UNI Y1244N - Thermostatic shower panel with overhead shower and hand shower _ OMNIRES
OMNIRES > Shower panel
https:Regent Midi
tetrad > Sofa
Offering a modern take on regency style, the sofa has a deeply buttoned frame, elegant scroll arms and turned wooden legs. The fully sprung seat and back offer excellent comfort and support whilst the deep button detail to the back and arms adds elegance and individuality. The fusion of classic and contemporary means the piece sits well in traditional interiors but could also be used within more modern homes. Perfect for: Period homes and contemporary settings Bringing style and comfort to any living space Creating a fresh and elegant look
sarlon 19 db wood pure chill oak
forbo > Synthetic Floor
The Sarlon Wood range offers a warm atmosphere in any place where this is required. It combines the natural, authentic look of a wooden floor with the advantages of the highest quality vinyl floor covering.
flotex frameweave planks harbour
forbo > Carpet
Inspired by rich woven fabric and combined with a graphical layout, Frameweave planks create both depth and movement as shapes form within the otherwise subtle design. The large choice of colours makes Flotex Frameweave a very versatile flooring choice for designing stunning installations.
Hee Dining Chair
hay > Chair
Hee Dining Chair is a metal wire in galvanized solid steel which makes it rust-resistant and perfect for outdoor use. The chairs can be linked together in rows for conference use and the new colour scheme keeps the Hee chairs updated.
SETT sofa
gispen > Sofa
Gispen Sett is a characteristic designer sofa providing amazing comfort. Designer Peter van de Water sought and found a unique balance between simplicity and comfort. The streamlined design and interesting details are what make this sofa timeless.
Araldica Base Blu
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Cliff Nightstand
lexington > drawer
The 34-inch Cliff nightstand offers 3 full-extension self-closing drawers for additional bedside storage. The piece is available as shown in the Sandstone finish but also available in Sailcloth as 921-621.
Castel Weave DC266
amtico > Floor plank
A delicate washed rhythm creates an effortless look and subtle geometry.
Airslate Kotah 98"X47"
porcelanosa > Floor tile-stone
Matt black 3D slate. Size 98x47 in, suitable for interior/outdoor wall.
Gem
foscarini > Ceiling lamp
A fluid vibration on glass. The Gem suspension lamp is a seductive object that declares at first glance the superior value of the material and the fine craftsmanship of its manufacturing process. The irregular glass surface, with waves and reliefs that change continuously, makes this lamp unmistakable even when switched off, creating unexpected lighting effects when it is switched on.
35TH ANNIVERSARY 2072 - Rectangular bedside table with drawers _ SCAPPINI & C
SCAPPINI & C > Side table
ReForm Discovery Planet ash black
egecarpets > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
EGO - F1731 - Built-in rain shower with chromotherapy _ Rubinetteria Giulini
Rubinetteria Giulini > Shower
Elements Earth Medium Candle and Diffuser Set
tomdixon > Styling
Set includes an Elements Earth Medium Candle and an Elements Earth Diffuser. More Information Elements Earth Medium Candle - Earth is a mysterious concoction of mint, guaiac wood and cedar wood creating a rich and mossy freshness. A celebration of the bare essentials. A scent of extreme simplicity and individual character that reflect its elemental name. Elements Earth Diffuser - Earth is a mysterious concoction of mint