Fringe Interior | Scotch Club

Ambrosia

marset > Ceiling lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V2, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V3, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.

Ambrosia

marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.

Dipping Light

marset > Ceiling lamp

The Dipping Light is more than just a lamp; it inspires emotions. On, it is mesmerizing: its different shades of paint filter the light creating a magical ambience. Off, it transforms into a multi-coloured glass sphere, with a strong aesthetic impact.The Dipping Light started out as an experiment – dipping a switched-on light bulb in paint several times – but it became a lamp. The result is layers of colour painted in concentric circles which trap the light, attenuating its intensity. The paint acts as a shade, colouring the light and giving it texture. This artisanal process involved makes each lamp unique and exclusive. The pendant version of the Dipping Light sheds all unnecessary elements and retains only what is essential: colour takes centre stage. When using several lamps to make a composition, the visual effect is mesmerising. It is available in four different diameters: 12 cm, 20 cm, 30 cm and a new diameter of 40 cm. When this bigger bulb is switched on, it simply demands attention: colour is the message. Its size exudes so much strength and visual aesthetic that it can fill any space, bathing the room in colour. A cluster accessory is also available for the 12-, 20- and 30-cm pendant Dipping Light, allowing you to connect several pendant lamps at once to a single point of light. This offers the freedom to build with light, to illuminate large spaces and to create compositions.

Fris

marset > Ceiling lamp

Drawing thin beams of light in a space with each one of them pointing in any direction. This is why we have created Fris, a multi-purpose lighting system, available in a wall/ceiling or pendant version, which allows you to combine several units in different sizes and positions, each one aiming its own beam of light.Its design consists of a glass tube that encases the light. What makes it unique is that the glass not only protects the light, but also provides a mechanical function, suspending the whole system and allowing the lamp to rotate and the light to be steered in a certain direction. As a result, the glass is both material and function. Through the transparent glass we see the lamp’s interior, which consists of two profiles: one includes the light source and the other acts as a parabola, projecting a crisp, intense light. This system makes it possible to compose light structures and to join a set of lamps by means of different assembly and hanging accessories. In the pendant version, each Fris unit is supported by a strap, so that several can be placed horizontally, in line, one on top of the other, or perpendicularly, creating intersections of light. They can also function separately as an individual lamp. The other version can be fixed to the ceiling or wall. The pendant version is available in three lengths of 80, 155 cm and 215 cm and the version for ceiling or wall comes in another three lenghts 80, 155, and 215 cm. There is also a more technical version where the light is distributed in cells with independent lenses, achieving a UGR of under 19. Fris offers a very versatile and functional design for precise lighting of any type of project. An ingenious system that boldly tackles a previously unresolved issue: to have a set of lamps where each one directs the light individually.

Plaff-on!

marset > Ceiling lamp

The quality of a product’s design lies in whether or not it withstands the test of time. Plaff-on! has been illuminating indoor and outdoor ceilings and walls for more than a decade, and recently, thanks to a bollard version, gardens as well. A collection that is now expanding to include a new pendant version with a totally industrial vibe. Solid and compact, its 16-cm-wide structure, in black or rust brown, surrounds the glass diffuser.A design that combines simplicity and functionality and which in this new pendant version comes with a garland accessory allowing different lamps to be joined to a single point of light. Finally, a neoprene cable ensures waterproofing with no deterioration. The new Plaff-on! projects the light directly downwards. This highly effective collection continues to evolve and expand its applications, proving that a functional design is a lasting design.

Pleat Box

marset > Ceiling lamp

Applying a digitally designed fabric crease to ceramics. This is how the Pleat Box lamp was created, resulting in a design that conveys beauty in its material, shapes and texture.Ceramic is a ductile, malleable material, and every lamp in the collection is handcrafted. Fusing the clay with different enamels has allowed Xavier Mañosa to discover and interpret new light effects. He has gone as far as to play with two different finishes on the inside of the lamp: a brilliant white enamel to create sparkles that enhance the light, and a 24-carat gold plated version that emits extraordinarily warm lighting. The outside of the lamp comes in the collection’s classic finishes – white, black, terracotta and grey – as well as in the recently added dark green and ochre, two new shades that expand the range of possibilities to combine different sizes, heights and colours. The Pleat Box collection is also available with integrated LED technology, which projects warm indirect light and prevents glare. This lamp shows respect for craftsmanship, care for ceramics and the ingenuity of design.

Tam Tam

marset > Ceiling lamp

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.

Tam Tam

marset > Ceiling lamp

With the Tam Tam collection, Fabien Dumas shows us his knack for innovation: bringing together various lamps in one and allowing each to send light in any direction. The design features a central light source, to which various satellite lamps -between 3 and 5- can be added to project light from any angle.Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including blue-grey and khaki for the central lamp and silver-grey and olive yellow for the satellite lamps. The combination of colours is what harmonises the whole. Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.

The W

marset > Ceiling lamp

Unfold the light or fold it. The latest from PerezOchando is a flexible, large-format lamp designed to adapt to the different lighting requirements in large spaces.A large black vertical structure is the main shaft from which a number of rods emerge; some can be moved upwards to expand the light and others downwards to focus it. The rods all have a suspended spotlight that projects the light downwards or in a large, sharp beam. The cylindrical spotlights – with an inner ring that comes in ivory, terracotta or gold – spread the light evenly. This decorative light, with an extremely graphic profile that’s easy to outline, takes its inspiration from an old-fashioned winding machine: used to wind thread or wire around an axis and form a ball. Designers Pedro Ochando and Claudia Pérez have no interest in the machine’s function, rather in its shape, which enables vertical movement with a horizontal effect. A light, sober and functional design with great presence that can change shape, opening to extend the light up to a diameter of 2 metres for large spaces, or folding up to 1.2 metres in diameter to focus on a smaller area. The designers say that standing under the open lamp feels like being below a dome of light. The key feature is that, whatever its size, it always provides exceptional ambient lighting.

Ambrosia

marset > Ceiling lamp

The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffuse light that fills the space, adding beauty. This lighting system is available in four pre-set lengths, from 120 to 315 cm. Extensions measuring 40 and 60 cm let you define the height from which to hang them. That way, you can adjust their distance from the ceiling to create visually uninterrupted compositions. The LED SMD 24V light tube is available in three warm colour temperatures, 2200K, 2700K and 3000K, and offers adjustable intensity. It can also be installed on a canopy that includes the driver, or hidden and recessed. The Ambrosia started out as a unique and decorative piece for a multi-brand luxury boutique in Madrid. The Ciszak Dalmas studio, along with Joan Gaspar, decided to revise it in an effort to combine simplicity, functionality and aesthetics. Its linear and unique design, a nearly flat segment of light, was made modular and asymmetric to create a soft and surprising lighting system.

Atlas

marset > Ceiling lamp

Since its beginnings, Atlas has consisted of a transparent polycarbonate design that envelops the bulb and has the interior structure of a spotlight. A transparent suit that conveys lightness and enables it to blend in with its surroundings.It is available in a pendant version that emits directed light, or as a wall lamp, in which the light can be direct or indirect, bouncing off the ceiling or wall.

Bohemia

marset > Ceiling lamp

The Bohemia is unique. At first glance, it appears to be made of blown glass—but its size made this option untenable. Its designer, Joan Gaspar, overcame this difficult challenge by opting for polycarbonate instead.The result is an exciting, organic, translucent profile that integrates two volumes into a single shape. This allows for a large shade in different colors that don’t interfere with the interior, which is always white, giving of impeccable lighting with no color bleed. When it’s on, the Bohemia shines a white light downward, while also enhancing the shade with subtle hues and shadows. This interplay between shadow and light defines the two volumes. The Bohemia is bright and striking, with an exceptional light that aims to surprise all viewers.

Discocó

marset > Ceiling lamp

If there is one iconic design in the Marset collection, it is the Discocó: exuberant, even when switched off, the richness of the light emitted by this lamp provides direct downward illumination as well as a dramatic surrounding interplay of light and shadow. Its detailed study of indirect light adds nuance and also depth. Further reflections dance off the chrome-covered sphere at the core, to which the discs are attached.When switched off, the Discocó is a stunning object that catches the eye and fills the space. Available in white, grey, beige and gold black in 5 different sizes and also in an oak wood finish, a high-quality material that provides unmatched quality and comfort. Using wood and making it light without conveying apparent or real weight is a challenge and for this reason this version is only available in pendant format, with a diameter of 68 cm. In this wooden edition, the interior metal structure comes in a graphite nickel finish. All versions of the Discocó provide an exceptionally cosy light.

Djembé

marset > Ceiling lamp

The Djembé collection is designed for repetition, creating musical compositions of light. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colors that can be used individually or combined to create a brilliant statement piece.Using a rotomolding technique allowed the designer, Joan Gaspar, to design a fixture with vastly different interiors and exteriors: its outside recalls the texture of a stone, giving off a perception of great weight, emphasized by its volume. In the spacious interior you’ll find a smooth, white space perfect for the reflection of light. Djembé is a lamp designed for use in public spaces that seeks to bring beauty and an unbeatable quality of light. Faced with the challenge of lighting very large spaces, the Djembé collection is growing in every sense of the word, we are introducing new ceiling and pendant versions that are over a meter in diameter, featuring the same finishes as the rest of the collection. The pendant version is notable for its intense visual impact, combining beauty and strength as it projects large amounts of indirect light. Djembé is a lamp designed for use in public spaces that seeks to bring beauty and an unbeatable quality of light.

Ginger

marset > Ceiling lamp

Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.This collection has been expanding over time to provide a solution to different lighting needs: different sizes for the suspension, tabletop (including the portable version) and floor models, two wall versions with a movable arm, and four wall lamp sizes that are simple yet formal and that can be combined with one another. The Ginger is also available in metal, offering the same warm, reflected light with no glare that helps highlight spaces. This material is applied to some models in the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, more refined, almost sculptural option. With these two highly diverse materials –wood and metal– the Ginger turns into a versatile collection, rounding out the circle and offering a lamp for every lighting and decorating need.

Hazy Day

marset > Ceiling lamp

Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.

Ihana

marset > Ceiling lamp

The serene shapes of the Ihana trace out a silhouette of light. This lighting system consists of several opal blown glass diffusers that are pleasing to the eye, appear ductile and contrast with the firmness of the metal structure that determines its shape and fastens it to the ceiling.In an effort to offer ambient light for any classic or contemporary interior design project, this collection can be used to create light compositions. This is made possible by its structure, which can be extended to include 14 diffusers, connected to a single point of light. It is available in different sizes to illuminate spaces with high ceilings as well. In addition, the Ihana features dim to warm technology, which allows not only regulating the intensity of the light, but also its colour temperature, which can vary from a warm white (3000K) to an ultra warm white, simulating candle light (1800K). Often, a design is born of necessity. Ihana, which means “exquisite” in Finnish, is one of them. Its creator, the architect Joanna Laajisto, moved her studio to a 19th century building in Helsinki and couldn’t find any lamps that fit in with her new office. In search of the beauty of light, she created a sculptural lamp defined by its pure, almost graphic forms, and by the balance between rigidity and fragility. Ihana is a synthesis of contrasts that combines contrasting colours, the black metallic structure and white diffusers, and nuances of old and new. A contemporary and timeless design made by its creator to endure over time and become part of those stories in which no one remembers what year it was designed.

Maranga

marset > Ceiling lamp

Distributing the light to make rational use of lighting. The design of the Maranga consists of a shade made up of 32 interspersed pieces that allow fine chinks of light to escape and generate shadows on any nearby wall or surface. In the centre at the bottom, an opening fitted with a diffuser filters the direct light which is projected downwards.It has a unique shape and emits a warm, nuanced light without any glare.

Mercer

marset > Ceiling lamp

The beauty of the Mercer comes not only from its pure shape but also from how its materials blend together. The transparent blown glass structure envelops the textile shade, which appears to float, conveying lightness and sophistication. The inner diffuser fabric is available in two finishes: in ecru cotton ribbon, and in a more modern and minimalist version, in pearl white.

Milana

marset > Ceiling lamp

Moving the point of light, that’s the idea behind the new design by Jaume Ramírez. Milana involves a system of modular suspension lamps that combine with one another and can be moved both vertically and horizontally.Paradoxically, this new design starts by deconstructing the archetype of a lamp; by synthesizing it as much as possible, only a cylindrical body remains, suspended with a built-in LED. To this cylinder we can add different conical shades in oyster white and black in several sizes. But most ingenious of all is that each of these lamps can have a simple counterweight such that when they are hung between two points, they can be moved. An almost imperceptible lens covers the LED and distributes the light. If only the cylindrical lamp is used, the downward-directed light is impeccable, and when a shade is added, the light escapes, illuminating the lamp itself. This new lighting system gives the user control of the light, offering a new conceptual proposal. Furthermore, the Milana collection is now also available with a pressed glass accessory, in a smoked finish. A feature that adds volume and nuance to your lighting. This version is 24 V-ready, a technical detail that allows several lamp units to be connected to a single light source. With the pressed glass version of Milana, light sets can be created to illuminate large spaces. Covering and baring lamps, moving them up, down and sideways. Mixing cylindrical shapes or combining them with decorative lamps. Milana lets you create countless compositions, a symphony of light. A cluster accessory is also available for the Milana collection, allowing you to connect several pendant lamps at once to a single point of light. This offers the freedom to build with light, to illuminate large spaces and to create compositions.

MVV

marset > Ceiling lamp

The MVV story begins in the 1970s. This new suspension lamp is a first, and was designed by Manuel Valls Vergés, one of Spain’s most notable architects at the time and partner of Jose Antonio Coderch for 15 years, alongside whom he undertook such prominent projects as the Ugalde house, near Barcelona. The MVV name reflects Vergés’ initials, as a way of displaying his authorship of this unique lamp. That was the desire of his grandson, also an architect, and of his partners in the Two-bo studio. Pablo, María and Alberto rescued this lamp 45 years later.Marset, acting as a bridge in time, took the original design —an octagon with overlapping sheets— and updated it by giving it a dual skin: cherry wood on the outside of the sheets and a white colour inside to enhance the light quality. The measurements are the same as the original’s —45 cm— and the interior structure, which was originally made of iron, is now polycarbonate, which makes it lighter. Through the use of wood, the MVV yields an exceptionally warm light. An understated, rational and eminently geometric lamp —the MVV is like a construction site, in which the direct, down-facing light is complemented by indirect light that filters through the sheets. A design that, though timeless, reflects the constructive logic of that period and evokes a great many memories.

Neón de Luz

marset > Ceiling lamp

Versatile and functional, Neón de Luz is a design intended for spaces where constant lighting is needed. Its light source is housed in a translucent polycarbonate profile. It can be installed both as a wall lamp or as a suspension lamp.

Piola

marset > Ceiling lamp

How does one design a light that translates the playfulness of an endlessly spiraling ribbon? The Piola collection is about imitating this fluidity of infinite movement, in search of a balance between the diffusion of light and the creation of shadows.A central metal column holds more than 5 meters of spiraling, laminated band, enveloping, protecting, and sifting the light for beauty and comfort. Several different types of light coexist here: direct downward light, indirect reflected light, and a light that sneaks between the edges of the spiral, illuminating the fixture itself with a warm, homey glow. The fixture’s spiraling form breaks with the monotony of cleanly ordered lines, offering a different face from every angle. At the same time, the central column provides a symmetry and solidity that supports and reinforces the visual movement of the screen.

Pu-erh

marset > Ceiling lamp

The distinction of the new Pu-erh collection lies in its use of ceramics as material to yield a lamp with a delicate, fabric-like effect. Designer and ceramist Xavier Mañosa has created a texture, evoking pleated silk, which is then applied to a conical shade, casting a wide and beautiful ray of illumination.The Pu-erh begins with a rough sketch, drawn by the hand of its designer. This sketch, with all its ridges and grooves, is applied directly to the ceramic mold, yielding a lamp whose irregular variations supply a raw, natural effect. This underlies the collection’s most essential aspect: the simplicity of its artisanal process. The craftsman barely intervenes, letting the lamp take shape naturally within the mold. The Pu-erh is arresting in its simplicity and innovative in the transparency of its process. This new collection of suspension lamps is available in three sizes —21, 32, and 42 cm— and a wide range of muted colors that allows one to appreciate the texture of the ceramic: black, blue, white, burgundy and pink. Dancing off the beautifully rippled underside of the shade, Pu-erh’s light is warm, pleasant, and playful.

Santorini

marset > Ceiling lamp

Inspired by the lanterns found on fishing boats, this collection of outdoor customizable lamps allows you to create multiple compositions. Users can choose how many shades to place on the diffuser, along with their order, position and direction. This interplay of combinations yields a rich array of direct or reflected light.This collection remains rich in its nuances and shapes by allowing the user to position the shades, creating different lighting arrangements. As such, with the Santorini Indoor the light can still be direct or reflected, simply and easily, with shades in four comforting colors: soft pink, clear green, sand or off-white. The new cloth cable gives it an appropriate softness and elegance. The variations on the Santorini lamp are further expanded by the choice of the shade color, which comes in white, grey and mustard.

Scotch Club

marset > Ceiling lamp

The warmth of the Scotch Club’s ceramics contrasts with the angles of the shade. This design follows a careful artisanal production process in which its shade is kiln-fired four times. But the Scotch Club collection isn’t just defined by ceramics. The different enamels created especially for this collection – white, terracotta and black for the outside and the brilliant white enamel or 24-carat liquid gold finishes for the inside – provide colour and texture.This original design draws geometric sculptures and is available in pendant, wall and small ceiling light versions.

Soho

marset > Ceiling lamp

The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.It is made from rotation-molded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colours: black, gray, translucent white, and sky blue.

Vetra

marset > Ceiling lamp

At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive. This collection is offered in different diameters (20, 32 and 43 cm) in white and amber, a color that emphasizes even more its relationship with the light. A contrasting layout in which the lamp proper becomes more visible and its light – sheltered by these tones – warmer.

Zenc

marset > Ceiling lamp

The Zenc’s design is inspired by the water tanks on New York rooftops. With this in mind, Gaspar has created a contemporary form reminiscent of industrial aesthetics.A shade 44 cm in diameter and 28 cm high surrounds the light source. On the outside its texture enriches the volume, and generates surprise… It seems to be made of metal, specifically zinc, a material traditionally linked to storage tanks, and like tanks, even the joints stick out. However, it is produced in rotomoulded bi-layer polyethylene. Its interior is covered in a white layer so that the light bounces, emanates and catches the eye. And that’s where the contrast is created: the outside is available in several colours – blue, grey, off-white, red, pale pink and pale yellow – while the inside is always white. A simple design reminiscent of a circular house, an archetype of essential shapes that also work in combination with each other, in different heights and colours, to offer multiple lighting possibilities. Walking around New York means looking up, wanting to discover where the skyscrapers end. On his last trip to this city, Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. A unique element that forms part of the city’s skyline. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and not only are they still there, but, surprisingly enough, they are also still installed, performing the same function.

Tam Tam

marset > Floor lamp

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.

Cala

marset > Floor lamp

The beauty of the Cala collection comes from its simple, essential form: a shade that embraces the light without restricting it, letting it project its warmth around you space. Its oak wood structure is lightweight yet strong, and is inspired by the classic painter’s easel. An iconic Marset design defined by that most precious pairing: form and function.A highly functional lamp perfect as general lighting for larger spaces. The Cala collection is also available in an outdoor version and a metal version.

Cala Metal

marset > Floor lamp

The beauty exuded by the Cala stems from its simple, synthetic and essential form: a shade that embraces the light without containing it, letting it escape to yield very warm lighting. Its structure has always been made of wood, and now it’s also available in a black lacquered metal. An iconic Marset design defined by that most valuable pairing: form and function.The new Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both versions speak the same language: the proportions, the harmony, the cosy light, and now with two different finishes to offer more possibilities. This collection is expanding, and this new metal edition provides a more neutral and versatile version.

Copérnica

marset > Floor lamp

When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines. This collection consists of a table and floor lamp, as well as a separate torchier-style floor lamp, all of which use mixed materials of different densities, such as aluminum and steel, to create a unique counterweight system. This structure affords great precision when moving the lamp, reaching different heights and distances to adjust the position and direction of the light beam. Copérnica draws minimalist sculptures in the space as if it were a canvas, and is offered in different finish combinations with subtle chromatic pairings.

Funiculí

marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Funiculí

marset > Floor lamp

The Funiculí is one Marset’s most emblematic lamps. Its design is over 30 years old, but is still just as modern and functional as the day it was designed. Yet there’s one avenue that remains unexplored.Heir to the first Funiculí, we offer a version with a fabric shade, a design that Lluís Porqueras first conceived in 1979 but that is only now seeing the light of day. Respecting the initial design to the fullest, only its proportions have been updated. In the fabric version, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height. The essence of both lamps continues to be their simplicity, but this design is chic and classical, perhaps even more sophisticated than the original. This collection comes in floor, table and wall versions and two colours, beige or white, with the black structure.

Ginger

marset > Floor lamp

The floor version of the Ginger collection is available in wood, a great ally of more intimate lighting. The difficulties of moulding wood are solved neatly with this collection: the ingenious combination of thin sheets of wood, paper and resins, compacted under high pressure, yields a lamp with an almost flat, understated appearance that use reflected to warmly illuminate spaces.The extensive Ginger collection includes numerous sizes of pendant, table (including the portable version), floor, and wall lamps, as well as a flush-mount version that can combined together in clusters of 2 to 3 fixtures, connected via an accessory to a single outlet box. A new outdoor collection, with water-resistant metal shades, joined the family this year. There’s truly a Ginger lamp for every lighting and aesthetic need.

Ginger

marset > Floor lamp

Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.

High Line

marset > Floor lamp

Visually, the High Line is a light sculpture, a svelte line that gives off light without revealing its source. This floor lamp by Josep Lluís Xuclà generates light indirectly by reflection, and uniquely, the light does not bounce off the ceiling, but off the wall. Its designer is interested in having the wall return the emitted light. A wall is this lamp’s greatest ally, and they want to remain close.Formally, it’s a composition in volumes and colors. Three blocks that stand out for their shapes and tones: the vertical, light-carrying element in oak or wenge is attached to a block of lacquered wood. Both rise above the black base, which defines the optimal distance at which to place the lamp from the wall to generate an ideal light source. The austerity of its shapes contrasts with the warmth of its wood and the depth of its colors.

Polo

marset > Floor lamp

Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps. The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.

Scantling

marset > Floor lamp

Wood and metal combine in a design that utilizes the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design. The Scantling collection includes a table, wall and two floor versions.