Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The Outline Pouf echoes the clean and refined lines of the Outline design, making a perfect addition to any sofa setting. Use the pouf as a footstool as well as an extra seat.
The Five Pouf is a versatile, easy-to-use design that is both comfortable and contemporary. With a pentagon shape and linear detailing contrasted against curved edges, the Five Pouf is a unique item that can be used as extra seating or to decorate an unused corner of any room.
The Echo Pouf has a simple, friendly expression that brings comfort and function to any space alongside its light and almost hovering expression through its small legs underneath. The name of the Echo Pouf refers to how the design can be used in symmetric formations or clusters with various sizes and upholsteries, creating visual echoes throughout the space.
Alfred footrest is a classic and modern place to rest tired feet and a lovely alternative to the standard coffee table. The design is round and oozes contemporary elegance.
Dane footrest has a streamlined and simple expression which makes it a robust and elegant modular piece. The softly rounded seats with gracious folded details invites you to kick back and relax. The different modules make it possible to combine a unique sofa adjusted to any space. Choose a single textile or combine severel for a cool statement effect.
This footrest is part of the Vincent sofa, which is a luxurious and comfortable lounge series of loose modules, where you can combine criss-cross and create the ultimate flexible dream sofa.
The Astha footrest has a classic, Scandinavian look that will add elegance to any home. With a footrest, you have both an extra seat when you have guests and a footrest where you can rest your feet when relaxing in your favorite armchair after a long day.
When classic Japanese and Scandinavian aesthetics meet up, Aya becomes the result. A simple and subtle design with a yet luxuriously inviting feel and look. This elegant pouf with its wodden leg frame and spacious body emphasises the “japandi! elegance and minimalism. Add it to the Aya 4-seater sofa for a design match made in heaven.
Dorothy footrest is elegant, simple and quite functional all at once. The perfect add-on for tired feet or for an extra seating when needed. Use together with Dorothy lounge chair and sofa or on its own.
The Honey pouf is irresistible and sums up some of the most significant new trends; curvy shapes, stacked layers and full upholstery! It is both a stool, a footrest, a side table and a sculpture in one.
IT by SLS is a dining pouf, which is a combination of a pouf and a dining chair. IT dining puf is new, proactive and different. It’s a “statment piece” that doesn’t compromise on functionality and comfort. The size and comfort makes it the ideal stool for dining, the walk-in, the entrance or as a beautiful sculpture in the bedroom. The metal tube is covered with soft aniline leather which embraces the soft upholstery, and works both as a handle and a lumber support.
The tall, narrow pouf suggests a simple, Nordic design with visible double stitching along the edges. The beautiful design makes No. 8 stand out in all its simplicity.
Hide Storage Pouf is a storage and pouf in one. Hide is made from PET felt, which consists of post-consumer plastic bottles which are extruded into polyester fibers and then pressed into felt. The seat of the pouf can be removed, revealing the hollow space inside which makes the design convenient for storage purposes.
Circus consists of hard foam in the bottom part and softer foam on the upper part for good sitting comfort. The pouf is covered in velour or wool textile. The pouf has a wooden plate at the bottom for stability.
Arkad S by Zilio A&C – A Playful and Modular Pouffe for Contemporary Spaces
A Soft Interpretation of Architectural Forms
Designed by Note Design Studio for Zilio A&C, the Arkad S pouffe draws inspiration from the classic portico, transforming architectural geometry into a playful yet elegant seating solution. With its soft, rounded form and compact dimensions, Arkad S works as a standalone graphic accent or as part of a modular seating system when combined with other pieces from the Arkad collection.
Versatility for Residential & Commercial Interiors
The Arkad collection is designed to bring flexibility and personality to modern interiors, making it an excellent choice for:
Hotel Lobbies & Lounge Areas – A stylish, informal seating option that enhances social and relaxation zones.
Co-Working & Office Spaces – Adds a soft and inviting element to collaborative work environments.
Retail & Exhibition Spaces – Functions as a display piece or interactive seating in creative settings.
Residential Interiors – Works as an accent stool, ottoman, or occasional seating in living rooms and bedrooms.
Thanks to its sculptural yet minimal design, Arkad S seamlessly integrates into Scandinavian, contemporary, Japandi, and eclectic interiors.
Compact, Comfortable & Fully Upholstered
With a fully upholstered body, Arkad S offers both aesthetic appeal and seating comfort. Its soft, rounded edges create a welcoming look, while its compact size makes it easy to move and rearrange.
The available fabric finishes allow for customization to suit different interior styles—ranging from neutral, understated tones for modern minimalism to bold, vibrant hues for playful contract settings.
Dimensions & Modularity
Arkad S is compact yet impactful, making it ideal for small and large spaces alike:
Width: 550 mm
Depth: 550 mm
Height: 450 mm
Designed as part of the Arkad series, it can be used alone or combined with other Arkad pieces, such as longer seating units and corner elements, to create unique configurations.
Why Choose the Arkad S Pouffe?
✔ Architectural inspiration – A modern take on the classical portico.
✔ Flexible use – Perfect as a standalone accent piece or part of a modular seating system.
✔ Fully upholstered – Provides both comfort and aesthetic appeal.
✔ Compact yet functional – Ideal for residential, hospitality, and commercial spaces.
✔ Customizable fabric options – Suitable for a wide range of interior design schemes.
A Modular Statement Piece for Dynamic Interiors
Whether used individually or combined into a larger composition, Arkad S is a versatile, stylish, and engaging seating solution that enhances modern interiors with playfulness and sophistication.
📥 2D & 3D files available for download for easy specification in interior projects.
🔗 Discover more at Zilio A&C.
The Conek Modular Seating Collection from Mobboli serves as contract furniture for hospitality venues and workspaces and applies to public and commercial settings as well as residential and hotel interiors.
Introducing the Conek Collection by Mobboli
The Conek collection produced by Mobboli features modular seating solutions designed by famous designer Gabriel Teixidó which fit perfectly into contemporary interior spaces. Conek offers armchairs and poufs that combine perfect form with function and sustainability so designers can create tailored seating solutions for various spaces including hotels and offices as well as residential and hospitality settings.
Conek remains adaptable and adjusts instinctively to meet modern interior design needs. The smooth modular design of Conek allows for easy adaptation to both straight and curved layouts which delivers essential flexibility for versatile spaces. The collection's understated elegance establishes it as a flexible choice for spaces that appreciate minimalism along with modern features and practical luxury.
Elegant, Minimalist Style and Design
The Conek collection presents a modern minimalist design with smooth lines that create a sophisticated look suitable for various spatial applications. Seating modules utilize carefully determined proportions to blend seamlessly into interior spaces without dominating existing decorative elements. The combination of delicate rounded corners and precise upholstery work creates a refined appearance which highlights luxury and comfort while maintaining visual simplicity.
The Conek modular collection features an advanced interconnectivity system which simplifies both attachment and rearrangement of its pieces. Configurations in the Conek modular collection can include intermediate tables which provide practical surfaces for work as well as relaxation and interaction purposes. The improved functionality enhances user experience which allows Conek to function in both sophisticated waiting areas and modern workspaces.
Premium Materials and Luxurious Finishes
High-quality craftsmanship and sustainable practices stand as key principles behind the Conek collection from Mobboli. The upholstered components deliver unmatched comfort through their structure of rubber bands which vary in density. The design maintains ergonomic support and durability under constant use in heavy-traffic areas.
The Conek collection features eco-friendly upholstery options like FELICITY which is made from 100% recycled plastic bottles. The sustainable fabric selections come in modern shades such as terracotta, dry blood red, sophisticated navy, and subtle light grey. The combination of soft textures and strong compositions provides both visual and tactile benefits along with outstanding durability to meet the tough requirements of hospitality and commercial settings.
Every frame benefits from robust yet well-proportioned construction made of round steel tubing which receives a finishing coat of high-quality epoxy paint. Designers have the flexibility to create harmony or contrast between project elements because the frames come in numerous modern colors that enhance the appearance of the upholstery.
Dimensions of Conek Seating Elements
The Conek collection contains two fundamental seating components which provide maximum comfort through their design while optimizing space efficiency.
Armchair Dimensions:
Width: 686 mm
Height: 640 mm
Depth: 663 mm
Seat Height: 390 mm
Pouf Dimensions:
Width: 686 mm
Height: 390 mm
Depth: 663 mm
Seat Height: 390 mm
The Conek collection's compact yet spacious dimensions allow it to fit comfortably into multiple interior layouts without losing either functional capacity or comfort features.
Ideal Applications and Versatile Usage
The Conek collection demonstrates adaptability across multiple settings because of its flexible design and modern appearance.
Hospitality and Hotels:
The Conek collection delivers sophisticated seating solutions for hotel lobbies, lounges, and guestrooms that create welcoming environments for relaxation.
Restaurants and Bars:
Establishments can use Conek's modular design to establish seating arrangements for both personal discussions and big group interactions which improves guest comfort with its fashionable design.
Offices and Collaborative Working Spaces:
Conek offers dynamic seating solutions that enhance corporate interiors and coworking spaces equally for formal meetings and casual collaboration areas.
Residential Interiors:
This collection brings minimalist elegance to residential spaces and offers adaptable seating that meets diverse requirements from hosting guests to daily life comfort.
Public and Commercial Projects:
The combination of durable building techniques with flexible design features positions Conek as the top choice for waiting areas and lounges in airports and public institutions that need seating combining sturdiness with contemporary looks.
Sustainability and Environmental Responsibility
Mobboli demonstrates its commitment to environmental stewardship through the sustainable design of its Conek collection. Through their utilization of recycled upholsteries and components that can be recycled completely Mobboli demonstrates their support for a circular economic model. Conek's sustainable credentials and responsible production methods make it an excellent choice for interior designers who prioritize eco-friendly products.
Alternative Modular Seating Collections
Mobboli offers other modular seating solutions for interior designers who wish to expand their options while maintaining similar functionality.
Split Collection: The Split Collection modular sofa system delivers modern versatility for public spaces and hospitality settings through cosmopolitan elegance and straightforward design.
Track Collection: The Track series delivers more customizable options through its modern modular design which makes it perfect for contract projects that need both stylish aesthetics and adaptability.
2D and 3D Files Available
Designers and architects who select the Conek collection can access comprehensive 2D drawings as well as 3D models for their projects. The system enables detailed project planning and smooth integration into design processes while supporting visualization and specification needs for projects regardless of size.
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