SUPPLIER: UNOPIù
COLLECTION: PEVERO
TYPE: FURNITURE
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A wide range of product from furniture to finishes to meet the desire of all designers.
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A wide range of product from furniture to finishes to meet the desire of all designers.
Manali
arte-international > Wallcovering
A timeless representation of the traditional mountain villages of the Himalayas, where Buddhist prayer flags often flutter in the wind. The inhabitants of these inhospitable areas try to attract happiness and prosperity in this way. The design was named after the Himalayan village of Manali, where hundreds of flags set the scene.
Eri
arte-international > Wallcovering
Eri turns every wall into a unique object. Pure luxury. Inspired by open weave silk and applied on a base of delicate high-gloss foil. The warm glow of the precious metal shines through the fine mesh of the fabric, for a more pronounced and exclusive look.
Bounty
arte-international > Wallcovering
This design is inspired by finely woven grasses, which are cut and inlaid by hand. Bounty is an abstract, geometric representation of lush palm leaves that seem to be reaching higher and higher.
Flor Imaginaria
arte-international > Wallcovering
This colourful, tropical drawing with a vertical fil-à-fil technique is inspired by the Chinese lantern plant (Physalis). The pattern and use of colour are influenced by African wax fabrics, in the now omnipresent typical African prints.
Grant
arte-international > Wallcovering
A spectacular camouflage design inspired by a herd of zebras like those you see on the African steppe. You can even discover hidden zebra heads here and there in the abstract lines of the zebra’s skin.
Java
arte-international > Wallcovering
An exuberant botanical design of tropical leaves with the feel of a hand-painted wallcovering. Printed in vibrant colours on a fil-à-fil jute. These give the wall unprecedented depth and an especially natural aspect.
Lucky O's
arte-international > Wallcovering
Overlapping O’s, created of wood veneer marquetry inlay, resemble the rolling waves of the ocean. The unique wallcovering’s ancient Seigaiha pattern symbolising waves of water represents good luck, power, and resilience.
Stellar
arte-international > Wallcovering
The soft metallic lustre of this metal foil creates a unique light reflection. This makes the design look different from various angles and creates a dynamic atmosphere. The authentic metal look creates the effect of impressive metal panels.
Matrix
arte-international > Wallcovering
With Matrix on your wall, you will imagine yourself in oriental atmospheres. This design gives you a simple way to create the look of wall tiles in your home. In combination with the shiny relief ink, this pattern is given a very realistic tile structure.
Insignia
arte-international > Wallcovering
Insignia combines the botanical trend with geometry in a modern manner. By working with structures and forms you can bring nature into your home in a distinctive and playful way.
Bambou
arte-international > Wallcovering
The floating bamboo leaves give the Bambou pattern a delicate touch. Have you ever travelled to Thailand, Vietnam or China? Then this print will take you back to those exotic locations. Bambou is a little bit different to the other patterns because the wallpaper is finished with a hint of flock and metallic ink.
Domus
arte-international > Wallcovering
The recurrent pattern of Domus has been printed with a satin coating. This finish imbues the finished paper with a superb sheen and creates the subtle illusion of relief.
Flying Coral Fish
arte-international > Wallcovering
3D wallcovering with a satin look and a pattern resembling the pectoral fins of the Flying Coral Fish, shaped like delicate, thin and translucent wings.
Tesori Broccato grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
JEAN PAUL GAULTIER - FLOWER POWER - Outdoor polyester fabric with floral pattern _ LELIEVRE
LELIEVRE > Wallcovering
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Box
zanotta > Bed frame
Beds with or without container unit. Steel frame. Suspension in bent beech strips with stiffness adjusters. Upholstered base and headboard in polyurethane/ heat-bound polyester fibre. Removable quilted cover in fabric or leather. The bed of the version 1874, fitted inside the base, is furnished with a container unit accessed by lifting the mattress with a special device. Upon request, only for the version 1875, the bed with adjustable corner supports that enable to place the springing at different heights and the bed size for 210 cm. long mattress can be supplied.
Grangala
zanotta > Bed frame
Bed. Steel feet and shelf covered with cowhide pigmentato 90 in the same colour. Steel frame with suspension on natural bent beech strips. Base and headboard upholstered in polyurethane/heat-bound polyester fibre. Removable fabric or leather cover. Upon request the models with separate springing and the bed sizes for 210 cm. and 220 cm. long mattresses are available.
Talamo
zanotta > Bed frame
Beds. Polished or black painted aluminium alloy feet, or with natural or black nickel-satin finish. Steel frame with suspension in bent beech strips. Headboard upholstered with polyurethane/heat-bound polyester fibre. Removable fabric or leather cover. Upon request the bed sizes for 210 cm. and 220 cm. long mattresses are also available.
Yang Bed
minotti > Bed frame
The Yang Bed is a young, contemporary divan bed that evokes the unique play of proportions that distinguishes the eponymous seating system. The inherent design strengths and aesthetic features of the Yang seating system are embedded in the bed’s DNA. The headboard features generous, soft padding and reflects the distinguishing motif of the “Offset” elements, and projects out on both sides to form a single, unified profile designed to also accommodate the Close bedside tables. The headrest is an elegant and functional accessory that can be added to the headboard for optimum reading support and comfort. The base of the bed includes the modern cm 17 -high base with pocket springs that, along with the “Comfort H25” mattress, promises an extremely restful night’s sleep. The bed rests on simple, but elegant Pewter color metal blades.
Lawrence Bed
minotti > Bed frame
The Lawrence Bed puts a contemporary spin on the classic upholstered bed, bringing back balanced proportions and adding the kind of constructive details that speak volumes about the company’s ability to deliver design and masterful craftsmanship. It is available with a one-piece padded headboard or with a padded headboard divided into two separate elements that come in two different heights and three widths, opening the door to creative freedom in designing symmetrical and asymmetrical configurations and making bold choices in upholstery combinations. The Lawrence Bed headboard upholstery is completely removable and features elegant stitching in a modern, graphic pattern of squares. The base of the bed is a box spring that, thanks to the vast number of pocketed springs, ensures optimal sleep quality.
Curtis
minotti > Bed frame
The Curtis bed owes its original identity to the precious quilting. The exclusive pattern, a circle crossed by a vertical line, has been designed by Minotti Studio to characterize the walls of the settings of the 2018 collection. The workmanship conveys an effect of great softness to the fabrics and the leathers used for the upholstery. The pattern, simplified and reduced to the sole vertical line, is also the protagonist of the finishing of the sommier raised from the ground. Curtis is characterized by a tall and thin headboard, with an exposed zipper along the sides, and is available in one length only, with a choice of five widths. Interpreted with a crepuscular light, in a rarefied atmosphere, it suggests the encounter between the past of the Déco tradition, thanks to the rich quilting, and the present of interior decoration, with its sophisticated graphics. The Lawrence plaid, made of 100% cashmere wool, it comes in three coordinated color pairings: Écru and Ivory, Silver and Titanium; both with a suede border in mud color and Platinum.
Roger Bed
minotti > Bed frame
With its minimal design and dynamic shape, the Roger Bed picks up the same concept as the Roger seating system, both in its airy look, and in the couture-style aesthetic of the headboard, quilted with sophisticated horizontal seams and trimmed with piping along the perimeter. Its versatility means it can be covered with all the fabrics and leather in the exclusive Minotti collection, making it the perfect addition to many different styles of night areas. The slender, suspended platform base is of sartorial design, covered in fabric or leather and decorated with sophisticated details and lapped seams: the leather bands of the structural base are sewn together using ribbons and crafted with the same technique used in the finest leather luggage-crafting. The bed, also proposed in the version with leather bedstead and fabric headboard, offers absolute comfort, thanks also to the diagonal slant of the headboard, reminiscent of the Roger seating system, which facilitates the correct reading posture. Raised 13 cm off the ground, it sits on bearing blades in extruded aluminium with a polished Black Coffee-coloured varnished finish, set back from the perimeter of the bed. Roger Bed is available in a choice of five widths and two heights for the heabdoard.
Aldgate
molteni > Bed frame
Molteni&C broadens its range of beds with a sophisticated and elegant proposal by Rodolfo Dordoni. The cooperation with the Milanese designer has led to Aldgate a bed conceived as an island devoted to rest and relaxation.
Ovidio
molteni > Bed frame
The Ovidio bed by Vincent Van Duysen is designed to be the centrepiece of the bedroom an extraordinary combination of sober elegance and utmost comfort where no detail is left to chance and the leading role is played by the headboard.
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