TESO BOOKCASE - 2d files - 3d files

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

TESO BOOKCASE

fontanaarte > Console

Renzo Piano made his design debut with a coordinated line of furnishing systems for FontanaArte, using only one material: glass, symbol of the company’s production history. A very fine collection that comprises table, bookcase and console.

Quaderna 756

zanotta > Console

Sideboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. On the back panel, the sideboard is equipped with cable entries.

Console Gotham

tonellidesign > Console

The console for entrance model Gotham was conceived by the design studio Leonardi & Marinelli. It has a smoked glass structure completed with a black wooden drawer, provided with soft closure and frontal part in smoked mirror. The console Gotham is available also with integrated wireless battery charger and is perfect for modern and luxury settings. 

Console Gulliver

tonellidesign > Console

The console Gulliver is completely made of glass, transparent or extra clear. Its simple and linear shape make it prefect for any kind of setting, specially where there is need to brighten and soften the environment. This designer console is offered in different sizes and is suited for different uses: it can be chosen as console table for entrances or hallway, or for the lounge or bedroom.

Console Gulliver 2

tonellidesign > Console

The console Gulliver 2 is provided with a glass structure in transparent or extra clear version. This console, of a clean and modern design, can also be fitted with drawers available in wood, matt lacquered or leather, in contrast with the lightness of the glass.  It can be included in several settings, such as entrances and hallways, living rooms or bedrooms, in a refined and luxury environment.

Console Sestante

tonellidesign > Console

The console Sestante by designer Emilio Nanna is part of a collection of furniture distinguished by a rigorous and essential design of vertical structural elements, symmetric and orthogonal. This console leaves maximum compositional freedom to the modular structure and is available in smoked, extra clear or digitally printed glass for a complete personalization.  Thanks to the clear lines and versatile finishes it is suitable for any setting of modern and contemporary design.

Console Sestante Stone

tonellidesign > Console

The designer console Sestante Stone was designed by designer Emilio Nanni. It is a console characterized by the rigorous and essential design of vertical structural elements, symmetric and orthogonal.  It is made of a base in glued glass and top in matt brushed marble, with bevelling at sight on the top. The bases are available in smoked or extra clear glass. The top in matt brushed marble, with visible bevelling, is available in Arabescato Orobico Gold, Tropikal Storm or Domus White. 

Clyfford "Console"

minotti > Console

A console featuring simple, contemporary design that can easily be paired with any of the pieces in the Minotti collection. Flexible and adapt-able, thanks to the wide variety of finish-es, the laser cut metal structure comes in Pewter color, with glossy lacquered tops in Mud, Granite, Pewter and Petroleum shades, or in oak with lacquered Moka finish.

Lang "Console"

minotti > Console

The Lang console, like the other elements in the eponymous collection, rests on sophisticatedly minimalist metal blades painted Pewter color. The base is suitably reinforced to ensure the utmost stability without compromising the inherent lightness of the project. The console is available in two heights: “High” 72 cm and “Low” 50 cm, and comes with two push-pull drawers. The structure is finished in Granite color glossy lacquer, while the drawer fronts are available in polished ebony, Tobacco stained flamed oak and Moka oak.

Solid "Console"

minotti > Console

Developed starting from a simple square volume, the Solid family of complements reveals great versatility through its clean and simple shapes. The Solid family hosts elements with different shapes and functions. With their square forms and cubist style, their bold personality adds a distinctive touch of flair to residential and Hospitality interiors. They range from the parallelepiped volume, which is tall enough to be set alongside a dining table as an additional seat, to coffee tables for holding or storing objects, and nightstand for the sleeping area. The rich ensemble is completed by the console table, which sits on metal blade-like legs with a Black-Nickel finish. Some Solid coffee tables are equipped with drawers, featuring an open Moka oak and a push & pull opening system. Coffee tables that offer useful storage solutions, featuring drawers with a perfect aesthetic that almost makes them imperceptible. The Solid coffee tables, in all sizes, are available both in the glossy lacquered version in the colours Corten, Muschio, Petrolio and Moka and in the open-pore ash finish in Moka colour. Some of them are useful storage elements thanks to drawers, with interior in Moka-coloured ash and push & pull opening, almost imperceptible by the eye thanks to their perfect aesthetics. In the version with dimensions cm 35x35 H45, Solid becomes an eclectic furnishing piece, ideal for a use in any interior location, characterising the space in which it is positioned with its clean and simple sculptural presence. This version also comes in saddle-hide, crafted with the same technique used in fine leather luggage-crafting, where every side is trimmed with precise stitching along the edges that enhance the preciousness of the furnishing element as a whole.

Lelong

minotti > Console

The Lelong coffee tables, inspired by the lightness of Scandinavian design, have thin tubular legs in Black Coffee finish with polished Pewter tips supporting lacquered, wood or marble tops.  The Lelong family boasts an extensive range: a full series of different sizes and finishes with square, round and rectangular tops that make it particularly versatile and suitable for use as a coffee table, side table or console. The coffee table design also includes a version with two staggered shelves of different heights that intersect to create a sculptural piece of furniture with multiple possibilities of use.  Its slender, light design offers an ideal contrast when set alongside the more generous volumes of the Horizonte seating system by Marcio Kogan / studio mk27 and the Goodman seating system by Rodolfo Dordoni: a balance of shapes and proportions that makes the living space even more dynamic and elegant. In the single-top version, the top is available in Cappuccino, Moka, Chestnut, Army Green, and Malachite polished lacquered finishes, in Canaletto walnut stained Dark Brown or in Liquorice open-pore lacquered ash; in the double-top version, the lower top comes in the same finishes as the single top version, while there are three alternatives for the higher top: Liquorice-coloured ash, Calacatta marble with smooth matt finish or in various lacquered finishes. 

Estrada Dining Console

lexington > Console

An inset silver travertine top is artfully suspended above an open compartment and two full extension drawers. Custom hardware finished in a lightly burnished silver coloration completes the look.

Mystic Console

lexington > Console

The Black Penn Shell with a contrast inlay of Young Penn Shell top and leather-wrapped rattan base makes a dramatic statement in any room. The classic Pan-Asian design makes it a signature piece for this collection.

Sonesta Serving Console

lexington > Console

The serving console offers a distinctive look, featuring twisted rattan fretwork on the end and back panels, finished in a rich umber coloration. The top surface features beveled tempered glass. The shelf below is crushed bamboo. Two drawers at the bottom offer ample storage behind woven raffia fronts.

Accolade Console

lexington > Console

Heavily distressed and Barnyard Oak veneers in random planks with a waxed carbon finish. The architectural console has concentric stepped moldings in the side panels.

Bannister Garden Console Table

lexington > Console

The contemporary tree branch design on the base was inspired by the Australian Boab tree. The top is solid travertine in a soft demilune shape.

Canto Console

lexington > Console

Modern Organic designs crafted from 5mm sawn French Oak veneers and select hardwoods in a honey brown finish with an aluminum base in a bronze finish.

Cityscape Console

lexington > Console

The Cityscape console table features six-sided blocks of stainless steel in a three-dimensional intersecting pattern, highlighted by select portions accented in a warm brass finish. The result is a design with remarkable depth and brilliant shimmer, especially when viewed through the glass and into the decor.The vintage coloration is attributable to certain elements being electroformed in brass. Note stainless steel and brass will show slight imperfections and polishing marks. The 54 x 14 inch glass is flat polished with radius corners and is .75 inches thick.

Elation Gray Console

lexington > Console

Faux horn motif hand-painted by artists on individual resin tiles in a dark gray bone coloration. Faux horn tiles will vary in appearance and coloration from piece to piece.