Wick S Graphite

graypants > Ceiling lamp

“Seattle and Amsterdam-based design and manufacturing Studio Graypants is proud to share a follow-up to their award-winning, portable and rechargeable table lamp Wick. Leveraging the same design language and features, Wick S has a slightly shorter profile for more versatility. Whether you are new to the Wick family, or looking to layer Wick S with your existing Wicks to create more dimension, we are excited to expand on this beautiful Graypants product.

Wick S Black Ambient Bundle

graypants > Ceiling lamp

The Ambient Bundle is the perfect way to start illuminating your spaces. Wick S is designed with the belief that light is meant to be shared: it is the connecting tool that humanizes moments of our lives. Creating a place to gather, Wick s is designed to be a companion, to join in adventures, and create togetherness and ambiance every time. Wick S is a call from our past to the future. It’s the opportunity to mindfully light the present. Combining the romance of a candle with the utility of a flashlight, Wick S adapts to and fits a broad variety of contexts, from an intimate home to a bustling restaurant patio, to a warm office kitchen. Wick S is perfect as a gift or for your own enjoyment.

Wick S Brass

graypants > Ceiling lamp

“Seattle and Amsterdam-based design and manufacturing Studio Graypants is proud to share a follow-up to their award-winning, portable and rechargeable table lamp Wick. Leveraging the same design language and features, Wick S has a slightly shorter profile for more versatility. Whether you are new to the Wick family, or looking to layer Wick S with your existing Wicks to create more dimension, we are excited to expand on this beautiful Graypants product.

Wick S & Wick Brass Bundle

graypants > Ceiling lamp

The Wick S & Wick Bundle is the perfect way to start illuminating your spaces. Wick is designed with the belief that light is meant to be shared: it is the connecting tool that humanizes moments of our lives. Creating a place to gather, Wick is designed to be a companion, to join in adventures, and create togetherness and ambiance every time. Wick is a call from our past to the future. It’s the opportunity to mindfully light the present. Combining the romance of a candle with the utility of a flashlight, Wick adapts to and fits a broad variety of contexts, from an intimate home to a bustling restaurant patio, to a warm office kitchen. Wick is perfect as a gift or for your own enjoyment. Leveraging the same design language and features, Wick S has a slightly shorter profile for more versatility.

Parc 01

lambertetfils > Ceiling lamp

The Parc Collection is inspired by childhood imagination and the essentiality of homemade forms. Evoking the archetype of a flashlight, each lamp from the Parc Collection is a playful reminder of time spent in nature—when a simple tube and piece of string could be used to fashion any number of creations. The Parc 01 model can be placed on a table or mounted to a wall. Created in collaboration with Swiss designer Adrien Rovero.

Specchi

illoft > Styling

SHATTER Mirrors A range of stainless steel mirrors exuding originality and sheer personality. These mirrors are masterpieces that do more than simply reflect an image; they are also characterful design details that add the finishing touches to any interior. With their irreverent individuality, Shatter mirrors make every corner of the home a statement feature and create a uniquely elegant atmosphere.

1300 Pecan light

gerflor > Floor plank

   The designers, DTP experts and colourists in our Artistic Department take part in trade fairs throughout the year to keep a close eye on the latest trends in the interior design market.This snap-together collection is available in planks (123.9 x 21.4 cm) and tiles (72.9 x 39.1 cm) depending on the design.Senso Clic 30 includesIf you have set your heart on a Scandinavian, minimalist or modern interior, then look no further than one of our light wood designs like "Simba Nature" or grey wood finishes like "Tacana Grey". If you prefer industrial-look interiors, then concrete-effect designs ("Pepper Taupe") will give your rooms added character.With this collection's matt textured surfaces and clearly modern designs, you can create a home interior that reflects your personality in just a few hours.  The snap-together planks and tiles in the Senso Clic 30 range have a total thickness of 4.20 mm. They comprise a 0.30 mm wear layer as well as a sealed finish to deliverThis When it comes to fitting, the product could not be quicker or easier. There is no need to call in a professional, so you are guaranteed to save money.This can be credited to the Our snap-together planks and tiles are immune to stains, so no special cleaning is required (no sanding or dry polishing). This collection is designed to create a pleasant and healthy indoor environment. Our products are 100% recyclable and formaldehyde-free, with a recycled backing andOur company is also a firm believer in designing and providing long-lasting products. Consequently, the designs in this collection come with a 12-year guarantee.Once again, Gerflor has upped its game with this snap-together PVC parquet floor covering with its unrivalled technical performance and wide range of designs, including stylish neutral concrete and time-worn vintage wood.  

Racconti

marazzi group > Wall tile-stone-brick

Matt surface with solid colour effect There is an eclectic touch in the new Racconti collection by Marazzi, in 30x90 size, which fills walls with colour. The matt surface, in 5 natural shades, is enhanced by tiny tone-on-tone specks and generates fascinating interplays of light and shadow, amplified by the tactile 3D Segmenti structure, available in all shades. Featuring an alternation of forms that create a minimalist geometrical pattern, three botanically inspired decors and one geometrical decor, produced using the Inkjet Touch technology, provide the scope for creating panels, walls and boiseries with a strong interior design impact.

Sofa So Good

moooi > Sofa

Sofa So Good by Marcel Wanders is a modular sofa system made of generous proportions and feather-like softness. Its made from the highest quality materials and combines smart design and ultimate comfort. A story of contrasts with its linear framework and curvy softness.The sofa system includes eight different upholstered modules two tables and three shelves. The tables and shelves are available in six different wood finishes. An eclectic range of fabrics to choose fromlike the newly added colours in the Extinct Animals fabric collectioncompletes the set-up. Sofa So Good is endlessly versatile and is suitable for any interior. In our online configurator you dont just create a sofa you create a personal space tailored to your needs.

NomNom Light

moooi > Ceiling lamp

Can. Not. Resist The NomNom Light by Odin Visser is a contemporary lighting design that puts a smile on your face and a tingle in your belly. This modestly sized suspension light is the perfect example of the art of omission while remaining distinctive. Two straight lines and a sphere that create the illusion of two chopsticks holding something delicious. As a stand-alone theres no way around NomNoms playful elegance but when multiplied in a bundle or in a row its simply irresistible. The NomNom Light makes us hungry for more And with six colours to choose from theres always a new flavour to try out.

JOINTEC GRL modular structural joints

profilitec > Accessories

JOINTEC GRL modular structural joints Modular structural joints with rotation movement between the metal wings and the synthetic rubber insert. Designed to withstand structural movements of large or compound buildings. They must be installed at the spaces existing between two semi-attached parts making up the same building or between two different spans. They are able to connect these spaces allowing vertical, horizontal and transversal movements, depending on the settlements of the building, be they cyclic or permanent. Within the modules created by the structural joints, however, a further fractionation of the surface with a lattice of fraction joints must always be provided, depending on the type of passage provided on the surface. How to install joints JOINTEC GRL INSTALLATION: • Slide the central metal insert into the side flanges. • Snap the synthetic rubber insert into the profile before aligning and positioning the expansion joint on site. • If necessary, protect the rubber insert with masking tape. • Anchor the side flanges with appropriate screws, 30cm on center, on both sides of the profile. • Lay mortar bed over the side flanges, and install the tiles as normal.

PLANO BF design skirting board flush with the wall.

profilitec > Accessories

PLANO BF design skirting board flush with the wall. Patented Plano Design skirtings are designed to fully integrate into the wall, becoming a smooth, level transition between the wall and floor covering. The base track is installed into the wall structure, flush with the plaster or plasterboard; the finishing profile seamlessly interlocks into the base. A horizontal, 5mm gap between the wall and finishing profile is a distinctive design element that also adapts to floor level differences of up to 5mm. Plano Design, a modern design system. Finishing BASEBOARD PLANO BF The profiles are available in three finishes that coordinate with all interior designs: powder-coated aluminium to match with wall colors, anodised aluminium for modern and technical settings, and wood to match existing wood flooring. How to install BASEBOARD PLANO BF INSTALLATION: Please note: The structural base profile is installed along with the wall covering. The bottom of the profile should be installed at the same level of the finished floor. The finishing profile (BF 550) is installed after the floor installation is complete, compensating level difference of up to 5mm.

STC-TRAY Presloped shower tray for Showertec system

profilitec > Accessories

STC-TRAY Presloped shower tray for Showertec system Showertec STC - TRAY are a family of pre-licensed trays compatible with the showertec central drain STC-SD with ABS and PVC flange and vertical discharge. They are made of EPS to which a waterproofing membrane is applied which, combined with the corners, strips and Foiltec membrane, make the shower impermeable to water and steam. Available in 91/91 cm, 122/122 cm, 81/152 cm and 183/183 cm versions, they can be combined with vertical drain systems in PVC and ABS. In the range there is also STC-CURB to create steps that do not allow water to escape 91 and 122 cm version.

Optique

arte-international > Wallcovering

This geometric pattern plays tricks with optical perception; one person might see triangles, the other squares. The woven sisal is arranged horizontally, vertically, ascending diagonally and descending diagonally. These four directions create different geometric shapes and colour nuances.

Eucalyptus small in a pot, 500

gotessons > Styling

High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.

Aloe Vera 550

gotessons > Styling

High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.H. 550 mm. Black pot included.

Fiddle Leaf Fig Tree 900

gotessons > Styling

High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.

Bambu 1500

gotessons > Styling

High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.

Stereo

mitab > Chair

Joel Karlsson Stereo is a functional and clean sofa and bench with a tight design. The buttons in the back can make Stereo a bit playful and with a strong character. Stereos straight, upholstered back side makes it possible to use as a room divider. The seat height fits well into interiors such as restaurants and waiting areas. During the development process interior achitects have been involved to meet the highest standards on comfort and cleaning possibilities for public interiors.Stereo is a system with different elements bringing great flexibility for any customer. Seating in different widths and armrests makes Stereo possible to create endless seating solutions. Modular sofa system with easychair, 1-seater, 2-seater, 3-seater, corner and armrest. Frame in tubular steel in standard RAL (black, white or silver), Selected RAL or Anycolour RAL. Seat with wood base and cold foam upholstered in standard fabrics or c.o.m. As option multiple fabric configuration, solid oak legs and swivel base for easychair and 1-seater with armrests. Stereo is also available with electrical outlets as optional. Connectable. 

Adulis Configuration K

gautierFurniture > Cabinet

If you love highly structured, graphic layouts, you're sure to like this K composition from the ADULIS collection. Really unusual, it starts with a very spacious base that will subtly extend your TV area. The two storage compartments with drop-down doors are suspended one below the other: this bold positioning gives the composition a really modern feel. The two wall shelves on the ADULIS collection comprise very contemporary metal inserts. Once aligned, they create a wonderfully harmonious sense of continuity.

Addict XL rectangular herringbone frame mirror

gautierFurniture > Styling

Looking for a showpiece mirror for your hallway, bedroom or lounge? The refined effect of this herringbone style frame mirror and its rectangular XL size mean you can enhance your home with an iconic, decorative piece. The intricate carpentry work on this mirror makes the frame elegant and inviting with its modern texture and very contemporary style. Its large size means that it reflects the light to create an even more welcoming atmosphere.

Heller Rectangular Dining Table

lexington > Table

Our original design combines Scagliola stone panels hand-poured in a random pattern to imitate clouds, formed over an iron interior structure and offset by applied polished aluminum. The top is a thick Mahogany slab in a complex wire brushed finish based on Swedish antiques. Scagliola stone dates to the Italian Renaissance and was orignially developed as a structural substitute for large architectural forms typically built in marble. It combines selenite and a variety of marble and stone dusts to form a strong, beautiful surface. Each top is created by hand by skilled artisans and will vary in appearance from piece to piece.

Fraser Island Desk

lexington > Desk

The responsibility of work may be unavoidable, but the atmosphere is purposely relaxed with this design, making the home office a pleasant destination. Four drawers, one a file, another a drop-front keyboard, and two shelves create attractive organization.

Crystal Sands Bookcase

lexington > Cabinet

The upper section features 3 wood framed glass shelves, two are adjustable, the top shelf is stationary. The touch lighting will illuminate thru the glass depending on your display. In the lower area, the two storage drawers feature metal/faux leather drawer pulls. This bookcase is ideal for bunching multiples side by side to create a library wall.

Dripping Rainbow Trinket Tray

jonathanadler > Styling

<p><b>Color Connection.</b></p><p>A little piece of heaven in the boldest colorway there is, our Dripping Rainbow Trinket Tray brightens any bedside, bathroom, or tabletop. It's also a fast and fabulous way to corral your small treasures. Crafted from high-fired porcelain with real gold accents. Packaged in a nifty gift box, it makes a perfect hostess present (or pick-me-up for yourself).</p>

Wright Lounge Chair in Arthur Flax

jonathanadler > Armchair

<p><b>Right On.</b></p><p>Feeling <i>North by Northwest</i> neutral? You just met Mr. Wright. Classic and clean with natural pearl velvet on recessed walnut bases, our super comfy Wright lounge chair and matching single-cushion sofa are stylish separates that pair to create a posh and polished seating plan in any room.</p><p>Our Wright collection is here to match your mood. Whether you’re looking to lounge glamorously or bask in modernity, coordinating your seats has never been so chic and easy.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Rider Accent Chair

jonathanadler > Chair

<p><b>Parisian Flair.</b></p><p>Our modern homage to Empire style. Perfect for flanking a console, our Rider Accent Chair has a stately presence with just the right touch of glamour. Made from a chic blackened metal frame with swanky details—sizable acrylic finials, brass detailing, a Greek-key inspired arm, and luxe oyster linen upholstery. At home in your French chateau or your Park Avenue penthouse.</p>

Pompidou Modular Six-Piece Sectional

jonathanadler > Sofa

<p><b>Pipe Up.</b></p><p>Introducing our new modular seating system. Extra deep, sublimely squishy and guaranteed to solve all of your problems. Get what you need, from a single seat to a sprawling sectional. Each piece features an ultra-mod tubular framework on its reverse—perfect for floating in a palatial pad or giving shape to your downtown loft.</p><p>Our Modular Six-Piece Sectional can be reshaped to suit any space.</p><p>How our Pompidou Modular Seating System works: Armless Piece + Corner Piece = Endless Possibilities. Join armless pieces to form modern bench-style sofas of any length. Or combine with corner pieces to create cocooning arm rests and give your sectional shape. Reshape as desired, or add in individual pieces to build out new configurations.</p>

Pompidou Modular Five-Piece Sectional

jonathanadler > Sofa

<p><b>Pipe Up.</b></p><p>Introducing our new modular seating system. Extra deep, sublimely squishy and guaranteed to solve all of your problems. Get what you need, from a single seat to a sprawling sectional. Each piece features an ultra-mod tubular framework on its reverse—perfect for floating in a palatial pad or giving shape to your downtown loft.</p><p>Our Modular Five-Piece Sectional can be reshaped to suit any space.</p><p>How our Pompidou Modular Seating System works: Armless Piece + Corner Piece = Endless Possibilities. Join armless pieces to form modern bench-style sofas of any length. Or combine with corner pieces to create cocooning arm rests and give your sectional shape. Reshape as desired, or add in individual pieces to build out new configurations.</p>

Lampert Lounger 5423 Custom GRD 5* / Walnut Base 5424 Custom GRD 5 / Walnut Base 5425 Custom GRD 7 / Walnut Base 5422 Custom GRD 3 / Walnut Base 7080 Custom GRD 10 / Walnut Base 4373 Custom GRD 5 / Wood Base 4372 Custom GRD 3 / Wood Base 7082 Custom GRD 1

jonathanadler > Sofa

<p><b>Signature Style.</b></p><p>Plush seating with slim proportions, our Lampert Lounger goes al fresco—an airy, backless piece that's perfect for socializing. High tuxedo sides give it an elegant yet formal presence while the bolsters make it super comfy. Park opposite a sofa for a soirée or pop into a bedroom corner to create a nifty nook.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Lampert Tête-à-Tête 24279 Custom GRD 3 / Wood Base 24280 Custom GRD 5 / Wood Base 24281 Custom GRD 5* / Wood Base 24282 Custom GRD 7 / Wood Base 24283 Custom GRD 10 / Wood Base 24284 Custom GRD 3 / Walnut Base 24285 Custom GRD 5 / Walnut Base 24286 Cus

jonathanadler > Sofa

<p><b>Signature Style.</b></p><p>Our signature sofa gets a conversation-starting makeover. High tuxedo arms offer cocooning comfort while the tête-à-tête format makes it the perfect perch for parties (or naps). Center it in the room to unite multiple areas, or tuck it into a bedroom corner to a create a nifty reading nook.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Peglev - Rocking Chair

objekto > Chair

With a simple and modern elegance, the Peglev rocking chair is a creation of the designer Michel Arnoult, one of the precursors of dismountable furniture. In declination of the model with feet, this rocking chair keeps its shape and its comfort.The pieces of full grain vegetable leather stretched over a beautiful and resistant solid wood structure give this rocking chair an iconic and singular silhouette.Very comfortable, this timeless armchair will take its place in any interior. Created in 1968 by the French designer Michel Arnoult, one of the fathers of the Ready-To-Assemble furniture (RTA) and the flat packaging in the Fifties, the Peg-Lev armchair, literally "I take and I carry", is one of the premises of the current Cash & Carry. This designer who always ardently defended the democratization of design at the expense of any creative vanity focused on flat-pack making possible the customers to carry easily their furniture, revolutionary approach for that time.The stylishness underlined by both simple and modern lines, the use of noble materials, the great care paid to the manufacturing and finishing processes, bring this iconic and very comfortable creation a timeless touch. Whatever the version you will choose, armchair or rocking chair, you always will appreciate this singular piece that will ever be in fashion. A piece that will pass through the generations.

Paulistano tissus

objekto > Chair

A cult armchair signed by the hand of Paulo Mendes da Rocha, declined in colored fabric. Very comfortable, the Paulistano is a design classic with a timeless elegance.The spring steel frame, presented in its original finish of phosphated carbon steel, polished stainless steel, or coated with an extremely durable epoxy paint, is covered with a genuine cotton canvas available in a wide range of colors.Placed in a living room, a bedroom or a veranda, this armchair will adapt to any atmosphere. Designed in 1957 by Paulo Mendes da Rocha, the Paulistano armchair was part, for many years, of the living rooms of the Athletic Club of São Paulo. The constructivist concept of the structure, made up from a single bended steel bar, and its cover, made up of leather or cotton, procure to this armchair an esthetical lightness and an incomparable comfort. Edited in small series within the last years, the Paulistano armchair emerges from the past to show that the purity and the elegance of its lines are timeless: a masterpiece. The Paulistano lounge chair has been included in the famous permanent collection of the Museum of Modern Art of New York (MoMA)

Gorgeous Dis. 20 4027

flukso > Paneling

Special textures made by digital printing technique, which give a sophisticated and distinctive touch to the high-performing fabrics of the Flukso range. A radical transformation: the new patterns enhance the fabric surface, which takes on a new decorative soul that gives personality and energy to the most elegant settings. The patterns proposed by Flukso are applied to a selection of colors from the base collection, which can be combined to create alternating solid and colorful effects.

Esedra Dis. 20 4010

R

flukso > Paneling

Special textures made by digital printing technique, which give a sophisticated and distinctive touch to the high-performing fabrics of the Flukso range. A radical transformation: the new patterns enhance the fabric surface, which takes on a new decorative soul that gives personality and energy to the most elegant settings. The patterns proposed by Flukso are applied to a selection of colors from the base collection, which can be combined to create alternating solid and colorful effects.

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Compatta Pisé Ghiaia

florim > Wall tile-stone-brick

<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>

Compatta Pisé Sabbia

florim > Wall tile-stone-brick

<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>

Compatta Sabbia

florim > Wall tile-stone-brick

<p>A passion for earth as a natural material and for rammed earth, an ancient construction technique.</p> <p>The combination of these patterns evolves into the concept of Pisé Inserti, more slabs of immense decorative impact, generated by the two-dimensional criss-crossing of exquisite, rounded geometrical forms: the designer combines the natural earthen shades with apparently random curved lines that evoke the uneven trapezia with rounded corners used by Gio Ponti.</p> <p>These are also available in the large 120x280 cm size and 6 mm thickness in three variants: Pisé Inserti A, Pisé Inserti B and Pisé Inserti C. COMPATTA’s potential is further enhanced by three-dimensional subjects of varying shapes, which can be built up into mesh-backed mosaics to create sculptural forms on walls. These extensions to the collection are called Inserti Melange, Inserti Sabbia-Argilla and Inserti Limo-Ghiaia and are produced in 9 mm thickness and 30x30 cm size.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p>The COMPATTA collection, designed by Federico Peri, combines a passion for earth as a natural material and an interest in a very ancient construction technique.<br>The primary inspiration derives from close observation of the many strata within the ground and the mixtures of elementary particles of which it consists. The design concept is completed by reference to the age-old rammed earth construction technique, used in northern Jordan since the eighth millennium BCE and widely applied in Yemen in many other desert or rural settings until the mid 19thC.<br>In this method, the raw earth is compacted inside wooden formwork to construct continuous structural walls, bearing walls or partitions inside homes, with a natural decorative effect due to the layering of the different shades of clay used. When creating his project for CEDIT, Peri was also influenced by several design inputs: from rural African homes to the clear, simple geometric forms and curved lines typical of the work of Gio Ponti, the curves central to the modernist gardens of Brazilian landscape artist Roberto Burle Marx, and the three-dimensional mosaics of English sculptor William Mitchell. In his murals in concrete, glass and recycled materials, Mitchell seems to combine some of the typical features of a variety of artistic movements, from Modernism to Brutalism, and also shows awareness of the issues concerning the structure of the landscape and the relationship with nature at the heart of Land Art. COMPATTA thus embodies strong links to the world of art and architecture, while bringing natural impressions with a remote, primitive flavour into modern living-spaces.</p>

I Classici Marquinia

florim > Floor tile-stone

<p>"I Classici" is born as a developing container, ready to welcome new inspirations.</p> <p>A bold proposal comes from the ever attentive observance of those who watch the latest trends. <em>I Classici</em> provides great personalization to the space, a play of strong contrasts to create an uncompromising design. The rigid purity of the marble blends with the varnished effect of a modern wood.</p>

Onyx&More Golden Onyx

florim > Wall tile-stone-brick

Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create.  </p>

Onyx&More Silver Blend

florim > Wall tile-stone-brick

Chromatic blends and harmonious contrasts that only nature can bestow <p>Onyx&More explores the unexpected elegance of onyx: refined, luminous, and poetic, naturally embellished with porphyry, an unobtrusive and informal stone material. From nature, mysterious and unpredictable, is born a collection surging with expression that plays with the harmonious contrasts and the chromatic blend that only nature can create.  </p>

Policroma Alpi

florim > Wall tile-stone-brick

Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.

Tesori Monile grigio

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>

Rilievi Salvia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Archeologie Archeologie Bianco

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p> <p> </p> <p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p> <p> </p> <p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>

Labics Suspension

castrolighting > Ceiling lamp

Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY

Euphoria Wall Light

castrolighting > Wall lamp

“Euphoria” symbolizes a feeling of pure happiness, a contemplative state of joy. Converting this idea into a design, the Euphoria Collection combines an elegant set of brass rings with different metal finish options the front of this wall light. This contrast enhances the magnificence of the design, conferring to the living spaces a unique touch of luxury. Gold-plated brass tubes with different diameters married with premium glass result in a subtle, delicate silhouette of the refined modern wall sconce. The elegant Euphoria wall light features the classic shape – the timeless Castro design touch. Euphoria wall sconce brass rings match different metallic finishes, thus can be bespoken in a wide range of well-aligned yet contrasting brass finishes, combining them in a unique manner to create a signature design. Keeping high standards for quality and visuals, this luxurious wall sconce effortlessly fits in different sublime entryways, lavish hall lobbies, and stylish entrances. VIEW FULL FAMILY

Nolan Wall Light

castrolighting > Wall lamp

The Nolan Wall Light represents the beauty of bespoke, showing the ultimate class in brass. Designed to be a delicate yet splendid highlight to the interior design project, it incorporates modern simplicity with an elegant and luxurious twist of art deco style. The clean and sleek lines of this modern wall lamp reveal a fresh take on contemporary refinement in lighting design. The handmade wall sconce resembles an exquisitely balanced curve that twists like a shell, as its gold-plated brass tube is bent by the hands of experienced craftsmen. The wall sconce provides a sophisticated golden glow to the interior space, its warm light is spread in a gentle and delicate way. This lighting piece is perfect for bedrooms, living rooms, and hallways. In commercial spaces, like a restaurant or bar, this lighting fixture can create a more romantic and inviting atmosphere. Combine the rigor of the minimal style with the warmth of the handcrafted work and attention to the smallest details. Explore new lighting design solutions and celebrate opportunities to decorate boldly and limitless. VIEW FULL FAMILY

Ravel Wall Light

castrolighting > Wall lamp

Maurice Ravel was a French composer and pianist often associated with Impressionism. This wall light uses the same name and grandeur it offers as the golden brass enhance the luxurious detail within this lighting piece. This golden scheme allows a sophisticated yet dynamic design that stands out in any ambiance, just like Ravel’s music. This lighting wall sconce was created in order to be perfect, functional, and practical. The hammered gold plated brass, allows the light to spread to the surrounding space and creates the perfect ambiance in the area. Ravel Wall Light suits perfectly above a modern console or as a hotel hallway entrance. VIEW FULL FAMILY