OTTO - Rectangular low walnut coffee table with storage space _ BRUNO ZAMPA
BRUNO ZAMPA > Coffee table
Araldica Base Corallo
florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Lin
arte-international > Wallcovering
This wallpaper is as warm and tactile as linen, with the same natural appearance.
floral path purple
egecarpets > Carpet
Ege CircleBack is a unique carpet recycling program where we offer to take back your used carpets in Europe for recycling. We divide the used carpets into 3 fractions. The yarn and glue/coating are used again in our own products and the last fraction is used to produce recycled plastic. Read more details about Ege CircleBack here. The program covers the qualities Highline 1100 and Highline 910 with the woven textile backing (WT).
LC 413 - Brass pull handle for sliding windows _ Colombo Design
Colombo Design > Finishes accessories
Week-end Week-End Trolley - Mint green Studio Brichet-Ziegler
petitefriture > Styling
This trolley from Studio BRICHETZIEGLER's WEEK-END collection combines elegance and utility. Its rounded top and edges give it a distinctive and resolutely modern aesthetic. Its unique design and practicality share a sense of timelessness, adding a touch of sophistication to any space. Made of aluminum, the trolley is as robust as it is lightweight. All trolleys are water and UV resistant, are suited for use by the ocean. Elevate your outdoor space with the sleek and versatile trolley and complement it with a sofa and coffee table set to create a captivating lounge-bar ambiance in your garden oasis.
Ketho.2 Vanity unit wall-mounted
duravit > Washbasin cabinet
Number of pull-out compartments: 1, Handle Anthracite, Soft self-closing automatic with damping, Lay-in compartment Optional, Necessary articles: Washbasin ME by Starck # 233653 Design by Christian Werner
markant merlot
forbo > Carpet
With a total thickness of 5.5 mm, a 100% polyamide fibre structure and a fibre weight of 600 g/m², Markant sheet is a high-quality needlefelt floor covering with a coarse texture. Due to its robust, hard-wearing properties, Markant floors are ideal for frequently used places or areas where chairs with castors are likely to be used.Markant sheet is available in 16 colours: a palette of commercial, neutral colours.In addition to the uni colours, Forbo also offers 4 graphic options with a timeless 'box' design: Markant Graphic City
REC IP68 LIGHT 1X 3 WATT TRILED RGB - LED RGB Glass and Stainless Steel underwater lamp _ PROLED
PROLED > Outdoor lighting
Eva-Horizontally stitched cover
mathsson > Chair
Mi 472 EvaDesigned in 1941, further development of the original model from 1933.Loungechair with seat of solid Birch. Arms and underframe of bentlaminated Beech. treated with clearcoat, alternatively untreated or black pigmented laquer.Alternatively Chair with seat of stained Birch. Arms and underframe of bentlaminate Oak. Treated with waxoil alternatively Smoked Oak (pigmented waxoil).Horizontally stitched cover with parallel seams over polyether (CMHR). Width 600, depth 710, height 820, seatheight 340 mm.Mi 471 Eva. Performance as Mi 472 but without arms. Width 490, depth 710, height 820, seatheight 340 mm.
tessera harmony lucky shamrock
forbo > Carpet
A soft and balanced design, giving a sense of agreement and control, Tessera Harmony promotes a calming, more productive environment, increasing the sense of wellbeing in any interior scheme.A calming, organic design, Tessera Harmony is available in 12 warm colourways, each designed to blend tonally with each other and closely match other Tessera carpet tile ranges.Harmony carpet tiles join Infused and Accord as part of the Union collection.
forte tile Pacific
forbo > Carpet
Forte tiles combine the ease of handling, optimized installation and maintenance benefits of modular flooring, with all the durability and economic advantages of a needlefelt floor. Forte tiles are based on the Forte sheet construction and use the same polyamide structure with latex binder and fibre backing layer.Forte tile is a premium needlefelt floor covering, the very dense texture provides an attractive appearance and wear-resistant performance.Available in a select range of 12 commercial colour options.All colours are also available in a sheet format.
STARLIGHT - TRAVERTINO CLASS - Laminated stoneware wall tiles / flooring with marble effect _ COTTO D'ESTE
COTTO D'ESTE > Wall tile-stone-brick