Part of the “en forme libre” series launched by Charlotte Perriand in 1928, this dining table has an avant-garde structure with three cylindrical supports for a unique curved, asymmetrical-shaped top.
The separation between the loadbearing metal structure and the cushions, reminiscent of the architectural relationship between the concrete skeleton and the in-fill paneling, is consistent with the principles of rationalism.
The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Designed by Patricia Urquiola, Moncloud is an extremely elegant, versatile sofa, studied to rethink upholstered furniture design with an eye to circularity. The wood structure lifts the upholstered parts off the floor, lending the entire sofa the lightness and softness of a cloud. The fabric upholstery envelops the contours of the sofa, creating a distinctive fold that enhances the beauty of its silhouette. The backrest cushions, instead, are defined by centre stitching that lends a unique, sophisticated aesthetic signature to each module.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
All the structural elements are seamlessly integrated into the whole – made up of seat, backrest and armrests – making Lady a made-in-Italy masterpiece, awarded the Medaglia d'Oro at the IX Triennale di Milano in 1951.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified.
In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified.
The extruded aluminum base allows the pieces to be arranged in a broad array of configurations that, given its clean lines, make it ideal for contemporary interior design.
The spacious seat, high backrest and upholstered armrest are shaped to create an enveloping effect, further accentuated by the soft, down-wrapped padding.
A sectional floor sofa that offers various backrest and seat options to be used as stand-alone sculptural elements or to pair in ample arrangements; add design ottomans and coffee tables for decorator flair.
The generous padding that envelops the seat, armrests and backrest of the settee signals an immediate sense of comfort. Tied to the history of Chandigarh, the Indian city designed by Le Corbusier in the 1950s, the family of furnishings – which, in addition to the small sofa, includes the equally iconic armchair – pays tribute to Pierre Jeanneret, a key figure in the creation of the city and considered the author of many pieces of its furniture.
The pleat on the front and back of the backrest-armrest, encases a zipper that extends to the base, and the gros-grain piping around the sofa seat cushions announce its luxury and artisan heritage.
The sofa possesses the elegance and powerful, bold lines of the original design but aims for a more minimalist design, doing away with the padded side cushions in both the two-seat and three-seat sofas.
The Esosoft collection comprises eight modules that can be used as individual sofas or combined to form L-shaped sofas, ensuring the utmost flexibility in configuring living spaces. Benches, ottomans and a series of coffee tables complete the family.
A material approach that sculpts the pieces like chunks of ice, combines flexibility and support through the optimized relationship between the elastic webbing and the empty spaces in the foam.
Design brilliance, business insight and made-in-Italy artisan craftsmanship shine in an even more contemporary version that retains the bicycle-chain mechanism to adjust the backrest position.
A deeper seat and more generous proportions for the two-seat sofa, three-seat sofa and armchair, and an accessory down-filled lumbar cushion sized to boost the ergonomic effect.
The unpretentious innovation of the adjustable headrest and the reassuring appearance and simplicity of the soft padding sum up the singularity of this design by Vico Magistretti.
Maralunga 50 maintains intact the innovation of the original model – the headrest that moves to raise or lower the backrest, thanks to a mechanism made from a simple bicycle chain.
The Met family comprises stand-alone and sectional sofas and an armchair, in a product range that also includes a club chair and chaise longue, for relaxing and sharing.
Mex Cube is the intuition that turned into a project. A graceful succession of variations on a theme, in which each shape is purposely designed to keep pace with the rhythms of daily life and conversation.
From stand-alone to corner sofa or sofa with island, the arrangement options are many, thanks to the different-sized bases to which the cushions – filled with 100% recycled fiber developed by – are attached.
Miloe is right at home in any residential setting, thanks to a vast and versatile array of pieces that includes a chaise longue and, with a focus on flexibility, pieces more streamlined in size.
The wide array of pieces includes various lengths and depths, from the two-seat and three-seat sofas to the sofas with chaise longue, as well as easily paired elements, all come complete with backrest with fold-up and down headrest.
An innovative capitonné tufting technique to attach the buttons is featured on the upholstery of all the different pieces, including the extra-large island sofa, equipped with two backrests and table top armrest.
The top is made up of 19 strips of wood and supported on graceful legs; a simple anchoring system allows the sofa seat cushions and those for the backrest to be positioned at any point along the structure.
A vast, complete range of elements facilitates the creation of personalised arrangements, with ergonomic seating and high-quality, eco-friendly materials. The soft cushions of the floor sofa, placed against the backrest, are padded with blown recycled PET fibre, developed thanks to the work of Cassina LAB.
Designed by Patricia Urquiola and inspired by the Japanese custom of the cyclical reconstruction of temples, it is crafted to imbue modern living rooms with a ritual of welcome, physical and mental wellbeing and cordial informality.
In contrast to the soft, padded shapes of the design ottomans, the collection is completed by an industrial style stainless-steel coffee table composed of three pieces welded together.
The idea for this armchair that changed the face of upholstered furniture belongs to Afra and Tobia Scarpa, who designed it in 1969, starting with the new possibilities offered by the forming of polyurethane foam to create an unconventional look of leisure.
The Tramonto a New York design sofa is reproduced larger than the archive model, in a limited series of 50 pieces, and made with sustainable materials developed by Cassina LAB.
The curved three-seat sofa, two-seat sofa and armchair are available in various sizes. On all of them, the weight-bearing structure is made of steel and the upholstery features a zig-zag or blanket-stitch detail.
Thanks to its elegant, timeless aesthetic, emphasized by the blind tufting on the backrest and single seat cushion, it is a versatile addition to any modern living room.
The space-saving size, of both the two-seat (150cm) and the large two-seat (180cm) model, make this contemporary, compact and versatile sofa perfect for the bedroom.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The Sum modules are made of soft molded PU foam with a steel reinforcement structure inside. The cushion is made of cut PU foam. Textile or leather upholstery. The sofa is easily assembled. Assembly manual included.
Deep seating high slender legs poofy soft cushions. This sofa - designed by Meike Harde - has it all. And its also available in 7 different sizes. Oh and theres also a 100% natural version. How much more sustainable can you get
You know what they say right The bigger the better. And theyre correct at least when theyre talking about the Frankie sofa. The large fluffy cushions on all sides will provide you with all the comfort you need. Who needs a bed when you can zone out just as heavenly on Frankie
The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.
OKITO TABLE – the successful combination of solid wood and tubular steel frame. The lightweight table is completely dismantled into its individual parts: the singular tubular steel legs are bolted form-closed and flush to the underside of the table top by iron head plates.
Part of the “en forme libre” series launched by Charlotte Perriand in 1928, this dining table has an avant-garde structure with three cylindrical supports for a unique curved, asymmetrical-shaped top.
The Blushing Sloth decorative pillow is part of the Extinct Animal Pillows and adds a comfortable and personal touch to your sofa chair bed yoga mat you name it. The pillowcase depicts a modern graphic of the Blushing Sloth on the front and a motif based on its appearance on the back. Its crafted in a soft and smooth premium velvet fabric and is finished with cord piping in a contrasting colour and a zip with the Moooi logo as a beautiful detail. Insert sold separately.
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
The PK9’s unique shape is characterised by three pieces of satinbrushed stainless spring steel that act as a column, carrying the leather seating element. Poul Kjærholm was inspired by a sand imprint of his wife’s behind from a day at the beach. Later, during the design process, Hanne Kjærholm sat in boxes of clay to find the most optimal and comfortable solution.
The Giraffe chair was designed by Arne Jacobsen in 1959, specifically for the restaurant at the SAS Royal Hotel in Copenhagen. Its high back and padded armrests make for a cosy and comfortable seat. The Little Giraffe™ chair is an evolution of its iconic predecessor – a striking rendition suitable for hospitality, meeting rooms or dining spaces.
The four-legged Little Giraffe model fuses Arne Jacobsen’s sculptural aesthetic with impeccable upholstery. The chair is slightly higher and wider than the original design, appealing to contemporary taste and comfort.
The HAL Ply Stool High features a sleek plywood seat shell paired with a chrome-plated tubular steel base, complete with an anti-skid footrest, designed for non-stacking use. This stool is part of Jasper Morrison's HAL collection, which reinterprets the classic shell chair tradition pioneered by Charles and Ray Eames, offering versatile applications from dining areas to auditoriums. The HAL series includes various base options—metal, wood, castors, or high versions for bar stools—that can be paired with seat shells made of plastic (HAL and HAL RE), plywood (HAL Ply), or lightly padded fabric (HAL Soft). Notably, the HAL RE version utilizes recycled plastic from Germany's 'Yellow Bag' household waste collection, reducing climate-damaging emissions and energy consumption. For large-scale installations, HAL RE can be customized with stackable bases, row connectors, seat numbering, and stacking trolleys. Additionally, the HAL Ply Stool High is available with a downloadable 3D file for design and planning purposes.
Vitra, a Swiss family-owned company founded in 1950 by Willi Fehlbaum, is renowned for its innovative and iconic furniture, lighting, and accessories, collaborating with legendary designers like Charles and Ray Eames to create timeless, functional, and aesthetically pleasing pieces for homes, offices, and public spaces.
The Tripod Clock, a brass table clock from George Nelson's iconic Desk Clocks collection, embodies the designer's vision of timepieces as decorative elements rather than mere functional objects. Designed in 1947 and launched in 1949, this clock reflects Nelson's innovative approach to timekeeping, focusing on the relative position of hands rather than numbers, and is part of a broader collection that redefined clock design with its diverse shapes, colors, and materials. Crafted from brass, acrylic glass, polyurethane, and solid walnut, the clock features a high-quality quartz movement and includes a 1.5-volt battery. The walnut used in the clock originates from Western Europe and/or Poland. A 3D file of the Tripod Clock is available for download, offering a detailed digital representation of this timeless piece. Vitra, the Swiss family-owned company behind the reissue of Nelson's designs since 1999, is renowned for its collaboration with legendary designers and its commitment to creating functional, aesthetically pleasing furniture and accessories for homes, offices, and public spaces.
The Palissade collection, designed by the renowned French brothers Ronan and Erwan Bouroullec for HAY, is a versatile range of outdoor furniture crafted from powder-coated or hot-galvanized steel. Characterized by symmetrical geometry, the collection combines visual simplicity with robust durability, making it ideal for both natural landscapes and urban environments. Designed to age gracefully, Palissade furniture is perfect for long-term use in diverse settings, from cafés and restaurants to gardens, terraces, and balconies. The collection features a two-component coating system—a primer and an outdoor powder coating—that ensures resistance to corrosive elements, enhancing its suitability for outdoor use. Available in a variety of finishes, including Anthracite, Sky Grey, Olive, Iron Red, and Hot Galvanized Steel, Palissade offers both aesthetic appeal and functional resilience. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning.
HAY, the Danish interior design company behind Palissade, was founded in 2002 and is celebrated for its contemporary, high-quality furniture and accessories. Known for collaborating with both established and emerging designers, HAY creates modern, minimalist products that blend functionality with timeless style, catering to residential, commercial, and public spaces worldwide.
The Scissor chair, designed by Ward Bennett, draws inspiration from the mid-nineteenth-century hammock-style chaise transatlantique, with its earliest version introduced in 1964 and refined by 1968 into a design featuring softened rectangular sections. This versatile chair is available in a variety of metal and wood finishes and can be upholstered in nearly any leather or textile, making it a customizable centerpiece for modern interiors. A 3D file of the Scissor chair is also available for download, allowing for detailed visualization and planning. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, the Scissor chair reflects the company’s commitment to timeless, functional, and aesthetically appealing designs for both residential and commercial spaces.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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