E.T.A. SAT - 2d files - 3d files

Evita

kdln > Floor lamp

The name conjures up a woman of immense charm and character who inspired films, music and literature. It conveys a decisive, yet delicate elegance in its sinuous, unpredictable shape. The special elastic fabric, normally used in other contexts, wraps around the body of the light like a garment, creating unexpected curves.

Kyudo

kdln > Floor lamp

Kyudo literally means the “way of the bow”, a thousand-year-old discipline inspired by Zen philosophy. And like an arc of light, the floor lamp conveys a sense of balance and elegance. The continuous sequence of LED lights creates an adjustable ribbon of light thanks to the two arcs that form the structure and slide one over the other.

SpilloFloor

kdln > Floor lamp

The subtle poetry of the simplicity of a lamp which, with elegance and irony, mimics an everyday object. Producing a fluid, elementary sign. An organic form which takes its lightness outdoors as well. Perfect in the outdoor version for terraces, gardens and open-air spaces.

SpilloOutdoor

kdln > Floor lamp

The subtle poetry of the simplicity of a lamp which, with elegance and irony, mimics an everyday object. Producing a fluid, elementary sign. An organic form which takes its lightness outdoors as well. Perfect in the outdoor version for terraces, gardens and open-air spaces.

TripodFloor

kdln > Floor lamp

The modular elements of the most classic of lamps become basic and exclusive. Three simple lines for the support and straightforward volume for the fabric lampshade. An ethereal, refined and timeless object.

Shakti

kdln > Floor lamp

Industrial language finds an unusual expression and plays on simple, clean lines. The tubular diffuser, sliced diagonally at both ends, acquires a new impetus. Formal purity for a floor lamp that is always up-to-date.

E.T.A.

kdln > Floor lamp

Craftsmanship and materials in a fascinating combination. A floor lamp in fibreglass shaped by hand. A sinuous object flooded with light that seems to arrive from faraway worlds to grace the space it occupies.

Poise

kdln > Table lamp

A circle of light and a metal rod. Slender, lightweight and adjustable up to 320 degrees, they can be moved as one to create ever-changing configurations. The solid T-shaped base acts as a counterweight. The rod is placed at a tangent to the circle, in acrobatic or static poses. An invitation for two-way interaction with the light.

Tatu

kdln > Table lamp

Tatu, which means “three” in Swahili, consists of slimline triangular shapes. The lightweight, slimline structure frames the satin-finish glass light allowing it to shine through. Elegant contrasts between solid and hollow elements for a contemporary take on the classic table lamp, resulting in a unique, signature look.

Kushi XLTable

kdln > Table lamp

A perfectly balanced contrast in shapes and materials. The clear-cut, understated metal rod pierces the soft glass diffuser. Kushi, in the XL version, amplifies the sensation of balance and purity.

TootTable

kdln > Table lamp

A sculptural lamp inspired by the design of the Sixties. An object that conveys a sense of harmony and movement. The coloured or satin-finish plexiglass tubes give life to a fascinating vertical dance. The different elements are joined together by an unusual magnet system.

Lanna’Table

kdln > Table lamp

A beguiling, lightweight design for a table lamp that is reminiscent of the fascinating tradition of the Lanna. This ancient Thai population used to release hundreds of lanterns into the night sky during festivals. And it is as if one of these had floated down into the most sophisticated and contemporary interiors, recreating the magic with its warm, welcoming light.

Hive

kdln > Table lamp

The purity of Art Déco in the shapes. The allure of ancient Japanese ceramics in the pattern which envelops the body of the lamp. The freedom to merge styles and influences to create a one-of-a-kind object and the third firing technique to produce fine decoration in pure gold. A light, delicate design produced using multiple firings of the ceramic.

KushiMobile

kdln > Table lamp

The metal, rigid, cold and material rod is opposed to the velvety softness of the curves of the etched diffuser, coexisting in the same space, in continuous and mutual relationship, to create a collection of lamps formally very simple, but with a strong personality.

KushiTable

kdln > Table lamp

The round shape of the soft-feel glass diffuser. The strength of the metal rod which runs through it. A new balance for a statement lamp. Even in the portable version, to take with you wherever you go, from the living room to the terrace, study or bedroom.

Atomium

kdln > Table lamp

The luminous reinterpretation of the historic architectural symbol of Brussels, created for Expo in 1958. A large, versatile lamp with a hybrid use that can be placed freely on the table or the floor, emanating a soft light in all directions.

TripodTable

kdln > Table lamp

A graphic and minimal interpretation of the traditional lampshade. The design reduces the compositional elements to the minimum and reinvents a classic object, giving it a new modernity.

Sling

kdln > Ceiling lamp

A single unipolar cable transfers current and supports multiple light sources. Like a slingshot in the open air, this cable projects light installations, giving life to spectacular geometries and configurations that are always unexpected. Straight from our childhood, Sling plays with simplicity and endless variables.

Motus

kdln > Ceiling lamp

Unconditional freedom and ability to adapt to a stimulating environment and changing needs. This is the common denominator between Motus and a skill sport such as vertical wall climbing. Press and Release. A single interaction, a simple movement. Motus slides along its power cord, adjusting to different heights and supporting itself thanks to its own weight.

Kooi

kdln > Ceiling lamp

Kooi is inspired by Chinese Shan shui painting and conveys its philosophy. Thanks to the contrast between the glass diffuser and the metal frame, lights and shadows become the protagonists of continuous visual effects and unprecedented changes of perspective. Glass and metal. Light and heavy. Black and white. The Shan shui spirit becomes a suspension lamp.

Kate

kdln > Ceiling lamp

Architectural forms and unconventional dimensions. The headgear worn by the Duchess of Cambridge for the 70th anniversary of the English jubilee inspires Kate, the ceiling light that rewrites the perceptual rules of space. This conical lamp is positioned on the ceiling with an inclination of 15 degrees in order to diffuse the light in an unexpected way.

Mitos

kdln > Ceiling lamp

Like Ariadne donates Theseus a thread so that he could retrace his way out of the labyrinth of the Minotaur, Mitos goes along with light in domestic and public environments. This system of adjustable spotlights transfers an unusual eclecticism over the ceiling, enhancing the ambience of the scene.

Dala Linear

kdln > Ceiling lamp

A harmonious synthesis of form and function is traced by two linear elements of different sizes that frame the white diffuser overlapping each other like the petals of a flower. Thanks to the different combinations of finishes, Dala Linear integrates elegantly into collective and residential spaces.

Flow

kdln > Ceiling lamp

“Floating Leaves Out of the Window”. The metallic disc of the lamp imitates the shape of the leaves of a tree, blown by the wind. With or without light, the elements can be combined to make touching installations. Playing with shadows and lights, Flow reproduces the dance of nature on a windy day.

Flow Ceiling

kdln > Ceiling lamp

“Floating Leaves Out of the Window”. The metallic disc of the lamp imitates the shape of the leaves of a tree, blown by the wind. With or without light, the elements can be combined to make touching installations. Playing with shadows and lights, Flow reproduces the dance of nature on a windy day.

Poise Ceiling

kdln > Ceiling lamp

In Poise, human curiosity and the interaction with light source, are encouraged by the flexible section between frame and the circle, allowing the latter to be moved into any position. A vitality capable of creating ever-changing configurations defying gravity.

Dala

kdln > Ceiling lamp

Highly decorative with an architectural look, Dala blends fluid lines with a strong design. The two outer metal casings wrap around the large diffuser, overlapping like the petals of a flower. In two different sizes, featuring a sophisticated contrast in colours, reminiscent of the natural shape of the flower’s corolla which envelops the light.

Bolha

kdln > Ceiling lamp

Two different forms of glass. An ethereal, transparent bubble for the diffuser. A textured inner cylinder for the light source which resembles the filaments of traditional incandescent light bulbs. The continuously refracted light takes on a tangible appearance thanks to the interaction between the two elements.

Jer

kdln > Ceiling lamp

Elegant geometric patterns are traced on the blown glass. The cylinder shape is tinged by colours in eye-catching shades. The shapes and decorations are reminiscent of collections of old-fashioned cut glass with a contemporary twist. Jer can be used to compose groups of multiple elements, ideal for illuminating large spaces.

FLOED 2

kdln > Ceiling lamp

The surprising shapes of gorgonian coral inspire a structure of great visual and material impact. Between nature, art and architecture, a lamp installation with a strong and magnetic presence. The size of the blunt cylinder in opaline glass and the metal bar that make up Floed are impressive. For wall or ceiling surface-mounted installation.

FLOED

kdln > Ceiling lamp

The surprising shapes of gorgonian coral inspire a structure of great visual and material impact. Between nature, art and architecture, a lamp installation with a strong and magnetic presence. The size of the blunt cylinder in opaline glass and the metal bar that make up Floed are impressive. For wall or ceiling surface-mounted installation.

OpyoSuspension

kdln > Ceiling lamp

The infinite abundance of shapes in the natural world has always inspired art and design. The simple, harmonious lines of the poppy seed pod appear as if by magic in Opyo. The suspended version is a sophisticated design object. One individual lamp or multiple lamps placed side by side conjure up an evocative, refined atmosphere.

Lilli

kdln > Ceiling lamp

As in a sophisticated collection of botanical drawings, the delicate lines of Lilli recall the beauty of a rare flower. The delicate inverted corolla of the Martagon Lily is reinterpreted in an original lamp. The soft shape of the white opal glass diffuser is perfectly combined with the brass pistil to create an even more elegant effect.

TootSuspension

kdln > Ceiling lamp

The atmosphere of the Sixties and contemporary rhythm. Three-dimensional elements arranged at different heights create a play on light and movement. The suspended model combines movement with a dramatic look. An original element with a powerful decorative effect to add an extra touch of style to communal spaces and home interiors.

Lanna’Suspension

kdln > Ceiling lamp

A contemporary lightness, an ancient rite. The rite of the Lanna, the Thai people, who every year release hundreds of lanterns into the starlit sky. The glass diffuser, balanced in the suspended metal structure, appears ethereal and sophisticated. Intimate, dreamlike atmospheres in the bedroom and all the interiors of home and contract settings alike.

KushiSuspension

kdln > Ceiling lamp

Kushi, “skewer” in Japanese. An abstract shape freely inspired by Japanese cuisine. A gently rounded glass shape pierced by a thin metal rod. Its soft, warm light floats gently in the space. In the suspended version, it is an elegant invitation for dining in contract spaces and at home.

KushiCeiling

kdln > Ceiling lamp

A play on opposites, unexpected equilibrium. Soft, natural curves for the glass diffuser and a simple metal line which passes through and completes it. A convergence of shapes which rest gently on walls and ceilings producing a soft, warm light. When the beauty of design stems from the quest for simplicity.

Nami

kdln > Ceiling lamp

Nami, which means “wave” in Japanese, creates a continuous, eye-catching refraction of light. The diffuser, with its signature elegant grooves, opens unexpectedly at the sides to amplify the reflections of light. The graphic outline of the structure creates a visual contrast with the glass surface in an innovative balance between solidity and lightness.

Yuma

kdln > Ceiling lamp

The Yuma desert stretches between the USA and northern Mexico and is revived in the design culture of the designer, David Pompa. The polished brass body of the lamp constantly reflects and changes everything around it, conjuring up the dunes that disappear into infinity, never alike. The magic of oases and mirages returns in the refraction of the rough, textured glass.

Minimal

kdln > Ceiling lamp

The encounter between a young designer and the artisan culture of his birthplace. The minimal lines reveal the beauty of Barro Negro pottery created with age-old techniques. The polished black colour obtained with a special firing, together with the minor imperfections of manual craftsmanship, create an eye-catching contrast with the metal part.

Happy D.2 Plus Console vanity unit wall-mounted

duravit > Washbasin cabinet

Number of drawers: 4, Incl. console: No, Without handle, Siphon cut-out: Yes, Siphon cover: Yes, Soft self-closing automatic with damping, Tip-on fitting, Interior lighting: Optional, Interior system Optional Design by sieger design

E.T.A. SAT

kdln > Ceiling lamp

The material is transformed and turned into a light. Physical presence and abstract concept for a light with an original aesthetic look. Fluid, irregular shapes create an innovative, eye-catching equilibrium. A highly decorative object, ideal for communal spaces and show-stopping contract settings.

Cromatica Cenere

florim > Synthetic Floor

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Top Pendant Lamp

muuto > Ceiling lamp

With its universal and simple design, Top Pendant is a contemporary reinterpretation of the archetypical cone-shaped pendant. Its top is a striking feature designed to neatly fit its compact LED light source. Manufactured in spun steel with a graphic rolled hem, it is a versatile lighting family that offers an array of opportunities in color, size and function.

Ambit Rail Lamp

muuto > Ceiling lamp

The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.

Ambit Pendant Lamp

muuto > Ceiling lamp

Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.

Fluid Pendant Lamp

muuto > Ceiling lamp

Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.

Homefield Pendant 240 Textured Black

astro > Ceiling lamp

Portree Pendant Solid Brass

astro > Ceiling lamp

Drum 500 Oyster

astro > Ceiling lamp

Khan metal

kartell > Ceiling lamp

Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.

Small fl/y transparent

kartell > Ceiling lamp

FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).

Ge' metal

kartell > Ceiling lamp

Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.

Bloom hanging medium metal

kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Bloom hanging big

kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Mist AP16

&tradition > Ceiling lamp

Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and a textile cord, the Mist pendant lamp is available in two sizes.

Taraxacum 88 Suspension 1

flos > Ceiling lamp

Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.