JEAN PAUL GAULTIER - FLOWER POWER - Outdoor polyester fabric with floral pattern _ LELIEVRE - 2d files - 3d files
SUPPLIER: LELIEVRE
COLLECTION: JEAN PAUL GAULTIER - AUTOUR DU MONDE
TYPE: FINISHES
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Manali
arte-international > Wallcovering
A timeless representation of the traditional mountain villages of the Himalayas, where Buddhist prayer flags often flutter in the wind. The inhabitants of these inhospitable areas try to attract happiness and prosperity in this way. The design was named after the Himalayan village of Manali, where hundreds of flags set the scene.
Eri
arte-international > Wallcovering
Eri turns every wall into a unique object. Pure luxury. Inspired by open weave silk and applied on a base of delicate high-gloss foil. The warm glow of the precious metal shines through the fine mesh of the fabric, for a more pronounced and exclusive look.
Bounty
arte-international > Wallcovering
This design is inspired by finely woven grasses, which are cut and inlaid by hand. Bounty is an abstract, geometric representation of lush palm leaves that seem to be reaching higher and higher.
Flor Imaginaria
arte-international > Wallcovering
This colourful, tropical drawing with a vertical fil-à-fil technique is inspired by the Chinese lantern plant (Physalis). The pattern and use of colour are influenced by African wax fabrics, in the now omnipresent typical African prints.
Grant
arte-international > Wallcovering
A spectacular camouflage design inspired by a herd of zebras like those you see on the African steppe. You can even discover hidden zebra heads here and there in the abstract lines of the zebra’s skin.
Java
arte-international > Wallcovering
An exuberant botanical design of tropical leaves with the feel of a hand-painted wallcovering. Printed in vibrant colours on a fil-à-fil jute. These give the wall unprecedented depth and an especially natural aspect.
Lucky O's
arte-international > Wallcovering
Overlapping O’s, created of wood veneer marquetry inlay, resemble the rolling waves of the ocean. The unique wallcovering’s ancient Seigaiha pattern symbolising waves of water represents good luck, power, and resilience.
Matrix
arte-international > Wallcovering
With Matrix on your wall, you will imagine yourself in oriental atmospheres. This design gives you a simple way to create the look of wall tiles in your home. In combination with the shiny relief ink, this pattern is given a very realistic tile structure.
Insignia
arte-international > Wallcovering
Insignia combines the botanical trend with geometry in a modern manner. By working with structures and forms you can bring nature into your home in a distinctive and playful way.
Bambou
arte-international > Wallcovering
The floating bamboo leaves give the Bambou pattern a delicate touch. Have you ever travelled to Thailand, Vietnam or China? Then this print will take you back to those exotic locations. Bambou is a little bit different to the other patterns because the wallpaper is finished with a hint of flock and metallic ink.
Flying Coral Fish
arte-international > Wallcovering
3D wallcovering with a satin look and a pattern resembling the pectoral fins of the Flying Coral Fish, shaped like delicate, thin and translucent wings.
Tesori Broccato grigio
florim > Wallcovering
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
JEAN PAUL GAULTIER - FLOWER POWER - Outdoor polyester fabric with floral pattern _ LELIEVRE
LELIEVRE > Wallcovering
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JEAN PAUL GAULTIER - MESAÏ - Printed polyester fabric with graphic pattern _ LELIEVRE
LELIEVRE > Wallcovering
JEAN PAUL GAULTIER - FLOWER POWER - Outdoor polyester fabric with floral pattern _ LELIEVRE
LELIEVRE > Wallcovering
JEAN PAUL GAULTIER - AFRIKA - Polyolefin fabric with floral pattern _ LELIEVRE
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Piet Boon Paint & Plaster Lime Paint
pietboon > Wallcovering
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
CONCRETE wallpaper by NLXL
pietboon > Wallcovering
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
Queen Cobra Wallcovering
moooi > Wallcovering
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Rendezvous Tokyo Blue Wallcovering
moooi > Wallcovering
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Bearded Leopard Wallcovering
moooi > Wallcovering
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
Mimic Moth Wallcovering
moooi > Wallcovering
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
Pogo Goat Wallcovering
moooi > Wallcovering
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
SKINÌ TEX
skema > Wallcovering
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Riverbank
arte-international > Wallcovering
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
Alentejo Cork
arte-international > Wallcovering
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
Canyon
arte-international > Wallcovering
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
Glowing Patina
arte-international > Wallcovering
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
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