SUPPLIER: MUTINA
TYPE: STYLING
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A wide range of product from furniture to finishes to meet the desire of all designers.
Azulej by Patricia Urquiola
mutina > Floor tile-stone
Azulej is aimed at re-evaluating the memory of ancient handcrafted majolica and hydraulic cement, experimenting with an innovative printing technique aimed at mass distribution. This tradition – revisited in a contemporary way – is serially produced in a 20x20 cm format. The composition echoes the characteristics of the patchwork technique: an innovative, intentionally random mix and match, which combines abstract designs and unsaturated, neutral, barely consumed colours; colours that attach to the support material in a naturally irregular manner.
Bas-Relief by Patricia Urquiola
mutina > Floor tile-stone
Bas-Relief is a handmade collection where the ancient art of bas-relief becomes the protagonist, by being proposed in four different decorative patterns: three patterns just for wall covering in a 18x54 cm size and one for floor covering in a 26,5x18 cm size. Code is characterized by an austere and refined texture, expressed through a movement that repeats itself on the surface as a code; Patchwork consists of a mix and match of patterns that creates a constantly evolving design; in Garland, the flower element is revised with a contemporary and digital attitude; Cloud, the last one, is airy and light as a cloud, and it creates an abstract and constant design.
Botanica by Tokujin Yoshioka
mutina > Floor tile-stone
With Botanica, Tokujin Yoshioka expresses once again his deep fascination for the natural world, its different characteristics and the poetry of its forms, designing the first Mutina mosaic specially developed for floors. The collection is produced in non-rectified glazed porcelain stoneware, with an innovative digital system for the dry application of glazes.
Chamotte by Patricia Urquiola
mutina > Floor tile-stone
Chamotte – which takes its name from the raw material made of crushed ceramic fragments, embedded in raw clay to strengthen ceramic mixtures – is a project dedicated to pure colour. The collection presents a range of surfaces with an artisanal taste and a tactile texture that enhances the natural beauty of ceramics, suitable for indoor spaces.
Chymia by Laboratorio Avallone
mutina > Floor tile-stone
Chymia evokes the alchemical process of transformation of raw material. The project come to life through the collaboration with Laboratorio Avallone, Milano-based studio led by Gennaro Avallone, whose’s research reaches into the applied arts, drawing on the arts of painting and sculpture to create unique and very special objects of contemporary furnishing. The collection consists of a series that fluctuates between the discipline of graphic design and the expressive gestures of mark-making as well as between the two extremes of black and white, in which symbols and textures are combined to create patterns of light and shadow on the surface. Black and white are never separate but co-exist.
Déchirer by Patricia Urquiola
mutina > Floor tile-stone
Déchirer was a breakthrough in the world of designer tiles. The use of Continua technology allowed to realise large slabs in unglazed porcelain stoneware, modular and single work-size, that can be used both on floors and walls. The bas-reliefs that elegantly cross the surface are barely visible; they are not mere decorations, but represent what remains of torn memories. The colour palette is composed by neutral tones that allow to create changeable spaces, harmonic and enchanting, yet able to keep a contemporary look.
Déchirer XL by Patricia Urquiola
mutina > Floor tile-stone
Déchirer XL comes from the idea of creating a surface inspired by the opacity of cement, always preserving its identity as a ceramic material, revolutionizing the field of designer ceramic tiles. Mutina has decided to celebrate the great success of this collection by re-proposing it in a new XL format, which allows the bas-reliefs to develop on a continuous surface. The Decor version is made in 100x300 cm format and has three colours: Gesso, Grafite and Avana. The slabs are made entirely with a mixture of unglazed porcelain stoneware (UGL) in the smallest thickness available (3 mm with fiber) and are perfectly suited to be used on walls, indoor and outdoor.
Diarama by Hella Jongerius
mutina > Floor tile-stone
Diarama comes from the desire of giving birth to a collection characterised by a wide range of chromatic shades, that come to light spontaneously and randomly by stratifying colours, as it happens in paintings. It’s a study about pure colour, applied on different ceramic basis like a second skin. The collection is made of glazed porcelain stoneware in a single format of 9,4x18,7 cm and is composed by various glazed chromatic references, applied on 7 different matte coloured clay bases.
DIN by Konstantin Grcic
mutina > Floor tile-stone
DIN represents a complete new way of conceiving a modern mosaic. The collection is conceived in a strictly modular logic that allows to play with the elements and offers a wide scope of possible applications, from simple concepts to the most complex ones, demonstrating an almost unlimited flexibility.
Folded by Raw Edges
mutina > Floor tile-stone
Folded is inspired by traditional ceramic patterns that were – and still are – present in the Tel Aviv apartments of the Fifties and Sixties, played on repetition and chromatic alternation. Hence the desire to reproduce the effects of folded paper on a material such as ceramics, respecting the material characteristics and making use of specific peculiarities such as the possibility of melting it into unexpected shapes and outlines, creating elements in a single 60x60 cm format characterized by a palette of neutral and delicate tones.
Folded XL by Raw Edges
mutina > Floor tile-stone
Folded XL reproduces the effect of the folded paper of the original collection, but on large-size slabs – 100x300 cm with a thickness of 5,6 mm – suitable for floor and wall coverings, for indoors and outdoors. This new version is made entirely of an extra-white porcelain stoneware mixture, without the use of enamels and dyes.
Fringe by Michael Anastassiades
mutina > Floor tile-stone
Fringe – ornamental border made of threads or strips – is the first collection designed by Michael Anastassiades for Mutina. It is a tile divided into a series of parallel segments of two widths, directly engraved onto the surface. The pronounced grout spacing forms a “brick like” design and can be woven into multiple patterns through a simple interplay of a change in orientation. The result is a series of seamless carpets with or without borders which demarcate spaces, perfectly adapting to each environment.
Kosei by Vincent Van Duysen
mutina > Floor tile-stone
With Kosei – which means composition in Japanese – Vincent Van Duysen proposes a range of ceramic surfaces developed with pure and tactile materials, inspired by lava rocks such as obsidian and volcanic glasses, which are homogeneous, amorphous and with exceptional hardness. The end result is a timeless design conceived for “grand” architecture, characterised by extreme versatility thanks to the 8 formats and 5 colours that can be matched to create infinite combinations with a progressively decorative taste.
Mater by Patricia Urquiola
mutina > Floor tile-stone
Mater – name that comes from materia, matter in Italian, which recalls the earth used to realise the neutral bases of the collection – is a project where glaze becomes the true protagonist, being applied with an innovative glazing technique which allowed for the creation of a tactile effect with great visual impact. It is an industrial collection able to convey the same sensations of an artisanal product, suitable for residential and commercial spaces, indoor and outdoor.
Mattonelle Margherita by Nathalie Du Pasquier
mutina > Floor tile-stone
With Mattonelle Margherita, Mutina has worked with colour, along with the artist Nathalie Du Pasquier, creating a complex project featuring a blend of different aesthetic and formal means of expression. The collection is characterised by a dual concept: on the one hand, a simple, minimalist style and, on the other, a courageous, creative approach. The elements are created in glazed porcelain stoneware, deepening into a careful research about the glazes, in order to identify the most reactive, so as to give a bright, vibrant finish to the satin-effect surface.
Mews by Barber & Osgerby
mutina > Floor tile-stone
Mews, a term referring to the narrow alleys in London's historic centre with their unique and picturesque aesthetic, is inspired by urban landscape, history, and textures of the English capital. These details merge, creating pleasantly vibrant geometric compositions. The collection is the result of a long experimentation on colour, which led to the creation of a palette of nine shades: Chalk, Fog, Pigeon, Lead, Ink, Soot, Green, Light Blue and Pink, each of which is further divided into over 15 different tones, imparting a sense of depth and movement to the surfaces.
Phenomenon by Tokujin Yoshioka
mutina > Floor tile-stone
Phenomenon stems from the desire to incorporate natural phenomena and the laws of nature into a contemporary design project, not simply for reproducing their aspect but to evoke an emotion. The collection reminds of different expressions of natural patterns such as honeycombs, snowflakes, sticks of ice, plant cells, evoking memories of natural sceneries and individual experiences of the natural world. With the new edition of Phenomenon, the range is enriched with 3 new colours – Blu, Rosa and Verde – which join the 4 historical ones – Bianco, Grigio, Fango and Nero –, each of which is offered on all the available elements: Honeycomb A, Honeycomb B, Rock, Air, Wind, Rain A, Rain B e Rain C. The range also includes the new Phenomenon Glossy: the Honeycomb B, Rock and Rain A modules have been chosen to experiment the glossy finish for the first time, featuring the Bianco, Nero, Oro and Argento shades. The extremely small size of the tesserae has made it necessary to set up a new production process that combines industrial and craft approaches with the objective of making the finish stand out as much as possible.
Pico by Ronan & Erwan Bouroullec
mutina > Floor tile-stone
While developing Pico, we have worked on defining a regular-irregular texture, declined in two surfaces: Down, with sunken dots, and Up, with elevated dots. To add dynamics, we also decided to use colours such as red and blue, applied as little dots in the hollow or as a base. With the new edition of Pico, the colours Blanc and Gris are joined by Argile, realised with the same materials and technology of the already existing variants, and Pico Satin which is obtained by using CONTINUA technology and a satin atomised glaze, that allow to get surface of absolute whiteness, soft and pleasant to the touch.
Primavera by Barber & Osgerby
mutina > Floor tile-stone
Primavera represents the contrast between the natural element and the artificial world, translated into ceramic. The designers have reproduced a slab that resembles a natural element with all its irregularities, perceptible to sight and touch, by throwing small coloured ceramic inserts in a completely random way, thus creating a unique and always different texture. Produced in unglazed porcelain stoneware, the tiles are available in sizes 120x240 cm, 120x120 cm and 60x60 cm and consist of five basic colours: Bianco, Grigio, Verde, Blu e Nero. With all its variations, delicately complementary and visually contrasting, the shade rage gives the interiors a modern and refined atmosphere.
Punto by Ronan & Erwan Bouroullec
mutina > Floor tile-stone
Developed from the concept that inspired Pico collection, Punto is a three-dimensional decorative element that can be used only on walls. The pattern is characterised by big sunken dots (Down) or elevated dots (Up) and finds its highest expression when used on large surfaces. Depending on how light hits the elements, they create unexpected chiaroscuro effects that enliven interiors. Both the Up and Down options are available in a single size of 4x31.5 cm, provided on meshes of five pieces each. The palette presents five colours in Matt finish (White, Grey, Red, Green and Blue) and five in the Glossy one (Blanc, Gris, Rose, Vert and Brun), which is obtained by applying a transparent, polished and bright glaze.
Puzzle by Barber & Osgerby
mutina > Floor tile-stone
Puzzle represents the freedom of giving birth to endless random combinations by pairing up graphic patterns with a modern and contemporary aesthetic, thus maximising the possibility of customisation of the interiors. It’s an unprecedented collection that allows to lay the elements (available in the size 25x25 cm) both horizontally and vertically, on floors and walls, following regular and abstract patterns. The colour combinations create refined effects, more or less intense, all along the surfaces, that communicates with the architecture and space elements.
Rombini by Ronan & Erwan Bouroullec
mutina > Floor tile-stone
Rombini is a journey made of ceramic vibration. The collection presents two different modules of great chromatic strength, that can be combined to give the interiors an architectural aesthetic: Losange, which recalls a contemporary mosaic and can be used on both floors and walls, and Triangle, a three-dimensional element specifically developed for walls. On the occasion of the new edition, the already existing variants Triangle Large and Small are joined by the new Extra Small format in the size 2x31.5 cm, as well as by a new Glossy finish in the colours Blanc, Gris, Rose, Vert and Brun, declined on the entire range.
Tape by Raw Edges
mutina > Floor tile-stone
Tape reproduces the illusion of rolls of colourful patterns that rest on the raw tiles, creating different settings and various atmospheres thanks to the vast number of possible combinations. The design consists of a first slight, almost imperceptible pattern on the base tile that evokes the chalky effect of the surfaces of the carreaux-ciment, and a range of eight patterns – that can be easily combined thanks to the base tiles, one white and one black – all in the five shades of the range: white, blue, green, brown and black. Tape is suitable for both floor and wall tiles, for indoor and outdoor use.
Teknotessere by Mutina Team
mutina > Floor tile-stone
Teknotessere represents modernity and simplicity, in the form of ceramic elements. The collection is made of small 1x1 cm tiles, geometric and essential, in five sober and refined colours: Bianco, Cemento, Nero and Fango. The minimalism of Teknotessere allows for it to be easily complimented with other Mutina collections in the same evironment, thus creating unique and unprecedented atmospheres.
Tex by Raw Edges
mutina > Floor tile-stone
Tex is a re-interpretation of textile textures, entirely ceramic. The shape of the tiles consists of a simplified enlargement of the basic knitted stitch and can be arranged in three main patterns, each of which can be declined in eight different colours: a mix inspired by the design of textiles, which re-creates the feel of the different tones of the yarn. The production of Tex enhances the variety of the textures, the authenticity of colours and the quality of the glaze that, once applied on the surface, gives birth to irregular and more or less saturated light effects.
Tierras by Patricia Urquiola
mutina > Floor tile-stone
Tierras came about from the Mediterranean artisanal tradition and focuses on the concept of sedimentation, in order to create a collection where the elements seems to come from earth, marked by the hand of a man and the time passing by. It’s a re-interpretation of traditional craftsmanship, where different kind of terracotta and clays, chromatically matching with each other, combine and mix, enriching and softening the black base of recycled ceramics on which they deposit.
Time by Barber & Osgerby
mutina > Floor tile-stone
Time was conceived to commemorate a decade of collaboration between Mutina and Barber and Osgerby. It serves as an exploration of the natural weathering processes, where the recurrent actions of water and wind gradually erode and refine surfaces, shaping landscapes and evolving rugged features into sleek forms.
Bloc by Ronan & Erwan Bouroullec
mutina > Floor tile-stone
Bloc is a terracotta brick produced with the artisanship extrusion process. It’s a three-dimensional element conceived to build architectural and decorative structures. It features a Natural version and a palette of four shades – Pearl, Blue, Red and Grey – declined in both Matt and Glossy finishes. The glazed matt modules are obtained by using some paints from Mutina Accents, while the glossed ones came about from the application of a bright transparent ceramic glaze.
Brac by Nathalie Du Pasquier
mutina > Floor tile-stone
Brac is a brick exclusively designed by Nathalie Du Pasquier. It is a three-dimensional element in the size of 12.5x22x10 cm, imagined as versatile component for the creation of all sorts of structures and walls, where unexpected interplays of light and shadow come alive. Realised in extruded terracotta, the bricks that characterise the collection are real design elements that can be installed both vertically and horizontally, in residential and public interiors.
Celosia by Patricia Urquiola
mutina > Floor tile-stone
Celosia is a new take on the artisanal production process typical of terracotta with the aim of giving birth to imperfect and tactile elements that come from earth, marked by the hand of man and time passing by. Roof tiles, bricks, hollow bricks and partition walls are undone, unstructured and re-interpreted in a new way, keeping the traditional touch given by the handcrafted production. Aesthetically unique and extremely functional design elements are thus created, in the 20,5x26,5x10 cm nominal size. They allow limitless solutions for indoors and outdoors, in both commercial and residential spaces.
Hives by Konstantin Grcic
mutina > Floor tile-stone
Hives features one single module: an hexagonal brick handcrafted in extruded terracotta, an ancient material of which it preserves colour, texture and properties. It is a functional 3D element with an organic geometry, available in the size 13x22,5x7 cm.
Jali by Patricia Urquiola
mutina > Floor tile-stone
Jali – form of decoration typical of the Indian architecture, composed by perforated rocks with an ornamental motif, translated as grid – is a simple and functional terracotta brick with delicate shapes, conceived to build structures and decorative furnishings of various kind. The collection features a three-dimensional element in the size 24x12x24 cm, produced by extrusion, available in three colours: Neutro, the natural version, Nero and Bianco, with a glossy finish.
Mistral by Barber & Osgerby
mutina > Floor tile-stone
With Mistral, Mutina continues its research on three-dimensional elements, abandoning what is the classic perception, in favor of a contemporary and innovative project. The collection was born from a reminiscence of the ancient architecture typical of the Italian countryside, from which the designers drew inspiration to design extremely innovative and highly functional elements. Mistral is composed of a single terracotta module handcrafted for casting, geometrically refined and proportioned, available in 12,5x25,5x12,5 cm sizes.
Renga by Vincent Van Duysen
mutina > Floor tile-stone
Renga – a term used in Japanese culture to indicate a traditional form of poetry characterised by the alternation of long and short stanzas that can be literally translated as «chain poetry» – is the three-dimensional element designed by Vincent Van Duysen for Mutina, conceived as a brick with which to create partition walls, but also as a decorative object in its own right.
El Lobo by Patricia Urquiola
mutina > Accessories
El Lobo is the result of the intuition of Patricia Urquiola: a single continuous line that traces the profile of a wild and free wolf howling at the moon. It’s a strongly symbolic animal, an expression of vitality, instinct and nature, characteristics which the designer has associated with Mutina’s own spirit and creative journey.
Yama by Vincent Van Duysen
mutina > Accessories
In Japanese language, yama means mountain. This is how Vincent Van Duysen calls the new project forming part of Mutina Editions, an ode to the strength of nature and its transforming force. The architect has taken inspiration from the pebbles which, carried by the current of rivers flowing from the highland peaks to the valley, are shaped into soft, sensual shapes.
Paesaggi by Nathalie Du Pasquier
mutina > Accessories
Paesaggi provides a range of artistic objects designed for interior decoration: three models declined in three colour options with a glossy finish, for a total of 9 unique pieces. The elements are composed of a 10 cm thick base – squared in the size 40x40 cm, rectangular in the size 40x60 cm and rounded with a diameter of 40 cm – on which a composition of geometric shapes come to life. These components present rich hues – black, white, green, red, yellow and pink –, used individually for the variants in solid colour or combined with each other in the polychrome ones.
Rombini Vases by Ronan & Erwan Bouroullec
mutina > Accessories
With Rombini Vases, Mutina adds a new, significative collaboration within the world of auteur interiors. The ceramic vases, designed by Ronan and Erwan Bouroullec and produced in collaboration with Bitossi, are made to be paired with the collections of the brand as well as providing new stimuli for interior decoration.
Rivington Tables by Barber & Osgerby
mutina > Accessories
Rivington Tables derives its name from the Rivington Bar & Grill Restaurant in London. Situated in close proximity to Edward Barber and Jay Osgerby’s studio, this establishment quickly became a favourite meeting spot with the Mutina team. The project celebrates not only the infinite expressive potential of ceramics but also a decade of collaboration with the company.
The Cylinder Glass by Laboratorio Avallone
mutina > Accessories
The Cylinder Glass is the first limited edition project by Mutina, that came about from the synergy with Laboratorio Avallone. It is the result of a specific research focused on a new material, glass, and takes shape in the furnaces of Murano.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Solid Steel
minotti > Coffee table
The Solid Steel family of coffee tables is characterised by its clear 1970s inspiration: glossy and mirrored finishes, rigorous, overlapping and staggered volumes recreate a strong yet minimal architectural geometry, which perfectly complements different styles of living areas. The Solid Steel coffee tables are parallelepipeds with one or two staggered levels; in the two-volume version the finishes of the higher top are glossy lacquered Moka, Cappuccino, Malachite, Chestnut, or Moka open-pore lacquered ash, while the lower volume has the polished stainless steel frame with mirrored top. In the monobloc version, however, the frame is again in polished stainless steel or polished Bronze with four possible finishes for the top: Arabescato Grigio marble, Nero Marquina marble, open-pore Moka colour lacquered ash or mirror. The colour palette is consistent with the imagery of the living space by which they were inspired: mirrored stainless steel combined with coloured lacquers, wood and marble finished with a special smoothing treatment that enhances its matt texture, in stark contrast to the shine of the mirrored steel frame. These details are typical of the style of a brand that knows how to translate simplicity into sophistication, transforming a furnishing accessory into a strong and recognisable feature. The minimalism of their shape makes these coffee tables architectural objects with a big personality, incisive in the overall aesthetics of the space and yet easy to insert into many contexts: in the area in front of the sofa, but also at the side of the living room, as a support element, the ideal finishing touch to any environment. The Solid Steel coffee tables flawlessly follow the evolution of the Minotti range which, in the 2022 Collection, combines Scandinavian style with the striking effects of Japanese Zen: minimalism and in-depth research, simple elegance and maniacal attention to detail, the reduction of excesses and radiating brilliance. Harmonious contrasts in a perpetual balance between domestic life and Hospitality.
HYDRO Chair
tomdixon > Armchair
HYDRO is a limited-edition chair created in collaboration with HYDRO, the biggest aluminium producer in the world. The HYDRO chair is an innovation in aluminium technology. It has been blow-formed (through a process called Superplastic Forming) at high temperatures and then laser cut by robots. These methods were developed in the automotive industries to make deep and complex forms that were impossible to achieve a few years ago. The ballooned pattern gives strength and rigidity and lends a soft and humorous pop sensibility to the lightweight and shiny metal sheet.Each chair is marked with a limited edition number and comes with a certificate signed by Tom Dixon. More Information Useable indoors and out, its extreme lightness and stackability make it not just a desirable sculpture but also a highly practical chair. Manufactured in Canada by sub-suppliers to Tesla, the HYDRO chair is one hundred per cent recyclable.
Beat LED Trio Round Pendant System
tomdixon > Ceiling lamp
Beat is an extraordinary round chandelier featuring three individual Beat Tall, Beat Fat and Beat Wide ceiling lights. Each Beat light is made from hand spun brass sculpted by artisan craftsmen in Northern India. The creation of the Beat light is part of an ancient process that takes four days to complete and its beaten interior is re-purposed to refract and reflect a soft and warm luminosity. More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
Beat LED Stout Pendant White
tomdixon > Ceiling lamp
Beat Stout is a large glossy white ceiling light which features a contrasting warm, golden interior. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. The beaten interior is re-purposed to refract and reflect a soft and warm luminosity and the architectural scale gives off a greater light output. More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
Beat LED Fat Pendant White
tomdixon > Ceiling lamp
Beat Fat is a medium-sized ceiling light in a glossy white finish and features a contrasting warm, golden interior. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. The beaten interior is re-purposed to refract and reflect a soft and warm luminosity. More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
Beat LED Tall Pendant Brass
tomdixon > Ceiling lamp
Beat Tall is a medium-sized ceiling light in a brass finish which compliments the warm, golden interior. Made from hand spun brass sculpted by artisan craftsmen in Northern India, the creation of this Beat light is part of an ancient process that takes four days to complete. The beaten interior is re-purposed to refract and reflect a soft and warm luminosity. More Information Bearing the mark of its maker, Beat is a celebration of the beauty of things created by hand. Hand-raised, welded, beaten and finally skimmed on a lathe, the Beat shades retain hammer marks from their forming. The collection includes Wall, Floor, Table and Ceiling lights.The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.
S Chair Wool
tomdixon > Armchair
Born in Tom's 80's London workshop, the S Chair has been re-engineered using the latest developments in manufacturing technology for maximum comfort. This chair is upholstered in Wool and available in a variety of colours and sits proudly on its steering-wheel inspired cast iron base. More Information The original three-dimensional form is now moulded in an industrial hard/soft form with a pure wool cover. The classic chair sits proudly on its steering wheel inspired base and its height has been adjusted to suit dining or study. The chair is available in a wide range of colours and fabrics.
TROPICO GRANDE
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
TROPICO SMALL
fontanaarte > Wall lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
Wall panel 160 light oak
mutina > Styling
Element in moulded oak used to create a boiserie, exclusively sold with its wooden fillet MOUNTING PIECE 160 and a product of your choice between Skirting S, Skirting L, Rectangular Skirting or Rack.
Mist Satin
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Clay Matt
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Mr. Godfrey Chair 22471 Custom GRD 7 / Walnut Base 22472 Custom GRD 5* / Walnut Base 22473 Custom GRD 5 / Walnut Base 22474 Custom GRD 3 / Walnut Base 22475 Custom GRD 10 / Walnut Base 22476 Custom GRD 7 / Wood Base 22477 Custom GRD 5* / Wood Base 22478 C
jonathanadler > Armchair
<p><b>Perfect Pitch.</b></p><p>A scaled-up version of our Mrs. Godfrey chair, our Mr. Godfrey chair speaks with a more commanding voice. It boasts a deeper pitch and thicker cushions for a clubbier persona. This dapper style is finished with piped edges and buttons at the back. For extra credit, pair the Mr. and Mrs. Godfrey chair together and show that you're a skilled eclecticist.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>
Archeologie Archeologie Bianco
florim > Wall Paint
The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p> <p> </p> <p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p> <p> </p> <p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>
Safari Suspension
castrolighting > Ceiling lamp
The collection arose from exploring new worlds of inspiration for creative and unique designs. Ignited by the concept of journey, the Safari Collection embraces the aesthetic spirit of the savage animal world, unexplored and enigmatic, enticing atmosphere of serenity and midday summer heat of Savannah. Bronze and earthy tones bring the wild into high-class décor. A signature lighting design delivers a fresh approach to luxury and results in a refined retreat for every demanding interior. This majestic chandelier was designed to be contemplated and harmoniously allied to an elegant composition with a chair alongside wall light from the same Collection. Safari suspension is the newest addition to the Castro iconic designs. The key highlight of this lighting creation is rooted in its exclusive giraffe print handcrafted with the ultimate care to details by professional artisans. Each brass plate is a true design masterpiece that carries a bronze glass to soften the mesmerizing light effect. This lavish suspension can be modelled in any dimension and visually complement a living space with its natural allure, creating an unusual ambience. Matching various styles of residential and commercial projects, this sophisticated design is perfect to shape modern classic, mid-century modern, or art deco interiors. VIEW FULL FAMILY
Lune™
fritzhansen > Sofa
The sculptural, curvaceous Lune™ sofa is characteristic of designer Jaime Hayon and sits at the intersection of clean Nordic aesthetics and southern elegance. Lune is a functional, modular sofa that offers a myriad of possibilities: from a straight two-seater to larger L-shapes with chaise longue options. The result: a flexible sofa that is not only cosy and comfortable but also inherently beautiful from every angle. A chaise module on the three-seater sofa extends Lune’s soft, laid-back profile and creates an enhanced lounging experience. The chaise extension in on the right.
Hven Armchair
fritzhansen > Sofa
Hven is a collection of inviting and minimalist furniture with a natural Nordic look and feel. Hven is named after the Swedish island that lies in the strait between Denmark and Sweden. Designed in collaboration with contemporary Swedish designer, Anton Björsing, the minimalistic collection is easy to mix with other furniture. Add a light touch of comfort and beauty to the minimalist Hven Armchair with perfectly fitted Hven Chair Cushion. Made from aniline Dunes leather that is characterised by its natural look and velvety soft feel. The aniline Dunes leather has received the Nordic Swan Ecolabel. Neoprene on the backs ensures the cushion stays in place.
Riviera Lounge
fritzhansen > Bed frame
Designed in 1991 in collaboration with Danish designer, Povl B. Eskildsen, the versatile Riviera Collection has become an outdoor classic, renowned for its flexibility and straightforward appearance. Taking a sustainability approach, the design optimises the use of materials, using the slimmest possible amount in the teak slats without compromising strength. The ingenious construction is adjustable by design, allowing the pieces in the Riviera collection to transform in both expression and functionality and can easily be supplemented by a comfortable cushion. The remarkably versatile and multifunctional Riviera Lounge can transform to suit a myriad of purposes. Designed to expand in width, the Riviera Lounge can serve as a lounge chair and table, a sofa, or a level surface to use as a sunbed. Made of 100% FSC-certified teak with stainless steel fittings for long lasting functionality.
LEDERAM WF - LED aluminium wall light _ Catellani & Smith
Catellani & Smith > Wall lamp
The Lederam wall lamp captures the precision and elegance of a drawn line, featuring warm, softly colored disks that encase an ultra-flat LED module, creating a sleek, suspended design with graceful, curved lines. Available in two sizes (Ø 17 cm and Ø 25 cm), it offers dimmable LED modules with varying wattages, energy efficiency ratings, and color temperatures (2700K), ensuring a warm and inviting ambiance. The 25 cm variant is EPREL registered, while the 17 cm version is not. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. Catellani & Smith, an Italian lighting design company founded in 1989 by Enzo Catellani and Logan Smith, is renowned for its innovative, artistic, and high-quality lighting solutions, blending contemporary aesthetics with exceptional craftsmanship.
LIGHT STICK - LED metal wall lamp _ Catellani & Smith
Catellani & Smith > Wall lamp
The Typewall or ceiling lamp, designed by Enzo Catellani, embodies a shift from bold, aggressive styles to a refined minimalism, focusing on the light itself rather than the fixture. Crafted with a metal base and structure, complemented by a copper rod, this lamp features interchangeable LED options (4x1W, 6x1W, or 8x1W) with varying outputs and energy efficiency, all EPREL registered and dimmable for versatile use. A 3D file of the product is available for download, allowing for detailed previews and integration into design projects. Catellani & Smith, the Italian lighting design powerhouse founded in 1989 by Enzo Catellani and Logan Smith, is renowned for its innovative, artistic lighting solutions that blend craftsmanship with contemporary aesthetics, making them a favorite among designers and architects worldwide.
SWEET LIGHT - LED aluminium table lamp _ Catellani & Smith
Catellani & Smith > Table lamp
The **Fil de Fer** is a captivating lighting fixture crafted from intricately shaped and woven aluminum wire, illuminated from within by delicate LED bulbs. Designed by the visionary Enzo Catellani, this piece holds a special place in his heart, originating nearly two decades ago as a bespoke commission that was never utilized for its intended project. Instead, it remained in his workshop, enchanting all who saw it with its magical, ethereal glow. Recognizing its unique charm, Catellani refined the design, eventually bringing it to market, where it quickly became the most iconic piece in the Catellani & Smith collection. The lamp is available as a table lamp, featuring a spherical aluminum wire frame in natural, brass, or silver finishes, powered by a 1W G4 LED bulb (75 lumens, 2700K, CRI 80) and a touch-dimming mechanism. A 110-240V plug driver is included, tailored to the destination market. Additionally, a 3D file of the product is available for download, offering designers and enthusiasts the opportunity to explore its intricate design in detail. **Catellani & Smith**, founded in 1989 by Enzo Catellani and Logan Smith, is a renowned Italian lighting design company celebrated for its innovative, artistic, and high-quality lighting solutions that blend craftsmanship with contemporary elegance.
FRANCESCA - LED aluminium wall light _ Catellani & Smith
Catellani & Smith > Wall lamp
The Luci d’Oro wall lamp, inspired by the warm, golden hues of sunlight and fire, embodies Enzo Catellani’s exploration of light refraction, a concept that has influenced many of his iconic designs. Crafted with a glass-resin disc and a metal base, this elegant fixture features an E27 LED bulb (230V, 8x8W) with a luminous output of 7200 lumens, a warm 2700K color temperature, and a CRI >80, offering dimmable functionality via IGBT/Triac. Available in 110V-240V configurations (bulbs not included), it combines artistic innovation with functional brilliance. A 3D file of the product is available for download, allowing for seamless integration into design projects. Manufactured by Catellani & Smith, a renowned Italian lighting design company founded in 1989 by Enzo Catellani and Logan Smith, the brand is celebrated for its artistic, sculptural lighting solutions that blend contemporary aesthetics with exceptional craftsmanship, making it a favorite among designers and architects worldwide.
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