The Vipp placemat protects delicate surfaces on the dining table. Made to be used daily, the placemat is easy to clean with a damp cloth or in the washing machine. Available in packages of four.
Tank is a series of drinking vessels constructed using the simplest geometric language of spheres cones and cylinders. Their pared back aesthetic combined with the solid counterweight of thick and solid glass as a stem or pedestal gives them an instantly recognisable minimal silhouette. This year we see them burst into colour, albeit, in a particularly sophisticated and restrained emerald green. Our choice of green seems timely given that the colour is associated with all things positive, from health and growth, to calming and anxiety-reducing, vitality and nature. Green also falls in the middle of the visible light spectrum, giving it the quality of equilibrium and making TANK the perfect tableware partner in any setting.
More Information Tank is made from mouth-blown clear glass and defined by simple shapes inspired by the rigour of science laboratory equipment. The giftset includes a wine decanter and two low ball glasses. Their pared back aesthetic combined with the solid counterweight of thick and solid glass as a stem or pedestal gives them an instantly recognisable minimal silhouette. This year, the Tank collection features a burst of colour, albeit, in a particularly sophisticated and restrained emerald green.
Beat Wide is a medium-sized ceiling light in a brass finish which compliments the warm, golden interior. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. The beaten interior is re-purposed to refract and reflect a soft and warm luminosity.
More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
This exuberant wallcovering will immerse you in a fiery Brazilian dance. Demonstrating versatility, rhythm and a bond with nature, the soft sheen enhances the rhythmic feeling. The tropical decor has a visible paper structure which gives it a vintage touch.
Want to try a bit of tribal? Arte can provide a playful and stylish interpretation with the Arrow and Symbol patterns. The parallel and pointed converging lines do more than just create a relief effect, they also create an exotic feel. The pattern is available in a multi-coloured pattern (Arrow) and a monochrome alternative (Symbol).
This colourful pattern, based on a hand painting, shows a cheerful scene from the Ottoman Empire. There are countless things to discover. The wallcovering imitates very fine silk. A true statement piece!
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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auckland - 7071.28
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harding - 7070.07
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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