted on cross beams, the .04 bench units are ideally suited to serve as modular furniture in waiting areas.
Akari 10A
vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Fauteuil de Salon
vitra > Chair
Developed by Jean Prouvé, the Fauteuil de Salon is a typical example of the distinctive structural aesthetic of his designs. The armchair's understated character suits a wide variety of interiors, and its ample upholstery and oiled, solid wood armrests emanate inviting comfort.
Hang it all (Marble)
vitra > Styling
The 'Hang it all' coat rack by Charles and Ray Eames, with its characteristic, brightly coloured balls, has long become a design classic. Vitra is now presenting an elegantly understated special edition with balls made of light-hued Carrara marble and a light grey wire frame. This refined version is limited to 999 numbered pieces, which are each marked with a small numeral on one of the balls.
Akari YP1
vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
HAL Ply Stool Medium
vitra > Stool
The medium-height bar stool with a high-quality, easy-to-clean plywood seat shell and stable four-legged base is ideal for use with tables and counters of around 90 cm in height. The extensive HAL family of chairs by Jasper Morrison also includes a selection of other bar stools with a higher base and plastic seat shells.
Cone Chair
vitra > Chair
Verner Panton originally designed the Cone Chair for a restaurant in Denmark. It takes its shape from the classic geometric figure for which it is named. The padded shell forms the back and armrests and, together with the soft seat cushion, creates an exceptionally comfortable armchair, which is mounted on an elegant stainless steel swivel base.
Eames Wool Blanket
vitra > Styling
Like many other prominent twentieth-century architects and designers, Charles and Ray Eames also sought to implement their ideas about colours, shapes and materials in the design of textiles. The 'Dot Pattern' was created in 1947 in conjunction with an exhibition at the Museum of Modern Art in New York. The pattern is a large-scale graphic composition made up of crosses and dots, thereby referencing the abstract paintings by Ray Eames from the 1930s.<br/><br/>The Eames Wool Blankets are produced in a jacquard weave, which means that the colours of the 'Dot Pattern' are reversed on the front and back. Available in several hues, the wool blankets are made of 100% high-quality Merino lambswool, and are particularly light, fine and soft to the touch while also providing optimal warmth and thermal balance.
Ronan Bouroullec Drawing Poster, multicolour
vitra > Styling
The drawings of Ronan Bouroullec exemplify the practice of 'intuitive drawing', derived from Surrealism's literary roots and its écriture automatique.
L'Oiseau
vitra > Styling
Considerable craftsmanship goes into the fabrication of the ceramic L'Oiseau figure, making it a unique object with individual characteristics. The ceramic bird is available in a choice of colours.
Miniatures MR 90 Barcelona
vitra > Styling
Mies van der Rohe designed the German pavilion and corresponding furniture for the 1929 world's fair in Barcelona. Among other things, his pavilion served as the setting for the inaugural ceremony led by the Spanish royal couple, Alfonso XIII and Victoria Eugenia. While Mies van der Rohe implemented his ideas of avant garde steel and glass architecture for the building design, he drew his inspiration for the furniture from historic models. Mies van der Rohe took as his starting point the ancient, scissors-shaped collapsible folding chair, already a symbol of power among Egyptian rulers. In keeping with the occasion, he adopted the representative qualities of the scissors chair, although he does without the folding function and interprets it afresh. In order to match the overall impression of luxury in the pavilion, Mies van der Rohe chose not to use wood like the historic models, but instead employed chrome-plated steel strip and leather upholstery with button stitching. The pavilion was torn down after the fair. However, along with the furniture, it was retrospectively acknowledged as a showcase for the »International Style« that had taken hold throughout the world. The Barcelona pavilion was reconstructed and rebuilt in 1986.<br/><br/>
MedaSlim
vitra > Chair
MedaSlim by Alberto Meda is an exceptionally robust visitor and conference chair with a sleek design and excellent user comfort. The front legs, backrest frame and seat are moulded in one piece thanks to an ingenious production process. The MedaSlim model with chrome-plated legs can be stacked up to 5 chairs high.
Miniatures Art. 41 "Paimio"
vitra > Styling
In his designs, Alvar Aalto combines the functional ideas of the Bauhaus with the Scandinavian crafts tradition and a strong sense of unity with Nature. This led to an exchange of ideas with Marcel Breuer and later influenced the work of both men. <br/><br/>Aalto designed Armchair No. 41 for the Sanatorium of the City of Paimio in Finland, a building for which he also created the plans and interior design. The armchair is of a simple, highly effective construction, because the rolled-up ends of the seat and back also function as springs – affording the sitter a degree of comfort hitherto unknown in wooden furniture. The armchair was also exceptionally well suited for series production, as it involves very few components and thus little assembly work.
Repos & Panchina
vitra > Chair
The exceptional comfort of the elegant Repos lounge chair is even further enhanced when paired with the Panchina, as users can put up their feet and relax. A lockable, synchronised mechanism, concealed within the upholstery, is adaptable to the user's weight guaranteeing optimum back support in every position.
Wooden Doll No. 14
vitra > Styling
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Essential Eames: Words & Pictures
vitra > Styling
Charles and Ray Eames are counted among the most influential designers of the twentieth century. Perhaps best known for their furniture designs, the Eameses also made pioneering contributions to fields such as architecture, film, exhibitions, toys and graphics. 'Essential Eames: Words & Pictures' contains a selection of writings and quotes from the lives of the designer couple, illustrated with images from the archive of nearly one million photographs accumulated by Charles and Ray Eames over the course of four decades. Eames Demetrios, Director of the Eames Office, and Carla Hartman, Director of Education at the Eames Office – two of the Eameses' five grandchildren – have carefully curated the content as the book's editors.
Occasional Table LTR
vitra > Coffee table
Charles and Ray Eames designed the small, sturdy occasional table LTR (Low Table Rod Base) in 1950 and later used it in their own residence, the famed Eames House, in a variety of different ways.
Eames Fiberglass Armchair DAW
vitra > Chair
For the Dining Height Armchair Wood Base (DAW), Charles and Ray Eames combined the organically shaped shell with a four-legged wooden base. The pairing of plastic and wood gives this classic design a certain warmth and casual appeal – particularly when mixed with the optional seat cushion.
Soft Modular Sofa Two-seater, Chaise Longue
vitra > Sofa
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
Aluminium Chairs EA 117/118/119 – Work
vitra > Office Chair
The swivel-based models EA 117, EA 118 and EA 119 – the task chairs in the Aluminium Group by Charles and Ray Eames – add an iconic presence to prestigious office environments. They are equipped with a tilt mechanism that can be adjusted to the weight of the user, providing for optimum comfort. With a broad selection of upholstery colours, it is easy to find the perfect chair for every office environment. The models EA 117 and EA 118 are distinguishable from EA 119 by their lower backrests. EA 118 also has a somewhat narrower seat, and the sitting position of this model is more specifically suited for table-oriented activities.
ID Air
vitra > Chair
The one-piece plastic backrest of ID Air is an innovative construction manufactured in a patented process. The pattern of strategically placed perforations offers great freedom of movement while providing the necessary support for healthy sitting postures. The flexibility of the backrest and effective air circulation are complemented by a pleasantly upholstered seat to ensure a high degree of comfort.
Eames House Bird
vitra > Styling
Charles and Ray Eames enriched the collage-like interior of their private home, the Eames House, with numerous objects and accessories that they brought back from their travels. For over seventy years, the figure of a wooden bird has stood in the centre of the living room – an artefact that was evidently highly treasured by the couple, since it also appeared frequently as an accessory in photographs taken by Charles and Ray.<br/><br/>In addition to the classic black lacquered version made of solid alder, the Eames House Bird is also available in walnut.<br/><br/>The versions stained in dark green or pale rose are part of the Eames Special Collection 2023 and are only available until the end of January 2024.
O-Tidy
vitra > Styling
O-Tidy by Michel Charlot is a practical, versatile organiser, which combines the simple shapes of a cup and dish in one. O-Tidy is made of robust plastic and comes in a selection of colours.
ID Visitor Air
vitra > Chair
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
Miniatures Zig Zag Stoel
vitra > Styling
Along with the Rood Blauwe Stoel (1918), the Zig Zag Stoel is probably the best-known of Gerrit T. Rietveld's designs. Rietveld takes up Mart Stam's idea for a cantilevered chair (1926) and makes formal references to the Sitzgeiststuhl of the brothers Heinz and Bodo Rasch (1927).<br/><br/>Although it is constructed with four individual boards, the Zig Zag Stoel represents a variation on an old theme: the chair made from a single piece of wood. It was only four years later that Rietveld succeeded in building the first cantilevered chair made with a single sheet of plywood. Nevertheless, the Zig Zag Stoel is regarded as an admirable synthesis of form, function and construction. It was produced with and without armrests, with a perforated or solid back surface, and in a child high chair version.
Alcove Plus Work
vitra > Sofa
Offering a temporary retreat for quiet concentrated work, Alcove Plus Work comes with an integrated tablet desk, optionally available with power and data. Alcove Plus Work differs from Alcove Work due to its panels, which extend almost to the floor and also conceal the frame. Portable partition screens can be attached to the high side panels with zip fasteners. They can be used to increase privacy, establish traffic patterns within the office, create additional niches or form larger structures.
Miniatures Collection - La Chaise
vitra > Styling
The Miniatures Collection of the Vitra Design Museum presents the most important classics of modern furniture history on a 1:6 scale and replicates the historic originals down to the smallest detail.
Miniatures Karuselli
vitra > Styling
The idea of creating a glassfibre chair based on humanbody's shape was planned already in late 1950s. Glassfibre, the new material, was just invented and came to Finland in late 50s but was very expensive to use. Kukkapuro realized the first model in 1958–1959 and in early 1960s when glassfibre became cheaper Kukkapuro continued the development of Karuselli which finally was produced by the Finnish furniture company Haimi Oy in 1964.<br/><br/>The chair was designed to provide a relaxing sitting position as possible. The basic shape has been obtained through the use of flexible steel mesh and conforms with the human anatomy. The swiveling seat which was of fibreglass reinforced polyester was connected to the base by an intermediate steel spring and rubber dampers. The seat shell and base were coated with semigloss plastic paint in the colours white and black. For upholstery only leather was used.
Wiggle Side Chair
vitra > Styling
The Wiggle Side Chair is part of Frank Gehry's 1972 furniture series 'Easy Edges', in which he succeeded in bringing a new aesthetic dimension to such an everyday material as cardboard. The sculptural chair is not only very comfortable, it is also strong and robust.
R.F. Robot Collection Poster
vitra > Styling
The R.F. Robot Collection Poster presents 80 robots that were produced in Japan between 1937 and 1973, providing an insight into the collection of Rolf Fehlbaum, Chairman Emeritus of Vitra. He describes the figures as 'small kinetic sculptures of great originality'. In addition to images of the robots, the poster contains information on the name, year of creation, dimensions and manufacturer.
Girard Ornaments - Mouse
vitra > Styling
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Miniatures Y-Chair
vitra > Styling
Hans J. Wegner is one of the leading representatives of traditional Danish furniture design. His work has a sound basis, namely a thorough training as a carpenter, and is rooted in a family tradition of craftsmen. He had already learned how to handle shapes and tools in his father's shoe-making shop. During his studies in Copenhagen he became familiar with masters of the Danish art of furniture-making. Wegner takes ideas from artistic joinery the world over and makes them specifically Danish.<br/><br/> The models for his Y Chair stem from China. The Y that is the backrest resembles the natural forking of a branch. The plaited seat is a reference to the grass along the shallow shores of the Danish landscape, and is in the tradition of northwest European utilitarian chairs.
Abalon Sofa
vitra > Sofa
The iconic Abalon Sofa, named after the shell of a sea snail, has an organically curved shape that evokes a circle to which people feel drawn. The comfortably padded seat shell offers a place for quiet seclusion and generously accommodates up to three people. <br/><br/>Abalon features different knitted fabric covers on the front and back. These are available in a diverse selection of hues and, together with the choice of two colours for the base frame, result in a wide range of configuration options. The fabric covers can be fully removed for cleaning or replacement.
Eames Plastic Side Chair DSW
vitra > Chair
For the Dining Height Side Chair Wood Base (DSW), Charles and Ray Eames combined the organically shaped seat shell with a four-legged wooden base. This mix of plastic and wood lends the classic design a certain warmth and casual appeal. The seat shells can be fitted with seat cushions or full upholstery in a wide selection of fabric colours, enabling a multitude of individual configurations.
Wooden Doll No. 15
vitra > Styling
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Wire Chair DKR
vitra > Chair
Designed by Charles and Ray Eames, the seat shell of the Wire Chair echoes the form of the Eames Plastic Side Chair. Mounted on the legendary 'Eiffel Tower' base, the DKR combines transparency and functionality. The version with a powder-coated finish is also suited for use in the garden or on the terrace. The DKR chair is optionally available with a seat cushion or with a two-piece seat and back cushion covered in fabric or leather.
Akari UF3-Q
vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Desk Clocks - Diamond Clock
vitra > Styling
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
Girard Bird
vitra > Styling
Although its features are reduced to a minimum, the archaic-looking Girard Bird (1945) by Alexander Girard is clearly recognisable as an avian creature.
Environmental Wall Hanging - Eyes
vitra > Styling
Beginning in 1971, Alexander Girard developed a series of wall panels with diverse, expressive motifs. Recently reissued by Vitra, the Environmental Wall Hangings make attractive wall decorations for any room.
Akari 21A
vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
ACX Mesh
vitra > Office Chair
ACX Mesh differs from the two other models in the task chair family – ACX Light und Soft – in that its backrest has a knitted fabric cover. This semi-transparent mesh textile is made of recycled polyester and comes in a choice of seven colours – which combined with either a dark or light frame enables numerous variants. The seat cover can be selected in a complementary knitted fabric or in the textile Plano.<br/>
S-Tidy
vitra > Styling
The serpentine shape of the S-Tidy organiser by Michel Charlot prevents it from tipping over, enabling safe storage of even taller objects such as tablets. S-Tidy is made of robust plastic and comes in a choice of colours.
Eames Plastic Side Chair DSR
vitra > Chair
The so-called Eiffel Tower base of the DSR chair (Dining Height Side Chair Rod Base), an intricate and graceful construction made of steel wire, combines light, elegant forms with structural strength. The organically shaped plastic seat shell is available in various colours and upholstery options, allowing this distinctive classic by Charles and Ray Eames to be adapted to a wide range of individual needs and preferences.<br/><br/>Using the colour palette developed by Charles and Ray Eames, Vitra has defined four new combinations of hues for the seat shell and Eiffel Tower base of the DSR model: mustard and citron, sea blue and sky blue, forest and dark green, as well as pebble and Eames Sea Foam Green.
Eames Desk Unit EDU
vitra > Desk
The Eames Desk Unit (EDU) was constructed by Charles and Ray Eames in accordance with the principles of industrial production. The panels function as a modesty shield and partially enclose the two storage compartments. The desk is height-adjustable to accommodate uneven floors.
Akari 3A
vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Softshell Side Chair
vitra > Chair
The Softshell Side Chair, whose gentle contours are defined by its soft upholstery, provides exceptionally comfortable seating and compact dimensions: vertical ribs concealed in the upper part of the backrest offer flexibility and considerable freedom of movement – and exceptional comfort even over prolonged periods of sitting. The Softshell Side Chair has a four-legged base made of robust plastic that accentuates the understated elegance of the design. <br/><br/>Similar in appearance, the Softshell Side Chair and Softshell Chair can be perfectly combined at the same table. Both chairs are available in the same selection of versatile fabric or leather covers in a wide choice of colours.