MERIDIANO - 2d files - 3d files

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

Fly SC1

&tradition > Armchair

Space Copenhagen ́s Fly series signals a sculptural approach to design without sacrificing comfort. Referencing a classic Nordic aesthetic, details and techniques, seen in the slatted wood backrest, organic shapes and solid craftmanship. Fly is a series that allows the users to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimized for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. This lounge chair comes in three different variants.

KEKKE dining table

pietboon > Table

Each Piet Boon Collection Dining designer furniture piece conveys our love for rich and natural materials, generous proportions, typical shape and eye for extraordinary detail. The KEKKE dining table is no exception and brings sophisticated luxury to any interior. Enjoy the company of family and friends around the KEKKE table long after the meal is over. The KEKKE is also available as arm chair, long chair, kitchen- and bar stool, and mirror.

Post Table 270 cm

fredericia > Table

Post Table is a solid oak dinning or meeting table expressed in the contemporary design ethos of Danish designer Cecilie Manz. The robust table top is made lighter by subtle edge detailing and soft corners inviting to be touched. The robust frame construction exposes the materials solid wood ends, with a powerful expression that enhances subtle details from the lighter Post Chair.

Lido

minotti > Armchair

The welcoming nest shape of the Lido family of seats by Italian-Danish duo GamFratesi is the hallmark of its design.  The curved silhouette that outlines the body on which the padding of the seat sits now also comes in a two-seater sofa version: a compact furnishing piece, ideal for both home and Hospitality spaces.  The design, inspired by the 1950s, recalls the typical stylistic marks of Brutalist architectures, here softened by the masterful use of textured fabrics and comfortable, ergonomic cushions.  The volume of the sofa is raised from the ground by four solid wood legs, in Moka-coloured open-pore ash or Canaletto walnut with a Dark Brown stained veneer. Alternatively, it can rest on the iconic X-shaped aluminium base with Moka-coloured open-pore ash finish, imbuing this object with timeless beauty and making it easy to pair with the other furnishing pieces in the collection. The base and legs are enhanced by an interesting decorative insert in Bronze-coloured varnished steel at the top of the legs. The two-seater sofa completes the Lido family, which includes armchairs, ottomans, lounge armchair and dining little armchair - only with legs in solid wood - and coffee tables that sit on the iconic X-shaped base, with round or square top in Bianconero marble or ash wood with a Moka open-pore lacquered finish. 

Miniatures MR 90 Barcelona

vitra > Styling

Mies van der Rohe designed the German pavilion and corresponding furniture for the 1929 world's fair in Barcelona. Among other things, his pavilion served as the setting for the inaugural ceremony led by the Spanish royal couple, Alfonso XIII and Victoria Eugenia. While Mies van der Rohe implemented his ideas of avant garde steel and glass architecture for the building design, he drew his inspiration for the furniture from historic models. Mies van der Rohe took as his starting point the ancient, scissors-shaped collapsible folding chair, already a symbol of power among Egyptian rulers. In keeping with the occasion, he adopted the representative qualities of the scissors chair, although he does without the folding function and interprets it afresh. In order to match the overall impression of luxury in the pavilion, Mies van der Rohe chose not to use wood like the historic models, but instead employed chrome-plated steel strip and leather upholstery with button stitching. The pavilion was torn down after the fair. However, along with the furniture, it was retrospectively acknowledged as a showcase for the &#187;International Style&#171; that had taken hold throughout the world. The Barcelona pavilion was reconstructed and rebuilt in 1986.<br/><br/>

Miniatures Armchair Nr. 42

vitra > Styling

In his designs, Alvar Aalto combined Scandinavian craft traditions and his own affinity to nature with the functional ideas of the Bauhaus. This led to an exchange of ideas with Marcel Breuer, which later influenced the work of both men. <br/><br/>Armchair No. 42 was presented for the first time at an exhibition held in conjunction with the Nordic Building Forum in 1932. With a simple three-part construction, the design ensures a high degree of comfort: the cantilever base flexes in response to the user&#8217;s weight and the plywood seat shell follows the contours of the body. In recognition of its pleasant tactile qualities and favourable insulating properties, Aalto executed the chair in natural birchwood with a black or white lacquer finish for the seat shell.

Nova 2-seater sofa

swedese > Sofa

The graceful Nova family is an updated version of classic furniture design. Discreet, yet distinct. Nova fits well in many types of interiors and contributes both function and a sense of home. The product family is a very popular sofa group and is available as an easy chair, footstool and sofa; 2 & 3 seater. The sofa is available with legs in aluminum or wood; oak, ash and beech. In the seat, Nova is equipped with nozag springs for best comfort. Available with and without buttons in the back. Can be obtained with 3 cm higher wooden legs.

Lido

minotti > Sofa

The welcoming nest shape of the Lido family of seats by Italian-Danish duo GamFratesi is the hallmark of its design.  The curved silhouette that outlines the body on which the padding of the seat sits now also comes in a two-seater sofa version: a compact furnishing piece, ideal for both home and Hospitality spaces.  The design, inspired by the 1950s, recalls the typical stylistic marks of Brutalist architectures, here softened by the masterful use of textured fabrics and comfortable, ergonomic cushions.  The volume of the sofa is raised from the ground by four solid wood legs, in Moka-coloured open-pore ash or Canaletto walnut with a Dark Brown stained veneer. Alternatively, it can rest on the iconic X-shaped aluminium base with Moka-coloured open-pore ash finish, imbuing this object with timeless beauty and making it easy to pair with the other furnishing pieces in the collection. The base and legs are enhanced by an interesting decorative insert in Bronze-coloured varnished steel at the top of the legs. The two-seater sofa completes the Lido family, which includes armchairs, ottomans, lounge armchair and dining little armchair - only with legs in solid wood - and coffee tables that sit on the iconic X-shaped base, with round or square top in Bianconero marble or ash wood with a Moka open-pore lacquered finish. 

Daniels

minotti > Sofa

Comparable to a landscape design project, where carefully plotted combinations of elements create a new domestic scenery, the Daniels seating system redesigns the living areas with brand new compositions, in which regular curves and ellipses interrupt the linearity of the layouts, imbuing them with a more dynamic momentum.   Innovative and truly original, it is at its most striking when paired with the Amber low units, creating solutions with a strong visual impact that pass seamlessly from the soft feel of the seats to the harder feel of the containers and from more geometric shapes to an extraordinary combination of curves. The chairs are designed based on the concepts of full modularity and maximum comfort, and feature a single cushion. The vast design system also includes decisively large chaise-longue couches with curved seating areas. The frame of the back, and the combination of two different depths produces an effect in which the backrests appear to overlap, creating movement at the back which dispels the perception of the sofa as a continuous screen when set in the centre of the room, as well as making it possible to add the Clive console, which further accentuates its motion.  Instead, the “offset” version, where the backrest juts out from the side of the seat, easily accommodates the Amber ottoman or low unit, creating a different compositional solution.  The system offers an alternative to the fixed armrest, in the form of a removable ottoman, in leather or fabric, on wheels. Its natural position is alongside the sofa, attached using magnets, but it can be moved and used as an additional chair or surface, or, if positioned opposite the seat, as a natural extension of the same. The ottomans can also be attached to the end of the Amber low units. Daniels is available in two versions: all-fabric or all-leather, and in a third combined option with base and armrest in leather and cushion in fabric, flaunting a harmonious mix of the textures and colours of the exclusive Minotti textile collection.  With its design-based, modular, versatile and innovative qualities, Daniels introduces original and unexpected structural details and compositional elements with a dynamic, contemporary rhythm. 

MERIDIANO

fontanaarte > Floor lamp

The «shape of light» is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Tropico and Meridiano. The latest family now featuring the new floor-standing version. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods.

TROPICO MEDIUM

fontanaarte > Wall lamp

The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.

urban mini

axolight > Ceiling lamp

Post-industrial aesthetics and cutting-edge performance. Urban mini converts simple geometric shapes into a unique design, enriched with glamorous and sophisticated finishes.

Wall panel corner 160 light oak

mutina > Styling

Wooden element used to create the end of a boiserie, exclusively sold with its wooden fillet MOUNTING PIECE 160 and a product of your choice between Skirting S, Skirting L, Rectangular Skirting or Rack.

End Piece S black painted metal

mutina > Styling

Black metallic element to close the baseboard Skirting S.

Rectangular Skirting dark oak

mutina > Styling

Skirting in moulded oak with rectangular section.

L Profile Corner Black

mutina > Styling

L-profiled, powder-coated element in aluminium, L100cm with dovetail-shaped end.

L Profile Horizontal Grey

mutina > Styling

L-profiled, powder-coated element in aluminium, L100cm.

Red Dots

mutina > Styling

Natural oak wood slats.

Philippe Lounge Chair 5351 Custom GRD 7 / Metal Base 5352 Custom GRD 5 / Metal Base 5353 Custom GRD 5* / Metal Base 5350 Custom GRD 3 / Metal Base 6910 Custom GRD 10 / Metal Base

jonathanadler > Armchair

<p><b>Mod Men.</b></p><p>Our Philippe Lounge Chair gets an ultra-mod makeover with semi-circle arms. Sleekly tailored with angled, blackened iron legs and a generous cushion, Philippe is a chic complement to circular tables and capsule-inspired sofas like our Brigitte. In fresh Venice Blush velvet and cool Venice Mariner & Snow velvet, Philippe's new profile is impossibly posh in your Malibu manse or Brooklyn brownstone.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Doris Chair 31007 InStock Brussels Powder Blue / Wood Base 32204 Custom Grade F / Wood Base 32205 Custom Grade I / Wood Base 32206 Custom Grade K / Wood Base 32207 Custom Grade L / Wood Base 32208 Custom Grade O / Wood Base 32209 Custom Grade S / Wood Bas

jonathanadler > Armchair

<p><b>Posh Perch.</b></p><p>Inspired by '40s Chinoiserie with a nod to Park Avenue, our Doris Chair is the primary punch that refreshes any room. The open arm detail and Ming-inspired base adds sculptural flair, but it's still a comfy perch for reading. Upholstered in bold blue velvet with a patterned trim or a fresh and vibrant shade, both with a bright white lacquer base for added impact.</p><p>Pop a pair in your parlor or add a chic seat to the corner of your boudoir.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Nature Mood PLANK 04

florim > Floor tile-stone

Marble and wood blend in a refined creative mood board. In line with the latest trends in housing evolution, Nature Mood conceives of Nature not only as a model, but also as a true mentor and gauge of human endeavor, something from which to acquire knowledge and with which to give life to increasingly environmentally friendly designs. <p>In this collection, Nature becomes an active component of design, mixing a palette of surfaces with warm hues that take their inspiration from the world of marbles and the material of wood, with clean, minimalist veining and an array of colors. The upshot is the attainment of elegant spaces that flow between interior and exterior, enhancing the presence of light so as to bestow a sensation of immersion in the natural environment at all times. The marble surfaces in the collection bring a new perspective to some of the most enchanting landscapes and natural binomials to be found on earth.</p> <p> </p> <p class="MsoNormal"><strong>COLORS AND DECORS</strong></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The verdant backdrop of Rainforest is redolent of the vegetation of tropical woods, with thin brown veins that evoke the bark of a tree.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Glacier conjures up the whiteness of glaciers with delicate crests of light and dark gray.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Mountain Peak is inspired by the varied appearance and warm colors of mountain ranges in the summertime.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Tundra recalls the alternation of earth, shrubbery and snowfall that characterizes the homonymous Arctic polar environmental system.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">And lastly, Riverbed is reminiscent of a gravelly river bottom with its multiplicity of stones smoothed by the flowing water.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The Planks 01, 02, 03, 04, 05 and 06 surfaces are the most combinable elements in the collection. Conceived as a color palette of woods with a clean, minimalist style, the Planks can generate different mood boards depending on the marble-effect surfaces with which they are juxtaposed, taking up the nuances of the veneers and affording the designer the option of personalizing both the interior spaces and the exterior shells of the buildings in accordance with his or her own creative taste.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The range of backgrounds is enriched by five 6 mm thick fine porcelain stoneware decors that combine the colors of different wood-inspired surfaces.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Hexagon offers a combination of 3 six-sided polygons, each of which in turn is divided into two different shades of wood. The composition is designed in two versions, the first combining the warm hues of Planks 01, 02 and 03, the second blending the cooler colors of Planks 04, 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">French Herringbone immediately recalls the classic laying pattern for parquet flooring, in this case reformulated as an embellishment that alternates small slats in two colorings. The composition is available in two versions, one of which combines the amber shades of Planks 01 and 02, the other of which unites the gray tones of Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Stripes offers an alternation of small strips in two colors. In this case, too, the range grants the designer the option of choosing between two variants, one that juxtaposes Planks 01 and 02, and one that combines Planks 05 and 06.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Strip consists of a plank with thin and elongated lines available in all the colors in the collection.</span></p> <p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Finally, Chevron recalls the homonymous pattern of timeless charm. Here again the decor is offered in all 6 wood-effect colors of the collection.</span></p>

Jut High Cabinet

fritzhansen > Cabinet

The round legs placed at the outer corners and the sleek brass handles give Jut a light and graceful expression. The shelves of the cabinet are adjustable with fittings on the inner side. Jut High Cabinet is suitable in almost any room, adding contemporary Nordic functionalism to the practicality of storage. The tabletop comes in either oak or marble – both materials known for their beautifully vivid structures. The round legs placed at the outer corners and the sleek brass handles give Jut a light and graceful expression. The shelves of the cabinet are adjustable with fittings on the inner side. Jut High Cabinet is suitable in almost any room, adding contemporary Nordic functionalism to the practicality of storage. The tabletop comes in either oak or marble – both materials known for their beautifully vivid structures.

Steamer Deck Chair

fritzhansen > Chair

The flowing lines of the Steamer Deck Chair are inspired by the curved lines of a cruise ship. The chair has an integrated footrest that folds up easily when not in use. Steamer Deck Chair is crafted from high-quality teak in a clean and light expression with functionality and comfort at the forefront of this Nordic archetype. Create the perfect spot to recline and relax with the Steamer Deck Chair, a modern rendition of the archetypal sun lounger. Accommodating four reclining positions, it is a fusion of function and comfort. Its integrated footrest tucks away when not in use, while its FSC-certified teak frame offers sturdy comfort, patinating beautifully over time.

Drachmann Table

fritzhansen > Table

The signature Drachmann series draws inspiration from the beautiful garden of Danish romantic poet and painter, Holger Drachmann. A careful balance of Nordic nostalgia and modern simplicity underlies its enduring popularity. Designed in collaboration with Danish designer, Mogens Holmriis, the balanced form of the Drachmann Table pairs Nordic nostalgia with modern simplicity. The neat sized round table comfortably seats four people. Made of 100% FSC-certified teak.

CRATIS - Round wool rug _ B&B Italia

B&B Italia > Carpet

The B&B Italia carpet collection is a versatile and elegant solution for interior decoration, available in six sophisticated color options (beige, light brown, dark brown, light grey, grey, and bordeaux) and four standard dimensions (300 cm diameter, or rectangular shapes of 200x300 cm, 250x350 cm, and 300x400 cm), with the added flexibility of custom cut-to-size options. Crafted from 100% pure virgin New Zealand wool, the CRATIS carpets are made from natural raw materials, ensuring both durability and a luxurious feel. For further details, visit the manufacturer's page on CRATIS by B&B Italia, where a downloadable 3D file of the product is also available for design planning. B&B Italia, a globally renowned Italian company established in 1966, is celebrated for its innovative, high-quality contemporary furniture and accessories, blending modern design with exceptional craftsmanship.

H1040 SIBERIA - Brass door handle on rose _ Valli

Valli > Finishes accessories

The H1040 Siberia is a sophisticated brass door handle available in Chrome, Cromosat, and Bronzsat finishes, with an optional fireproof version, priced as a pair. Designed by Gabriel and Oscar Buratti for the Valli&Valli H 1040 Siberia collection, this handle emphasizes solidity and volume through its bold, square lines and multi-layered lever design. The Bronzsat finish also features BioCote® antimicrobial treatment for added hygiene. The collection includes door and window handles, available with short or long escutcheons, and a downloadable 3D file is provided for precise integration into design plans. Valli & Valli, a renowned Italian supplier founded in 1934, is celebrated for its premium architectural hardware, blending innovative design with exceptional craftsmanship to cater to both residential and commercial projects worldwide.

CICLOITALIA - LED brass floor lamp _ Catellani & Smith

Catellani & Smith > Floor lamp

**Product Description:** Step into the past with CicloItalia, a modern reimagining of the iconic Ciclocina lamp from 1989. This exquisite piece, crafted entirely from hand-polished brass, is available in both floor and table versions, blending timeless elegance with contemporary design. Featuring a black base, brass structure, and a frosted glass lens, CicloItalia is illuminated by a low-voltage COB LED (1x5W, 600 lumens, 2700K, CRI 80) and includes a touch dimmer with memory function. The lamp operates on a 220-240V plug driver (110V available on request) and is EPREL registered. A 3D file of the product is available for download, allowing for seamless integration into design projects. **Supplier Description:** Catellani & Smith, founded in 1989 by Enzo Catellani and Logan Smith, is a renowned Italian lighting design brand celebrated for its innovative, artistic, and high-quality lighting solutions, blending craftsmanship with contemporary aesthetics.

WA WA - LED metal floor lamp with dimmer _ Catellani & Smith

Catellani & Smith > Floor lamp

The "Wa Wa" standing lamp, inspired by a touching moment at the Frankfurt Trade Fair where a Japanese admirer described it as "perfect," is a stunning piece of lighting design featuring a brass or nickel-plated metal base, copper sticks, a removable glass lens, and black wires with a dimmer. It is powered by an interchangeable LED light source (5x1W, 700 lumens, 2700K, CRI 80) and comes with a 110-240V plug driver, adaptable to various markets upon request. The lamp’s elegant and artistic design makes it a perfect statement piece for both residential and commercial spaces. A 3D file of the product is available for download, allowing for seamless integration into design projects. Catellani & Smith, the Italian lighting design company behind this creation, was founded in 1989 by Enzo Catellani and Logan Smith and is renowned for its innovative, sculptural lighting solutions that blend artistry with functionality, making it a favorite among designers and architects worldwide.

SCOTCH CLUB - LED ceramic ceiling light _ Marset

marset > Ceiling lamp

PALOSANTO - LED aluminium bollard light _ Marset

marset > Outdoor lighting

MARAKESH - Aluminium candle holder _ Lambert

Lambert > Accessories

Ascoli Floor Matt Black

astro > Floor lamp

Kuro 450 Textured Black

astro > Floor lamp

The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.

Martello 240 Plaster

astro > Floor lamp

Kabuki indoor

kartell > Floor lamp

The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.

Cellu Floor Lamp EU Grey

normann-copenhagen > Floor lamp

Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel. 

Ambrosia

marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.          

Funiculí

marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Matin Floor Lamp

hay > Floor lamp

The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.

ROMA - Metal floor lamp _ Turri

turri > Floor lamp

The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.