The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations.
There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. The collection offers 3 finishes - Comfort, Glossy and Grip. Discover the new Comfort surface
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Henry is an elegant and classic sofa with a simple look thanks to the squared body. All in all, it might look like a regular sofa, but Henry actually comes with removable cover making it both easy to clean the sofa and possible to change the look as often as you like. In this way, Henry can be fitted into any styling and any surrounding.
This lovely pouf suggests a simple, Nordic-inspired design so that its fine details can be enjoyed. With perfect double-stitching, the design stand out in all its simplicity, and the small legs elevate the footrest a bit creating an airy expression.
The Abalon Sofa and Abalon Platform can be complemented with the Abalon Table from the same product family. The round tops of this coffee table are available in a choice of finishes.
Sylvain Willenzs Rebar Tables are a series of coffee- side- and tray tables that explores the possibilities of reconsidering construction materials and processes. The design juxtaposes the reinforced steel bar frame with marble tops and metal trays to create a balanced aesthetic. The tables are available in different sizes in round square and rectangular shapes with tabletops and frames offered in various colour options. Rebars classic expression and numerous design possibilities make it suitable for using in a wide variety of private corporate or public spaces.
Gap meeting is a modular system that can be built according to your wishes and needs. Meeting is the model with a high back that allows you to screen off and create a room in the room. The name Gap is derived from the gap between the seat and back/armrest and makes Gap a winner from a cleaning point of view. The Gap family is known for its straight lines and plain colors. Flexibility is the keyword and only the imagination sets limits to what formations can be built with Gap. With a mix of round and straight parts that can be connected together, armrests and tables that can be added. The small details make a big difference. The system is available in a number of standard modules, but it is also possible to order bespoke in desired lengths. The sofas are available with metal stands in the colors chrome, white or black, other colors on request. It is also possible to get wooden legs in oak or ash. The meeting sofas have a seat height of 45 cm and are optimal for tables with a height of 60-72 cm.
Comprising an assortment of patterned designs in different colours widths and directions the Pattern Candle brings a distinct and contemporary slant to the classic candle. The candles are Nordic Swan Ecolabel certified and have a burning time of approximately 9 hours. Pattern Candles come in sets of four and are presented in an attractive box with different pattern mixes to choose from.
The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. <p>There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. <br />The collection offers 3 finishes - Comfort, Glossy and Grip. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p>
The SERVOMANTO Clothes Stand by Zanotta is a sleek and functional piece featuring a base available in black or white polypropylene, paired with a support rod and arms in black or white painted steel, offering a modern and minimalist aesthetic. For further details, the manufacturer, Zanotta, provides comprehensive information on their website. Zanotta, a renowned Italian interior design brand established in 1954, is celebrated for its innovative, high-quality furniture and home accessories that blend contemporary style with exceptional craftsmanship. Additionally, a 3D file of the SERVOMANTO Clothes Stand is available for download, allowing for a detailed preview of the product.
The ONDA Armchair features a sleek 18/8 stainless steel tubular frame, upholstered with graduated polyurethane and heatbound polyester fiber, and comes with a removable fabric or leather cover that can only be replaced by skilled professionals. For more details, consult the manufacturer, ONDA by Zanotta, a renowned Italian design house celebrated for its innovative, high-quality furniture since 1954. A 3D file of the product is available for download, allowing for detailed visualization and planning.
The LIA 2086/87 is a sleek and versatile chair featuring an aluminium alloy frame available in polished or painted finishes such as black, graphite, or white. The seat and back are upholstered in durable polyurethane, with options for removable covers in fabric or leather, or a non-removable cowhide finish. For added customization, a loose cover in 100% white cotton is available upon request, offered in two lengths: short (covering the seat and backrest) or long (extending to cover the legs). A 3D file of the product is also available for download, allowing for detailed visualization and planning. Manufactured by Zanotta, a renowned Italian design company established in 1954, the LIA 2086/87 reflects the brand’s commitment to innovative, high-quality furniture that blends modern aesthetics with functional elegance. Zanotta’s global reputation for premium, contemporary designs makes this chair a standout choice for both residential and commercial spaces.
The Balcony table, designed by Ronan & Erwan Bouroullec for HAY, is a sleek, rectangular outdoor table featuring minimalist square lines and distinctive perforated surfaces that enhance both its design and structural strength. Crafted from powder-coated steel with an outdoor primer for superior durability, Balcony is versatile enough to suit various spaces, from compact balconies and terraces to expansive gardens. Available in five elegant finishes—Anthracite, Iron Red, Desert Green, Dark Forest, and Chalk Beige—this table combines functionality with modern aesthetics. A 3D file of the product is also available for download, allowing for detailed visualization and planning. HAY, a renowned Danish interior design company founded in 2002, is celebrated for its contemporary, high-quality furniture and accessories, collaborating with both established and emerging designers to create innovative, minimalist designs for residential and commercial spaces worldwide.
The Crate Cushion enhances the iconic Crate Collection with added comfort and practicality, featuring a perfect fit for the chair seat and available in three versatile designs: a loose seat cushion for the Crate Dining Chair, and folded or quilted options for the Crate Lounge Chair. The quilted version includes a Velcro® fastening and straps for secure attachment, while all models boast an anti-slip bottom and are crafted from Teflon®-coated fabric, offering water resistance, UV protection, and fade-resistant durability. Available in multiple colors, these cushions are suitable for year-round use. The Crate Collection, originally designed by Dutch architect Gerrit Rietveld in 1934 to repurpose surplus wooden crates, has been reimagined through a collaboration between Rietveld Originals and HAY, a Danish interior design company founded in 2002. HAY is renowned for its contemporary, high-quality furniture and accessories, blending modern aesthetics with functionality, and is celebrated for its collaborations with both established and emerging designers. The collection, made from solid pine with a water-based lacquer finish, includes a lounge chair, dining chair, low table, and side table, all reflecting Rietveld’s minimalist architectural style. A 3D file of the product is available for download, allowing for detailed visualization and planning.
The Weekday Cushion enhances the comfort and functionality of the Weekday Bench, designed to perfectly fit various bench models. Lightly padded and secured with a convenient button fastening underneath, this cushion stays firmly in place. Crafted with Teflon®-coated fabric, it boasts a water-repellent finish and high UV resistance, ensuring long-lasting color fastness and fade resistance. Available in multiple sizes and colors, the Weekday Cushion is suitable for year-round use, both indoors and outdoors. Additionally, a 3D file of the product is available for download, allowing for easy visualization and integration into design projects.
The Weekday collection, originally conceived by designers Hannes & Fritz as a solution for impromptu seating, has evolved into a versatile range of outdoor benches and tables for HAY. Retaining its core concept of fostering social connections, the collection features solid pine construction with softly rounded joints, exuding warmth and durability. Designed to patinate beautifully over time, Weekday benches and tables are treated with a water-based, weather-resistant finish, making them ideal for diverse settings, from public parks to private gardens.
HAY, a renowned Danish interior design company founded in 2002, is celebrated for its contemporary, high-quality furniture and accessories. Collaborating with both established and emerging designers, HAY offers a diverse range of modern, minimalist products that blend functionality with timeless aesthetics, catering to residential, commercial, and public spaces worldwide.
The Re-Trouvé collection, designed by Patricia Urquiola, reimagines traditional forms with a blend of cleverness and originality, offering furniture that exudes elegance and character, seamlessly fitting into both classic and contemporary outdoor settings. Its distinctive geometric designs, featuring repeated diamond-shaped patterns, create unique and captivating forms that enhance any outdoor space. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Emu, an Italian-based interior design supplier renowned for its high-quality outdoor furniture, specializes in crafting durable, weather-resistant pieces that combine modern aesthetics with functionality, making them ideal for gardens, patios, and poolside areas. With a strong European presence and global distribution, Emu offers a versatile range of products, from affordable to luxury options, ensuring a perfect match for diverse styles and budgets.
The Darwin collection, designed by Lucidi/Pevere, features a sleek tubular steel frame paired with seats and backs crafted from expanded sheet steel, embodying a perfect blend of durability and lightweight design. This collection is part of Emu's traditional line, renowned for its expertise in steel mesh technology, ensuring both comfort and robustness. The collection includes a versatile 2-seat sofa, showcased at the 2016 Maison&Objet, available in six distinctive colors: antique iron, matt white, black, grey, Indian brown, and scarlet red. Additionally, the table tops are made from solid metal sheets and are foldable for convenience. For those interested in digital customization, the 3D file of the product is available for download. Emu, an esteemed Italian supplier, excels in creating modern, durable outdoor furniture, with a global presence that underscores its commitment to quality and design innovation.
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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auckland - 7071.28
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harding - 7070.07
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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