When
molteni > Coffee table
Occasional furnishings in solid wood which complete the living area and the bedroom thanks to the structure design which follows the lines of the bed Wish.
Volage EX-S Night Sofa
cassina > Sofa
The space-saving size, of both the two-seat (150cm) and the large two-seat (180cm) model, make this contemporary, compact and versatile sofa perfect for the bedroom.
BRYSTONE IVORY - Porcelain stoneware wall/floor tiles _ CERAMICHE KEOPE
CERAMICHE KEOPE > Wall tile-stone-brick
IMPERO CRIIM217 - Countertop washbasin mixer with individual rosettes _ CRISTINA Rubinetterie
CRISTINA Rubinetterie > Tap
roches
egecarpets > Carpet
Ege CircleBack is a unique carpet recycling program where we offer to take back your used carpets in Europe for recycling. We divide the used carpets into 3 fractions. The yarn and glue/coating are used again in our own products and the last fraction is used to produce recycled plastic. Read more details about Ege CircleBack here. The program covers the qualities Highline 1100 and Highline 910 with the woven textile backing (WT).
Orizzonti - Eco Memory Clima - Anti-allergy anatomic anti-bacterial memory foam mattress _ Casamania & Horm
Casamania & Horm > Furniture accessories
ReForm Discovery Net sand grey 96x96
egecarpets > Carpet
The ReForm Discovery carpet tile explores natural and man-made systems that, due to their complexity and size, can only be perceived from a distance. The 5 designs: Planet, Earth, Network, Net and Cliffs enable you to specify an individual pattern or to use them in combination to create more dramatic floor effects. Each design is available in 5 colour groups, which are inspired by the underlying phenomena and therefore represent both subdued and neutral tones, as well as dark and almost supernaturally bright colours. Discovery is a more sustainable choice for your interior project, as the tiles are made from regenerated and regenerable yarns and are also equipped with our patented Ecotrust backing, which is based on used PET bottles. The collection is Cradle-to-Cradle Certified.
vinyl by galeote Dimension estructura gris
forbo > Synthetic Floor
The collaboration of José Medina Galeote and the design teams of Forbo Flooring Systems gave birth to an unique collection of flooring in which the artists’ creations are given a new dimension through the medium of flooring. By bringing his works of art right under our feet, José Medina Galeote explores new perspectives on various textures. Forbo's high definition printing techniques can bring the creations of José Medina Galeote to life on any floor.
Cromatica Gradiente bianco-rosa
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
CLY - Technopolymer wall lamp / ceiling lamp _ PERFORMANCE iN LIGHTING
PERFORMANCE iN LIGHTING > Wall lamp
Fiddle leaf fig tree 1500
gotessons > Styling
High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.H. 1500 mm.
MOULIN - Chair with beech frame and fabric padding with armrests _ Mambo Unlimited Ideas
Mambo Unlimited Ideas > Chair
POSTMODERNE - Multi-layer wood sideboard with doors with drawers _ Ligne Roset
Ligne Roset > Cabinet
