The Vipp dinner plate is made for the dining table and is hand-casted in high-quality porcelain. Just like the smaller plate in the Vipp assortment, the dinner plate is glazed on the inside for a smooth interior and hand-polished on the outside for a matte finish. Available in packages of two.
The Vipp coffee cup is hand-casted in high-quality porcelain. For a matte finish and a smooth interior, the coffee cup is glazed on the inside and hand-polished on the outside. Available in packages of two.
The Vipp placemat protects delicate surfaces on the dining table. Made to be used daily, the placemat is easy to clean with a damp cloth or in the washing machine. Available in packages of four.
Tank is a series of drinking vessels constructed using the simplest geometric language of spheres cones and cylinders. Their pared back aesthetic combined with the solid counterweight of thick and solid glass as a stem or pedestal gives them an instantly recognisable minimal silhouette. This year we see them burst into colour, albeit, in a particularly sophisticated and restrained emerald green. Our choice of green seems timely given that the colour is associated with all things positive, from health and growth, to calming and anxiety-reducing, vitality and nature. Green also falls in the middle of the visible light spectrum, giving it the quality of equilibrium and making TANK the perfect tableware partner in any setting.
More Information Tank is made from mouth-blown clear glass and defined by simple shapes inspired by the rigour of science laboratory equipment. The giftset includes a wine decanter and two low ball glasses. Their pared back aesthetic combined with the solid counterweight of thick and solid glass as a stem or pedestal gives them an instantly recognisable minimal silhouette. This year, the Tank collection features a burst of colour, albeit, in a particularly sophisticated and restrained emerald green.
Beat Wide is a medium-sized ceiling light in a brass finish which compliments the warm, golden interior. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. The beaten interior is re-purposed to refract and reflect a soft and warm luminosity.
More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
The Tinto design is made from the bark of the banana tree. The bark is dyed in natural colours with numerous different shades. The wide strips are woven manually into a checkerboard pattern and then cut into tiles. Finally, these tiles are arranged in a tight pattern.
This exuberant wallcovering will immerse you in a fiery Brazilian dance. Demonstrating versatility, rhythm and a bond with nature, the soft sheen enhances the rhythmic feeling. The tropical decor has a visible paper structure which gives it a vintage touch.
Want to try a bit of tribal? Arte can provide a playful and stylish interpretation with the Arrow and Symbol patterns. The parallel and pointed converging lines do more than just create a relief effect, they also create an exotic feel. The pattern is available in a multi-coloured pattern (Arrow) and a monochrome alternative (Symbol).
This colourful pattern, based on a hand painting, shows a cheerful scene from the Ottoman Empire. There are countless things to discover. The wallcovering imitates very fine silk. A true statement piece!
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
Experience the luxurious blend of warmth, softness, and natural elegance with the Loro Piana Interiors Decorative Cushions, a collaboration between Loro Piana Interiors and Poltrona Frau. These cushions, designed by the Poltrona Frau Style & Design Centre, feature exquisite Altai and Zelander® Check fabrics—Altai combining the finest Australian and New Zealand Merino wool with premium cashmere for unmatched softness and durability, while Zelander® showcases high-quality New Zealand Merino wool with a classic check pattern, known for its sheen, resilience, and natural fire resistance. Each cushion is meticulously crafted with border piping and adorned with the Poltrona Frau logo in Pelle SC leather, complemented by a label on the back certifying the authenticity of the Loro Piana Interiors fabric. A 3D file of the product is also available for download, allowing for a closer look at its intricate design. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a range of high-end products that blend modern aesthetics with enduring elegance.
The Journey decorative cushion collection, designed by Giulio Ridolfo in collaboration with Chiara Novello for Poltrona Frau, evokes the essence of cherished travel memories through its vivid, 3D-effect geometric weave, capturing sunlit fields, flowing watercourses, and lantern-lit village yards. Crafted entirely in Pelle Frau SC leather, these cushions showcase the innovative Colorsphere® system, offering three distinct multicolor palettes: Pier 1 in greens, Tannery in natural leather tones, and Gion in violet and dark blue hues. The handwoven leather strips on the cushion fronts, made from three progressively shaded laces, pay homage to traditional leathercraft artistry. Available in square (47 cm) and rectangular (35x57 cm) sizes, the Journey cushions also come with a downloadable 3D file for design enthusiasts. Poltrona Frau, a renowned Italian luxury furniture and interior design brand established in 1912, is celebrated for its timeless craftsmanship, premium materials, and global presence, offering a sophisticated touch to both residential and commercial spaces.
The cylindrical cushion, available in premium fabric or exquisite Pelle Frau® leather, features intricate 3D stitching that forms a tight diamond weave, adding a touch of sophistication. Part of the Clayton series by Poltrona Frau, this collection embodies Jean-Marie Massaud's design philosophy, blending timeless elegance with modern aesthetics. The Clayton sofa, swivel armchair, and bench showcase meticulous craftsmanship, including hand-stitched X-shaped detailing, handwoven saddle-leather belts for seat support, and goose-down padding for ultimate comfort. The sofa’s sleek architecture is complemented by steel blade feet with a Ruthenium finish, while the option of combining leather with fabric or velvet cushion covers enhances its sensory appeal. A 3D file of the product is available for download, allowing for detailed visualization. Poltrona Frau, a renowned Italian luxury furniture brand founded in 1912, is celebrated for its high-end leather craftsmanship and timeless designs, offering a global presence with showrooms in major cities worldwide.
This spring mattress, available in heights of approximately 20 cm or 25 cm, features 400 independent pocketed springs for single beds and 800 for double beds, ensuring optimal support and comfort. It is designed with 7 distinct support zones and includes an insulator made of two layers (four layers for the 25 cm height) of high-density polyurethane foam (25 kg/m³, 2.5 cm thick). The mattress is reinforced along the perimeter with high-capacity polyurethane foam for added durability. It offers a dual-sided design: a winter side crafted from white polywool fiber for warmth and a summer side made of white polycotton fiber for breathability. The removable cover, made from 100% polyester ST fabric (210 g/m²) with CleanFresh treatment, is machine washable at 60°C but should not be tumble-dried. The undercover is made of cotton jersey, complemented by a 3D aerating band and handles for easy handling. This mattress is not suitable for spring slatted bases with movement but works perfectly with multilayer bed bases or slat frames with wide slats. Additionally, a 3D file of the product is available for download, allowing customers to visualize it in their space.
The supplier, Gervasoni, is a renowned Italian interior design company established in 1882, celebrated for its high-quality furniture and accessories that blend timeless design with natural materials, catering to both residential and commercial spaces.